Product Description

After a meteor crashes in a small country town parasitic worms infect the residents turning them into monsters and zombies.
Genre: Horror
Rating: R
Release Date: 18-SEP-2007
Media Type: DVD

Product Details

• Amazon Sales Rank: #16405 in DVD
• Brand: FILLION,NATHAN
• Released on: 2006-10-24
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: AC-3, Color, Dolby, Dubbed, DVD, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish, French
• Dubbed in: French, Spanish
• Number of discs: 1
• Dimensions: .20 pounds
• Running time: 96 minutes

Amazon.com
With laughs and gross-outs aplenty, Slither is the best horror comedy since Shaun of the Dead. Having written for the jubilant trash-mongers at Troma Films before scripting 2004's well-received remake of Dawn of the Dead, writer-director James Gunn crafted this hilarious splatter-fest as an homage to the comically violent horror films of the 1970s and '80s, and he gets it just right with a low-budget look, perfect casting, grisly make-up effects and judicious use of CGI gore. The story's a deliberate monster-mash, borrowing from a dozen other movies with its plot about an invasion of slithery slug-like parasites from outer space, arriving (via meteorite) in the redneck town of Wheelsy, South Carolina, where they turn most of the local yokels into flesh-eating zombies. The first victim (played by Michael Rooker) turns into a squid-like, multi-tentacled host monster (kill him and you kill 'em all), and his terrified wife (Elizabeth Banks) teams up with Wheelsy's sheriff (Nathan Fillion, from Firefly and Serenity) and mayor (comedic scene-stealer Gregg Henry) to eradicate the alien threat before Wheelsy turns into Slugville. Gunn handles comedy and horror with exuberant flair, and Slither's greatest strength is that it never aspires to be anything more than it is: 96 minutes of good laughs and gruesomeness, served up with the kind of gleeful abandon that only true horror buffs can fully appreciate.--Jeff Shannon

From The New Yorker
It's rednecks versus zombies in James Gunn's delightfully disgusting comic horror film, in which parasites from outer space invade their hosts. Gunn (who wrote the exuberant "Dawn of the Dead" remake) is a true movie nut, with a tongue-in-cheek approach to horror that aspires to "Tremors" and "Rabid" and injects the genre with his own brand of twisty black humor. The film is equally outrageous and sardonic, and the cast, which includes "Firefly" 's great Nathan Fillion, is more than game (literally). Awful fun.
Copyright © 2006 The New Yorker

Customer Reviews

Alien slugs, tentacles, zombies.....oh my!!
James Gunn first got his chance to work in the horror-comedy genre with his time in Troma Films. His first contribution to the genre being a send up of Shakespeare's Romero and Juliet aptly titled as Tromeo and Juliet. He next moved on to penning scripts for the major studios with his first two being the critically-panned, but profitable two Scooby-Doo live-action films. Gunn next moved on to writing a script reimagining George A. Romero's classic Dawn of the Dead. Despite howls of protest from the original film's legion of fans, the film went on to be a modest success and helped bring about the renaissance of the current zombie mania in all facet of entertainment. Gunn follows up the success of his Dawn remake by not just writing the script but finally getting behind the camera and directing it himself. I'm glad to say that James Gunn's first directorial debut with Slither has turned out to be one fun, gross-out, disgustingly hilarious horror-comedy that brings to mind the splatter-comedy films of the 1980's.

I say that Slither has alot in common with the horror-comedy during the 80's just for the fact that we've not seen a film of this kind since. Slither brings to mind such 80's B-movie shlock classics like Critters, Return of the Living Dead, and Night of the Creeps. But Gunn also pays some an homage to cult classics like John Carpenter's The Thing. One of the character's in the film and a store are even named after The Thing's badass antihero, R.J. MacReady. Then there's the tip of the hat to Romero's zombies, though this time around I would say that Gunn had more in mind the quickthinking and funny undead from John Russo's Return of the Living Dead. There's even a shout out to Invasion of the Body Snatchers as the alien slug-controlled populace are actually part of a much larger organism who thinks for all.

The story Gunn came up with for Slither was pretty straightforward and simple. Intelligent alien organism bent on world domination hitches a ride on a meteor which travel the depths of space until it falls on an unsuspecting planet. Unfortunately, the planet in question for the film happens to be Earth. Right from the get go the comedic aspect of the film begins even as the alien-laden meteor crash lands its way to one Wheelsy, N.C. A podunk town where the most interesting to happen each year is the annual Deer Cheer which signals the start of Deer Hunting season. We get to see the mundane day-to-day life of the townspeople from the pretty high school teacher Starla Grant (adorably played and with a strong sense of marital fidelity by Elizabeth Banks from 40-Year Old Virgin), the town's obnoxious and foulmouthed Mayor MacReady (Gregg Henry's performance was hilarious and he gets pretty much all the best one-liners), to its Chief of Police Bill Pardy (Nathan Fillion in Han Solo mode).

The alien soon finds a host in the town's richest person who also happens to be Starla's much older husband, Grant Grant. Michael Rooker (Henry: Portrait of a Serial Killer) plays Grant and his performance was both funny and sad. He pretty much starts morphing into a creature somewhere between Jabba the Hutt and a Lovecraftian squid-person. But through it all, Grant's love for his wife manifests itself by way of the alien's collective intelligence. When the townspeople all start getting infected by the large, slug-like offsprings of the main alien, it's hilarious to find that they all share Grant's love for Starla. It would seem that the alien collective learned abit or two from Grant about marital love and also a love of Air Supply's syrupy ballad, "Every Woman in the World." These zombies chant the word "Starla" instead of "brains." The rest of the film was pretty much Starla, Bill Pardy and a small band of survivors trying to stop the Grant-alien, the slugs and the zombified townspeople from spreading out of Wheelsy and out onto the rest of the planet.

The film balances well between horror and comedy. The horror aspect of Slither comes from the many gory scenes. Trust me when I say that this film has more than its share of blood, gore and splatter. We're shown dead and gutted pets and farm animals. Not to mention the requisite flesheating performed by the zombies. the great thing about the scenes of horror in Slither was the absence of CGI except for a scene or two and even then it was difficult to pinpoint which was CGI and which was animatronics and make-up effects. Slither's monster effect owes alot to the work of Rob Bottin and his crew who did the disgustingly creative effects on Carpenter's The Thing. I'm glad to see that Gunn decided to forgo CGI for these scenes and went for more realism. Even if such realism were nauseatingly disgusting and gross. Just what a horror movie was suppose to be. The comedy part came not from the aliens and the scenes of horror, but from the characters reactions to the unfolding events around them.

Just like Shaun of the Dead, Slither's characters stumble, bumble and trip their way through the crisis. Even Fillion's character of Bill the Chief goes against the stereotypical hero from these type of film. He's a smartass about his job and how he sees the people he's suppose to protect, but when the time came to do his job as protector he tries to do the best he can even though the best he can doesn't measure up to what we're suppose to get from our heroes. The dialogue is fast and crisp which made for alot of hilarious one-liners and most of the m coming from the mouth of Slither's Mr. Pibb obssessed Mayor MacReady and his penchant for overreacting to everything and also for calling everyone c**ksucker. Gregg Henry's character by far got the most laughs whenever he said something on-screen.

Slither doesn't try to be anything but what it set out to be: a funny horror film with a large helping of slapstick, splatter and slime. In thet respect, James Gunn succeeded with his writing and directing of Slither. The movie doesn't bring any originality to the horror-comedy genre. To be honest, there's not much originality left to bring to the genre, but Slither takes all the usual conventions from those 80's horror-comedies and gives it a new millenium vibe. The acting by the cast was well-done and showed that they must've have fun doing the film. The special effects were done old-school style with nary a CGI-effect to be seen except for a few brief scenes. In the end, Slither was one fun rollercoaster of a movie that scared the audience into jumping and recoiling in their seats and at the same time making them scream, shout and laugh when doing so. I've never had as much fun these last couple years watching a movie like I did with Slither.

And now for some fun
Over the last year or so, the true horror films (meaning, the non-PG-13 teen fests) took themselves very seriously. We had enough hacked off limbs (Saw II), weird decapitations and spewing blood (High Tension), torture (Hostel and Wolf Creek) and just plain good scares and gore (The Descent, The Hills Have Eyes) to last a lifetime. Most of these films had some connections to the 70s gore flicks in which the premise is made to instill terror and to disturb those watching it. While you can't call some of the films "fun" exactly, they are all excellent in instilling terror and disturbing their viewers.

Into this fray comes a little film by James Gunn, the writer of the Dawn of the Dead remake/re-imagining, this time as not only writer but also director. James Gunn began his career making Troma films like Tromeo and Juliet. If you don't know what these films are, well I'm not about to explain them to you just go rent one. Slither feels like a Troma picture with a bigger budget, a better script and with better actors. What you can expect here is tons of gore but done in a fun, gross, over-the top way that makes you laugh as well as cringe. Its about as close as you can get to the previously mentioned films while at the same time being so far removed.

Slither is about a very sleepy town in which the town's police use the speeding radar to track how fast the local birds fly and in which a meteor crashing into the forest behind them goes by totally unnoticed. It's also a movie in which a man can be named Grant Grant, be an egotistical arse and become a host for a slug-like parasite. It's also a movie in which seeing a squid-man, slugs and a bloated woman elicits nothing more than a "this is some f---ked up sh-t." It's campy, but it's supposed to be.

It also is a movie that ends up being a total homage to movies from the 80s. Everything from Evil Dead to Aliens to The Thing to even Predator (listen carefully to the music in one scene) to, of course, The Blob pops up. By far, the most inspired moments are zombies who are all crying "STARLA!" in reference to A Streetcar Named Desire and the famous line "STELLA!"

This is a good time to be a horror fan. Slither is a fun film that will leave most horror fans giggling. It reminds me of the 80s and the time when horror films were gross, maybe scary, but mostly fun. Don't get me wrong, I will be the first one in line to see the other intense and disturbing films that bring back memories of the 70s goresploitation films. But sometimes its nice to grab a bag of popcorn and watch alien slugs try and take over the world.

FINALLY!! A GREAT HORROR FILM!!!
Horror fans should jump for joy at the release of James Gunn's Slither. Finally, a good - and REAL, horror film. What do I mean by "real"? Glad you asked. Many ardent longtime horror fans have complained that much of the dreck released nowadays as "horror" is anything but, mostly consisting of second-rate thrillers made for teenagers that rely on simple startle effects and loud sounds to make inexperienced viewers jump. This alone does not for real horror make, many sayeth. Whatever happened to the real horror film, to films that were made to give the horror fan what they want, and not what general audiences want? Whatever happened to horror films that thrill, that create a sense of excitement while maintaining a genuine atmosphere of genuine creepiness? Whatever happened to horror films that are just flat-out entertaining, making viewers laugh and unnerving them in equal measure? Such films haven't been made since the 80s, many true horror fans will tell you. What Gunn has done that's so wonderful is that he has successfully brought such creepy and fun movies back. He knows this and he relishes in the fact. He pays homage to such films. He has made a fantastic horror film that manages to be fantastic while not taking itself seriously. He knows what horror fans want and he delivers. He did, after all, in a time plagued by perpetual, stagnant, and TERRIBLE remakes of classic horror films give us what was pretty much the only good remake (Dawn of the Dead). (They are now, by the way, remaking The Wickerman, The Omen, Black Christmas, Suspiria...the list just grows and grows). Forget the insipid, self-important, and BORING remake of The Hills Have Eyes, forget the moronic and unneeded remake of When a Stranger Calls, and go see Slither, all you self-respecting horror fans. Slither is great, and even the critics know it! On rottentomatoes.com (a site that tallies whether the big reviewers from around the country like or don't like a film) Slither has better reviews than any horror film in years (with perhaps the exception of Romero's Land of the Dead). Hell, it has better reviews than Crash, by far, which won best picture!! It's great to see film critics getting behind and horror film in unison, a genre they usually dump on. Slither is one hands-down excellent film. It masterfully manages to be downright unnerving and (intentionally) laugh-out-loud hilarious, and often both at the same time. This film is destined to be a cult classic, as it is easily one of the best films of its kind ever made. (The scene where a mother, spewing blood from her mouth, tells her daughter that it's "family fun day" will make your side split with laughter.) The dialogue is great, and is very quotable: "Does Lyme disease make you look like a squid?" Gregg Henry by the way, who plays the mayor, truly deserves to win best supporting actor. The scene where he flips out after being attacked by zombies because his can of Mr. Pibb's is gone is classic.