The Whale Rider
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Average customer review:Product Description
Eight-year-old Kahu, a member of the Maori tribe of Whangara, New Zealand, fights to prove her love, her leadership, and her destiny. Her people claim descent from Kahutia Te Rangi, the legendary "whale rider." In every generation since Kahutia, a male heir has inherited the title of chief. But now there is no male heir, and the aging chief is desperate to find a successor. Kahu is his only great-grandchild--and Maori tradition has no use for a girl. But when hundreds of whales beach themselves and threaten the future of the Maori tribe, it is Kahu who saves the tribe when she reveals that she has the whale rider's ancient gift of communicating with whales.
Now available in simultaneous hardcover and paperback editions.
Feature film in theaters in June 2003!
Product Details
- Amazon Sales Rank: #19648 in Books
- Published on: 2003-05-01
- Original language: English
- Number of items: 1
- Binding: Paperback
- 168 pages
Editorial Reviews
From School Library Journal
Grade 5-8-A poetic blend of reality and myth provides a riveting tale of adventure and passion. An ancient whale ridden by a mystical man rises from the sea, the rider throwing spears that blossom like seeds into gifts of nature. One last spear "-flew across a thousand years. When it hit the earth, it did not change but waited for another hundred and fifty years to pass until it was needed." It sprouts when Kahu, a girl child, is born to the eldest grandson of the chief of the Maori in Whangara, New Zealand. Koro Apirana is disgusted; he needs a male child to continue the line of descent in the tribe. The years that follow further harden his heart toward his great-granddaughter in spite of the bottomless love and respect she showers upon him. The child's great-grandmother, the irreverent Nanny Flowers, proves to be the strength of this family; she nurtures the girl whom she knows holds the key to the future. The complex mixture of archetypal characters and cultural troubles make this novel appropriate for mature readers. Overt and sometimes violent racism is encountered and the tragic and bloody death of hundreds of beached whales may disturb younger readers. This story, originally published in New Zealand in 1987, is the basis of the recently released film by the same name. It's a tale rich in intense drama and sociological and cultural information. A Maori glossary is appended.
Susan Oliver, Tampa-Hillsborough Public Library System, FL
Copyright 2003 Reed Business Information, Inc.
From Booklist
Gr. 7-12. Kahu is a girl, born into a contemporary Maori family that traces its lineage to the magnificent Whale Rider, a fabled ancestor who traveled the seas astride an ancient whale. From an early age, Kahu possesses a chief's mystical aptitude, but her grandfather believes that chiefs must be male, and Kahu's talents are overlooked. Rawiri, Kahu's young adult uncle, narrates this novel, which is part creation myth, part girl-power adventure, and part religious meditation. Chapters alternate between Rawiri's telling of Kahu's story and scenes of the ancient whale. The two stories come together in powerful events that, as Rawiri says, have "all the cataclysmic power and grandeur of a Second Coming." With such esoteric material and many wandering plot threads, the story may prove difficult for some readers. But Ihimaera, best known for his adult books, combines breathtaking, poetic imagery, hilarious family dialogue, and scenes that beautifully juxtapose contemporary and ancient culture. A haunting story that is sure to receive additional interest from this summer's film adaptation. Gillian Engberg
Copyright © American Library Association. All rights reserved
Review
Customer Reviews
Magical
"Whale Rider" is best known as the hit indie movie, winner of the Audience Award in the 2003 Sundance Film Festival. But the basis for that film was Witi Ihimaera's magical, lore-laden novel "Whale Rider," a bittersweet story about a Maori girl and her mysterious destiny.
The first great-grandchild of the Maori chief Koro Apirana is born... but a girl called Kahu, not the hoped-for boy, and soon her mother dies. Koro is upset, since only a male can carry on the line. He hopes for a destined chosen one to restore the Maori people, but his hopes are growing more and more futile. He starts teaching young boys about the old traditions, looking for the one who can "pull the sword from the stone."
Meanwhile, Kahu grows up into an inquisitive and sweet-natured eight-year-old. She loves her grandfather, but his bitterness over her not having been a boy has never really worn off. But one day, whales are found beaching themselves near the town where Kahu lives, and she hears their song. Searching for his old friend, master and rider, the oldest whale will find Kahu.
Few novels have the earnest simplicity that "Whale Rider" does. Ihimaera tackles subjects like tradition, sexism, faith, and of course the Maori culture. Not a lot of books and movies handle the Maori, who are the native people of New Zealand, and Ihimaera does an excellent job of conveying the creation myths, a handful of traditions, and the danger to it now (illustrated by Rawiri's journeys to Australia and Papua New Guinea).
Since the story is told through Kahu's biker uncle Rawiri, it takes us awhile to get to know Kahu. Similarly, the book is rather ordinary near the beginning, and the writing is too simple. But it grows in majesty, mystery and poetry as it progresses to its haunting, magical climax. Among the best parts of the book are the almost mythological sections devoted to an ancient whale who carried the Whale Rider long ago.
Kahu is a nebulous figure for much of the book, but flowers about halfway through, when Rawiri returns to New Zealand. Koro is an enigmatic character, crusty and grumpy, but is deeply concerned for his people and loves his granddaughter underneath it all. Nanny Flowers, who threatens to divorce Koro on at least a daily basis, is a wonderful character.
Sweet, beautifully written and memorable, "Whale Rider" is a memorable tale about traditions and culture, and about a little girl in white who rode a whale out to sea.
Movie v. Book
I read the book after seeing the movie, and found the book to be grittier. The book explains the myth of Paikea (Kahutia Te Rangi), the whale rider, in more detail, and explores Maori social issues in more depth. The story is also told from the perspective of someone other than Kahu (Pai).
The book stirred my imagination very differently than the movie. The movie had an ethereal quality that the book doesn't have as much, but the book explores the mystery surrounding the myth in a way that the movie doesn't begin to touch upon.
This book is immensely respectful of its characters, their failings, fears, and shortcomings, and despite the fact that the book centers on a founding myth, its humanity and compassion will move you. I highly recommend this engrossing, moving read, even to adults. In terms of an appropriate audience, children under ten or eleven might be upset by some of the scenes in the book, ranging from whaling practices to the consequences of an auto accident.
The Whale Rider
This is a beautiful work that fills one with the chills of destiny. I decided to read the book after seeing the movie, and though the movie was very good, the book gives a greater flavor of the Maori culture.
Koro Apirana is the chief of the tribe but he is disappointed when a girl first-born child comes instead of a boy. His eldest son's first wife dies, sealing the destiny for Kahutia Te Rangi to be the only heir to the chief. Her name also, is the one of the ancestor who was the first to come to their land, and the first whale rider. Koro's wife, Nanny Flowers gets their son to name her that, but afterward everyone says she's gone too far. Kahu proves to be a strong child, who loves her grandfather even though her love is not returned. When she hears the whales calling, destiny is calling her too. Witi Ihimaera's magical tale of Kahu brings a sense of the strength of the Maori culture to her readers. There is more to the book than the movie.

