Product Description

Miss Marple discovers what makes a house a home-to murder...

Gwenda Reed's new home, a charming Victorian villa, is giving the lovely new bride the strangest feeling of dŽjˆ vu-and an unnatural dread that's taking its toll. But how can her husband's aunt, Miss Marple, solve a mystery such as this when the only clues are those in Gwenda's vivid imagination?

Product Details

• Amazon Sales Rank: #56689 in Books
• Published on: 2000-05-01
• Released on: 2004-09-07
• Original language: English
• Number of items: 1
• Binding: Paperback
• 224 pages

Review
Has all the virtues of Agatha Christie's work. -- Times Literary Supplement

Review
"Has all the virtues of Agatha Christie's work: a coherent plot, firm and purposeful narration, and a pleasant style."
--Times Literary Supplement

About the Author
Agatha Christie was born in Torquay in 1890 and became, quite simply, the best-selling novelist in history. Her first novel, The Mysterious Affair at Styles, written towards the end of the First World War, introduced us to Hercule Poirot, who was to become the most popular detective in crime fiction since Sherlock Holmes. She is known throughout the world as the Queen of Crime. Her books have sold over a billion copies in the English language and another billion in over 100 foreign languages. She is the author of 80 crime novels and short story collections, 19 plays, and six novels under the name of Mary Westmacott

Customer Reviews

One of my personal favorites
This is a cracking good Agatha Christie Miss Marple mystery. The plot of Miss Marple's helping to solve a mystery that is many years old and hinges on a young women's long-suppressed childhood memories is different and surprisingly believable. It kept me guessing right up til the end. Vocal characterizations are good, this is one mystery that will not disappoint fans of Dame Agatha.

Miss Marple is ALWAYS a pleasure!
The plot of Sleeping Murder revolves around New Zealander Gwenda and Englishman Giles, a young, newly-married couple. While Giles is traveling on business, Gwenda is charged with finding a house in the English countryside for the pair. She jaunts through the country on the errand, enjoying being a tourist as well as a house hunter. (She has never visited England before.) Gwenda finds a charming Victorian villa where she immediately feels at home, purchases it, and begins to decorate and renovate it in preparation for Giles' arrival.

Then the odd things start to happen. She asks the gardener to move some steps from one place to another. Upon beginning the work, the gardener discovers that the new location for the steps was actually original to the house. She requests that a door be cut from one room to another. The workmen begin to carry out her wishes, and they find that, once upon a time, there WAS a door there, exactly where Gwenda pointed out. As these types of "coincidences" accrue, Gwenda feels sure that something is amiss. Is the house haunted, perhaps? Then, she has a frightening vision of the body of a young woman at the foot of the steps in her new home, strangled.

As the mystery begins to unravel, who should happen upon the scene but our dear Miss Marple? Naturally, she lends clarity and caution to the proceedings, and before long, our young couple is in the thick of a decades-old murder investigation.

I love reading Agatha Christie mysteries! They are such fun, and I never see the RIGHT ending coming. (Red herrings everywhere, which is what makes them so tricky to figure out.) Plus, they give me a hankering for scones (Miss Marple and her compatriots are always talking things out over tea.) which I am only to happy to satisfy.

WILL SOMEONE LET THE WOMAN SPEAK?
What improvements have been made for the "Miss Marple's Last Case" edition? There are already major differences in punctuation, word choices, and scene breaks between the original Collins and Dodd Mead editions of this novel. There are further differences between the Dodd Mead editions republished by Random House/Avenel and the Dodd Mead editions republished by Simon & Shuster/Pocket. There are further additions still in the Signet, Berkley, and Black Dog & Leventhal editions. For every publishing house putting out her works, there seem to be a new batch of editors altering Agatha Christie's words and the sound of her voice. What's the matter with these publishers? Whose voice do they think we want to hear when we sit down to a novel by Agatha Christie? And what will she sound like twenty years from now? It's frightening that her estate has failed to see the importance of guarding her words as she wrote them. Please tell me I'm not the only one here who senses that a crime has been committed.