Product Description

Attaining more than his share of enemies when his whistle-blowing practices draw attention to several environmentally careless corporations, Sangamon Taylor finds himself dodging the bullets of an unhinged genetic engineer. Reprint. K. PW.

Product Details

• Amazon Sales Rank: #372371 in Books
• Published on: 1995-07-01
• Released on: 1995-06-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 320 pages

Amazon.com Review
Believe it or not, some readers find Zodiac even more fun than Neal Stephenson's defining 1990s cyberpunk novel, Snow Crash. Zodiac is set in Boston, and hero Sangamon Taylor (S. T.) ironically describes his hilarious exploits in the first person. S. T. is a modern superhero, a self-proclaimed Toxic Spiderman. With stealth, spunk, and the backing of GEE (a non-profit environmental group) as his weapons, S. T. chases down the bad guys with James Bond-like Zen.

Cruising Boston Harbor with lab tests and scuba gear, S. T. rides in with the ecosystem cavalry on his 40-horsepower Zodiac raft. His job of tracking down poisonous runoff and embarrassing the powerful corporations who caused them becomes more sticky than usual; run-ins with a gang of satanic rock fans, a deranged geneticist, and a mysterious PCB contamination that may or may not be man-made--plus a falling-out with his competent ("I adore stress") girlfriend--all complicate his mission.

Stephenson/S. T.'s irreverent, facetious, esprit-filled voice make this near-future tale a joy to read.

From Publishers Weekly
Stephenson's (The Big U) improbable hero is Sangamon Taylor, a high-tech jack-of-all-trades who inhales nitrous oxide for kicks and scouts environmental hazards for GEE, the Group of Environmental Extremists. Taylor particularly wants to nab the polluters of Boston Harbor, whose toxic sludge he monitors by zipping from illegal pipeline to illegal pipeline in his inflatable Zodiac raft. His work is slow-going and boring until the concentration of deadly PCBs rises inexplicably and then mysteriously drops to nothing. And then the "eco-thriller" begins: the bad guys are everywhere as Taylor ferrets out the connections between his bizarre landlord, a nerdy friend from college who's at work on a top-secret genetic-engineering project for a high-tech company, an industrialist-turned-Presidential-candidate and the crazed fans of Poyzen Boyzen, a heavy-metal band. In creating this all-too-conceivable story of industry and science running amok, Stephenson puts his technological knowledge elegantly to use, but never lets gadgets and gizmos take over the story. The characters are entertaining, if broadly drawn, and the rip-roaring conclusion will make a dandy denouement in the movie rendition. Film rights to Warner Brothers.
Copyright 1988 Reed Business Information, Inc.

From the Publisher
Sangamon Taylor's a New Age Sam Spade who sports a wet suit instead of a trench coat and prefers Jolt from the can to Scotch on the rocks. He knows about chemical sludge the way he knows about evil -- all too intimately. And the toxic trail he follows leads to some high and foul places. Before long Taylor's house is bombed, his every move followed, he's adopted by reservation Indians, moves onto the FBI's most wanted list, makes up with his girlfriend, and plays a starring role in the near-assassination of a presidential candidate. Closing the case with the aid of his burnout roomate, his tofu-eating comrades, three major networks, and a range of unconventional weaponry, Sangamon Taylor pulls off the most startling caper in Boston Harbor since the Tea Party. As he navigates this ecological thriller with hardboiled wit and the biggest outboard motor he can get his hands on, Taylor reveals himself as one of the last of the white-hatted good guys in a very toxic world.

Customer Reviews

My favourite NS
OK, _Snow Crash_ caught my attention. But it suffered (imho) from grandiosity -- the need for a Great Cosmic Plot Resolution. DA was even more interesting but has some of the same disease -- the themes get so big they are unwieldy. Same goes for the voudun stuff in Gibson, if you ask me.

_Zodiac_ is my pick of NS's work. I buy used copies and give them away to people. It's better than his later works because he's on his own turf, writing more tightly and realistically about stuff he really knows. The manuscript glitters with one-liners; I sometimes slowed down and read whole sections out loud to myself to get the full enjoyment out of them.

Sangamon Taylor, ego and all, has become one of the most memorable characters of my long SF-guzzling career. I recommend this book to sci fi and non-sci-fi readers alike. I still don't believe you can punch a hole in a zode with a wired tazer, but I love the book anyway :-)

And yes, it's a cautionary tale. It has a moral message. So has Dickens, most of Shakespeare, and most of Star Trek for that matter. There's nothing wrong with preaching if it's done with wit, style, and real passion. I think NS pulls it off. If I didn't dread sequels so much, I'd love to see a volume of the prior, or continuing, adventures of ST.

Yes, "Eco-Thriller"
"Zodiac" is Neal Stephenson's second book, written between the unimpressive "The Big U" and the cyberpunk classic "Snow Crash." It was mildly successful and according to Stephenson, "on first coming out in 1988 it quickly developed a cult following among water-pollution-control engineers and was enjoyed, though rarely bought, by many radical environmentalists." Unlike Stephenson's more recent works, it involves only one linear plot line, and is also of a more reasonable size. This may make it his most accessible work, though it isn't his most entertaining.

The story is told in the first person, from the perspective of Sangamon "S.T." Taylor, a Boston chemist employed by the Group of Environmental Extremists (GEE), International - an organization probably inspired by Greenpeace. S.T. works as a professional headache for industrial polluters flaunting the law and endangering their communities. His job is to terrorize the companies into acting in what is really their own best interest (i.e., not destroying the earth for short-term savings). Of course, it should go without saying that S.T. does not actually use terrorism to terrorize these polluters. Rather, he works with a potent mix of trespassing, his classic tactic of plugging up the pipes dumping toxic waste into the water supply, and his ultimate weapon: Bad Publicity.

"Zodiac" starts of with some fun actions of this sort, but the story does not really begin until S.T. unexpectedly finds incredibly large amounts of incredibly toxic PCBs in Boston Harbor. Just as soon as he starts his investigation, however, the poisons disappear - which, if it had happened spontaneously, would be a mind-boggling 'violation' of the Second Law of Thermodynamics. Since there's no known way for PCBs to be removed from the water by hand, the only explanation is that S.T. has committed the screw-up of a lifetime. No sooner has S.T. resigned himself to this fate than the PCBs reappear, in even greater quantities. That's when large numbers of people start trying to kill him. To say nothing of the Satanists. Framed as an ecoterrorist, S.T. is forced to flee Boston and join forces with the real environmental extremists in order to unravel the mystery of the PCBs, redeem himself, and, quite possibly, save the world.

So "Zodiac" really is an "Eco-Thriller," and I enjoyed it as much as (if not more than) the more famous "Snow Crash." At the very least, "Zodiac" has aged better. While some parts of "Snow Crash" read like the the wildest fantasies of the .com boom, "Zodiac" could easily be set anytime in the next (or past) twenty years. Many of the book's apparent flaws come from comparison to Stephenson's later work: "Zodiac" lacks both the intricate, awe-inspiring complexity of "Cryptonomicon" and "The Baroque Cycle" as well as much of the indescribable brand of humor that made "Snow Crash" and "Cryptonomicon" so memorable. Another gripe could be characters - except for a few main characters, they remain vague outlines for the most part. We know they're present, but don't really get a clear picture of them.

At any rate, if you're a Stephenson fan, "Zodiac" is well worth a read. Even compared to his later works, it shouldn't disappoint. On the other hand, if you're new to Stephenson, "Zodiac" is as good a place to start as any. Although it's not the experience that "Snow Crash" and "Cryptonomicon" are, it's also more accessible and not nearly as imposing as "Cryptonomicon" and "The Baroque Cycle." I recommend it.

Not just for cyberpunks & bitheads!
Neal Stephenson is considered a "cyberpunk" writer due to his mega-hit "Snowcrash". This ghettoisation of his books is unfortunate, as it keeps potential mass market readers from discovering the excellent "Zodiac". Any reader who enjoys a fast paced thriller will go wild over this book! It is hard to put down & will disturb it's readers with the extent of the poisoning of our planet that we all cooperate in on a daily basis by participating in a market economy. Even though "Zodiac" is classed as science fiction, the facts in this book are documented & real; only the events are fiction, but anyone who reads the newspaper will recognize the basis for the characters & action. In summary: this is an exciting book that will stay with you long after you've closed the cover. READ "ZODIAC"!