Product Description

A manipulative weather girl conspires with a love struck teenager and his gullible friends to get rid of her husband permanently. Suzanne is obsessed with becoming famous and with the help of three teens forms a dangerous bond that threatens their idyllic suburban lives. Studio: Sony Pictures Home Ent Release Date: 12/21/2004 Starring: Nicole Kidman Alison Folland Run time: 106 minutes Rating: R Director: Gus Van Sant

Product Details

• Amazon Sales Rank: #11370 in DVD
• Brand: Sony
• Released on: 1998-11-10
• Rating: R (Restricted)
• Aspect ratio: 1.85:1
• Formats: Anamorphic, Closed-captioned, Color, Dolby, DVD-Video, Full Screen, Widescreen, NTSC
• Original language: English, French
• Subtitled in: English, French
• Number of discs: 1
• Running time: 106 minutes

Amazon.com essential video
If anyone ever doubts whether Nicole Kidman is a good actress, they should immediately be required to watch this outrageously wicked comedy from 1995, for which Kidman deservedly won a Golden Globe for Best Actress in a Leading Role. While director Gus Van Sant handles the fact-based satire with razor-sharp precision, Kidman delivers a deliciously devious performance as Suzanne Stone, a small-town New Hampshire housewife who fancies herself the next Barbara Walters, Jane Pauley, Diane Sawyer, and Maria Shriver all rolled up into one meticulously coiffed package. So determined is she to have a successful career on TV that she'll stop at nothing--even the calculated murder of her husband (Matt Dillon)--to get the attention she feels entitled to. To carry out her scheme she recruits some unwitting local teenagers including one boy (Joaquin Phoenix, matching Kidman's excellence) whose infatuation with Suzanne leads to sexual escapades and predictably troublesome consequences. It's a satirical comedy in Van Sant's capable hands, but it's so close to tabloid reality that the film never seems implausible--which only gives it a funnier, more blood-chilling quality of humor. Featuring Illeanna Douglas, George Segal, and Seinfeld alumnus Wayne Knight in memorable supporting roles, this is one of the best comedies of the '90s--especially if you prefer comedies with a decidedly darker edge. --Jeff Shannon

From The New Yorker
Director Gus Van Sant's latest movie is his funniest, but also his least adventurous. Adapted by Buck Henry from Joyce Maynard's 1992 novel, it tells the story of Suzanne Stone (Nicole Kidman, pushy and perky), a suburban nobody who, bored with her husband (Matt Dillon), decides to become a somebody in the world of television. She joins a local station, starts to shoot a documentary about three schoolkids, and gradually lures them into her web. You expect Suzanne to ascend to great things, but the fame she craves turns out to be no less parochial than the town she despises. The film is smartly structured, and it's kicked along by a busy Danny Elfman score, but Van Sant's touch is uncertain: the story's satirical bite begins to loosen as his camera lingers more and more on the plain, disaffected teen-agers. One of them is played by Joaquin Phoenix, whose brother River was so extraordinary in "My Own Private Idaho"; it's as though Van Sant longs to recapture the wayward, carnal atmosphere of the earlier movie but finds himself locked in a smaller, more brittle project. The film does for him what "The Player" did for Altman: it proves his cleverness and the sharpness of his eye without ever giving him full rein. -Anthony Lane
Copyright © 2006 The New Yorker

Customer Reviews

Interesting Movie
THis is one of Nicole Kidman's earlier movies that is just fun to watch. Unfortuately the fun is loosely based on a true story. But still a good movie to watch.

Pitch perfect example of misguided reasoning's...
I had heard a lot of great things about Nicole Kidman's performance in this black comedy, so many good things that I had to check it out. The problem was that I could never find it anywhere. Then, gloriously, it came on Encore the other night and so I DVR'd it and settled down to take in the gift that is Kidman. What I found was not just Kidman's finest screen performance ever, but quite possible Gus Van Sant's finest film ever. `To Die For' is just that, a film that is to die for. It is funny, smart, witty and darkly powerful; a film that plays to its strengths, and thankfully it has many of them.

Gus Van Sant is a hit-or-miss director with me. He has a unique style that I appreciate when it is channeled properly (ala `Elephant') but find myself put off when it is misdirected (circa `Psycho'). He attempts to commercialize his talent with mixed results, at times drawing enough star power to make up for lack of material (witness `Good Will Hunting') but then there are times when even his best efforts result in mediocre offerings (take `Finding Forester' for instance). There is no denying that Van Sant has talent and he has vision, and I respect that, but at times that talent and vision is muddled and produces films I don't feel are really up to par. Regardless though, I still longed to see `To Die For' if not for Kidman and Kidman alone.

Luckily for me, Van Sant is at the top of his game here and matches Kidman's brilliance step for step, pace for pace. Kidman plays Suzanne Stone, a young and ambitious woman who will do anything to achieve the fame she knows she is destined for. She marries Larry Maretto, a good looking Italian man who supports her dreams and believes in her, but his support is not enough for it alone won't get Stone what she wants. When Stone takes her ambitions to the next level, trying to engage some high school students in a news segment, she meets three particular students who prove to be the key to Stone's inevitable success. Jimmy, Russel & Lydia are putty in Stone's hands, easily manipulated and convinced to go along with Stone's scheme to rid her of her husband and catapult her to the spotlight she so longs for.

Fame comes at a cost; and that cost is something Stone will soon have to pay.

Van Sant films this black comedy as if it were part mockumentary, which aids in adding connectivity to the film, for it allows the characters to engage to audience and make them a part of the film. As each actor talks directly to the viewer we begin to feel like a part of their schemes and thus feel an intimate relation to the film. Even though the film has some devastating situations (murder and adultery) they are played out much like a Coen film, used for comedic effect and so while we are allowed to judge we are never allowed to judge too harshly.

Nicole Kidman is a force in this film, a dynamic ball of comedic energy. The way she can consume her character, delivering each and every line with precision and dedication, creating a character that is funny as can be yet serious as heart attack. She brilliantly manages to coat her satirical performance with enough genuine sincerity that her character becomes a real person instead of a farce. Matt Dillon is sorely underused as Larry, Stone's unsuspecting husband. He manages well with what he is given, but the film (like Stone) is pretty much uninterested with him. Joaquin Phoenix, Casey Affleck and Alison Folland are wonderful as the three dimwitted students whom Stone uses and abuses. Phoenix has the most screen time, for he plays Jimmy, the student who falls for Suzanne and thus becomes the focus of her attention. Phoenix has surely turned in finer performances (it's nice to see the fine actor he's become) but this is far from a bad performance. He captures the mental level of his character, which isn't high mind you, and manages to make him interesting. His first line in this film alone is priceless. I also enjoyed the supporting performances by Illeana Douglas and Dan Hedaya who managed to make their small roles seem larger than they really were.

In the end `To Die For' is a brilliant satire, a fantastic film about the dangers of fame and obsession. Sure, it may seem far fetched at times but that's what a satire does; it blows truths out of proportion in an effort to cause the audience to realize the facts resting before their eyes. In a world so obsessed with being on the top of everything, of being in front of the cameras and in the magazines and on the lips of every living breathing human being, `To Die For' is a wonderful example of why that particular thinking is so far off the mark.

Underrated classic
Suzanne Maretto (Nicole Kidman) wants to be a star. For her whole life she has focussed on her goal of becoming the next Barbara Walters. The problem is that she's not all that bright and not all that talented, not that she is aware of this. When she perceived that her husband (Matt Dillon) is standing between her and fame, she enlists the help of three teenagers (including Joaquin Phoenix and Casey Affleck), whom she is working with on a documentary, to murder her husband for her.

"To Die For" is a highly underrated movie, based on a novel that you probably didn't know existed (although, it is also excellent - the book is by Joyce Maynard). When this film was first released, most of the reviews that appeared in the newspapers were less than glowing, which put me off this film for a number of years, and when I finally did see it, I was astounded by just how good it is. I suspect the reason why many of the critics didn't like this film was because it is a black comedy and as with most black comedies, if the humour isn't to your taste, it can end up falling flat or not being understood at all. The film is also made in a documentary format, which I can imagine might also annoy some viewers (generally, I don't like this format, but in this case I didn't mind it. It doesn't get in the way of the storytelling). However, I thought this film was great.

"To Die For" is a cross between a well-budgeted studio film and a high quality indie. Clearly this film had a reasonable budget and it stars Nicole Kidman (in the best role of her career), but the director is Gus Van Sant and the cast is a who's-who of indie regulars (Affleck, Phoenix, Matt Dillon, Ileana Douglas, etc). The result is a combination of the best aspects of each of these types of film. Add to that a script by Buck Henry (who co-wrote "Get Smart"), and as far as I'm concerned, you have a classic.