Product Description

A spectacle beyond anything you've ever witnessed. An experience beyond everything you've ever imagined. Behind the red velvet curtain, the ultimate seduction of your senses is about to begin. Welcome to the Moulin Rouge! Nicole Kidman and Ewan McGregor sing, dance and scale the heights of passionate abandon in the year's most talked-about movie from visionary director Baz Luhrmann (William Shakespeare's Romeo + Juliet, Strictly Ballroom). Enter a tantalizing world that celebrates truth, beauty, freedom and above all things, love.

Product Details

• Amazon Sales Rank: #1208 in DVD
• Brand: KIDMAN,NICOLE
• Released on: 2003-01-14
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Color, DVD, Subtitled, NTSC
• Original language: English, Spanish
• Subtitled in: English
• Number of discs: 1
• Dimensions: .22 pounds
• Running time: 127 minutes

Amazon.com essential video
A dazzling and yet frequently maddening bid to bring the movie musical kicking and screaming into the 21st century, Baz Luhrmann's Moulin Rouge bears no relation to the many previous films set in the famous Parisian nightclub. This may appear to be Paris in the 1890s, with can-can dancers, bohemian denizens like Toulouse-Lautrec (John Leguizamo), and ribaldry at every turn, but it's really Luhrmann's pop-cultural wonderland. Everyone and everything is encouraged to shatter boundaries of time and texture, colliding and careening in a fast-cutting frenzy that thinks nothing of casting Elton John's "Your Song" 80 years before its time. Nothing is original in this kaleidoscopic, absinthe-inspired love tragedy--the words, the music, it's all been heard before. But when filtered through Luhrmann's love for pop songs and timeless showmanship, you're reminded of the cinema's power to renew itself while paying homage to its past.

Luhrmann's overall success with his third "red-curtain" extravaganza (following Strictly Ballroom and William Shakespeare's Romeo & Juliet) is wildly debatable: the scenario is simple to the point of silliness, and how can you appreciate choreography when it's been diced into hash by attention-deficit editing? Still, there's something genuine brewing between costars Ewan McGregor and Nicole Kidman (as, respectively, a poor writer and his unobtainable object of desire), and their vocal talents are impressive enough to match Luhrmann's orgy of extraordinary sets, costumes, and digital wizardry. The movie's novelty may wear thin, along with its shallow indulgence of a marketable soundtrack, but Luhrmann's inventiveness yields moments that border on ecstasy, when sound and vision point the way to a moribund genre's joyously welcomed revival. --Jeff Shannon

From The New Yorker
A frantically ambitious postmodernist musical in which no single song is performed from beginning to end and no dance number is staged without the dancers' movements being kaleidoscoped into a dozen angles. Set in a stylized and digitalized Paris, the movie offers the Moulin Rouge night club as a seething Belle époque Studio 54, where a fresh-from-the-provinces poet named Christian (Ewan McGregor) falls in love with Satine (Nicole Kidman), a consumptive cancan dancer and courtesan. The story is no more than a flimsy outline, but it still manages to combine the Orpheus myth and "Camille" and to vaguely evoke about a dozen other films. When the lovers sing a duet, they begin with a few bars of the Beatles' "All You Need Is Love" and pass through bits of Phil Collins, U2, and David Bowie and Brian Eno before capping it off with Elton John's "Your Song." It's as if the director, Baz Luhrmann, felt that he could hold the target audience of young people only by making reference to their entire experience of pop music. Luhrmann has a talent for décor, sudden shifts in perspective, and gentle, twinkling nighttime effects, but he whips much of the movie into an opéra-bouffe clownishness. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Eye Candy at the Moulin Rouge
I must admit that when I first went to see Mouln Rouge in the theaters, I was most reluctant. It looked cheesy to me, but I kept hearing good things about it. So finally I went, and was blown away. This movie, from a writing aspect, breaks no new ground, but visually,it is astonishing. The beautiful thing about film is that the same story can be told over and over in different styles. And Baz Luhrman's style is most definitely unique. The movie pulls you in from it's opening moments, and rarely lets go. I did find the movie slightly over-indulgent at times, as though Baz was throwing certain visual effects in for the sake of throwing them in. But the acting all around is incredible, and the music is absolutely genius. Many may have a problem with what could be describe as a 2 hour music video, but I loved it. It is definitely geared towards the MTV generation, but I think it can be enjoyed by all. All in all, it is the best movie I have seen in a long time.

Wish I saw it in the theater.
At a time when movie-goers reward high budget, formulaic, Hollywood concoctions, I am grateful for this creative, unconventional, genre-defying movie. By genre, I don't mean musical or drama. I mean film, theater, opera, circus. Somehow the director had so much vision he managed to take so many unsavory elements (unoriginal love story, singing, dancing, so much lace and ruffles, a bit of campiness)and turned them into breath-taking entertainment. The first time I saw it, it did strange things to my pulse, but it was the second time that I let myself enjoy it. I feel sorry for all the critics and movie-goers who expected it to be what movies are 'supposed' to be and so didnt have anything to compare it to or knew how to relate to it. There really has never been anything like it. For those who have not seen it, I suggest approaching it as you would a roller-coaster ride (dont expect to be in control).

Words don't describe it!
I went into the cinema expecting to be amazed with the costumes and scenery, in awe of the singing, and enthralled in the story. Basically I went into Moulin Rouge with unreachable expectations.

I wasn't disappointed!

The movie was unlike anything I've ever seen. The camera angles, and difficult shots are at times dizzying and overwhelming, but in the fantasy world that Baz Lurhmann has created it all works. The music is beautiful and inspiring and funny all at the same time.

Nicole doesn't have the most powerful or experienced voice, but it only adds to the poignancy of her character. I found that she fit the part far better than I expected. Her rendition of "One Day I'll Fly Away" was especially nice.

As for Ewan, he can *really* sing! His voice was clear and powerful, and the Elephant love melody duet was probably one of my favourite sequences. That last scene (*sniffs)...Wow.

I laughed (never I thought I'd enjoy Madonna's "Like a Virgin" quite so much!) and I cried, and I left the theatre shaking. I haven't felt that way since...I've never felt that way. I sincerly hope this film does well, because it is so unique and beautiful and touching.

I heartily recommend Moulin Rouge to everyone. It's truly a movie lover's movie. It's a movie, and you never once forget it. It's flashy and loud and fake. But the fact that it just doesn't make sense is what makes it make sense. It's a movie and it's art at the same time.

Stop reading already, and go see Moulin Rouge!

"The greatest thing you'll ever learn is just to love, and be loved in return."