Product Description

For Daredevil, justice is blind, and for the guilty…there's hell to pay! Ben Affleck and Jennifer Garner ignite dangerous sparks and nonstop thrills in this "dazzling action-adventure" (The Film Journal) about the newest breed of superhero. By day, blind attorney Matt Murdock (Affleck) toils for justice in Hell's Kitchen. By night, he's Daredevil, The Man Without Fear - a powerful, masked vigilante stalking the dark streets with an uncanny "radar sense" that allows him to "see" with superhuman capabilities. But when the love of his life, fiery Elektra Natchios (Garner), is targeted by New York City's ruthless Kingpin of crime (Michael Clarke Duncan) and his deadly assassin Bullseye (Colin Farrell), Daredevil may be about to meet his match.

Product Details

• Amazon Sales Rank: #13750 in DVD
• Released on: 2003-07-29
• Rating: PG-13 (Parental Guidance Suggested)
• Aspect ratio: 2.35:1
• Formats: Anamorphic, Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, DVD-Video, Live, Special Edition, Subtitled, Widescreen, NTSC
• Original language: English, French, Spanish
• Subtitled in: English, Spanish
• Dubbed in: Spanish
• Number of discs: 2
• Running time: 103 minutes

Amazon.com
Darker than its popular comic-book predecessor Spider-Man, the $80 million extravaganza Daredevil was packaged for maximum global appeal, its juvenile plot beginning when 12-year-old Matt Murdock is accidentally blinded shortly before his father is murdered. Later an adult attorney in New York's Hell's Kitchen, Murdock (Ben Affleck) uses his remaining, superenhanced senses to battle crime as Daredevil, the masked and vengeful "man without fear," pitted against dominant criminal Kingpin (Michael Clarke Duncan) and the psychotic Bullseye (Colin Farrell), who can turn almost anything into a deadly projectile. Daredevil is well matched with the dynamic Elektra (Jennifer Garner), but their teaming is as shallow as the movie itself, which is peppered with Marvel trivia and cameo appearances (creator Stan Lee, Clerks director and Daredevil devotee Kevin Smith) and enough computer-assisted stuntwork to give Spidey a run for his money. This is Hollywood product at its most lavishly vacuous; die-hard fans will argue its merits while its red-leathered hero swoops and zooms toward a sequel. --Jeff Shannon

DVD features
The Daredevil two-DVD set has plenty to please both film and comic fans. The best feature is an hourlong collection of interviews of people who worked on the comic book, from Stan Lee to Frank Miller to Kevin Smith. (Yes, sharp-eyed fans: the Elektra-Bullseye showdown was closely based on Daredevil #181.) On the film side, director-screenwriter Mark Steven Johnson and producer Gary Foster's commentary track provides background info and some fawning over Jennifer Garner, a text commentary provides more trivia and inside jokes, and an enhanced viewing mode offers production-design featurettes. Most prominently among a bunch of other features, another hourlong documentary goes behind the shooting of the film, and Garner tries to keep a straight face during her screen test. (She got the job.) --David Horiuchi

From The New Yorker
Ben Affleck is a blind lawyer who becomes a superhero at night, and much of this new comic-book spectacular is so dark that you can't see it. Not that you're missing anything. What can be seen is derivative, flat, and halfhearted. Dressed in a maroon jumpsuit, Affleck flips from nowhere to nowhere in a digital New York that seems based on sketches rejected by the creators of the first "Batman" movie. Affleck tries for a light-voiced, unemphatic presence, and he registers no more powerfully here than he did in "Pearl Harbor." He seems a put-on movie star, a lazybones puffed by helium bursts of publicity. -David Denby
Copyright © 2006 The New Yorker

Customer Reviews

Not Quite A Bullseye
There are some good things about this show, and some bad things. It is a dark movie, as it should be, being that Daredevil is a dark character. Collin Farrel was absolutely perfect as Bullseye. His preformance was the best part of the movie for me. I have some reservations regarding the decision to cast Ben Affleck as the lead.

The main thing lacking is back story. They needed to show some more of Daredevil's training and explain more about how he got his powers. What they did show was just insufficient. I don't buy that a 12-year old boy could train himself like that, even in a comic book.

I also did not like the obvious CGI effects, and there was too much gymnastics in a lot of the fighting scenes.

There is nothing special about the DVD. Over all the film is entertaining and worth seeing and/or owning.

Blu Ray Director's Cut
This film didn't have much of a chance when it came out. Fans of the comic were disdainful of the casting choices, Ben Affleck was in a paparazzi mess with J-Lo, the theatrical cut was hacked up to appeal to a younger audience..

and yet, 5 years later, the director's cut is out on BluRay, and does not include the original theatrical version, a silent admission that Mark Steven Johnson's vision was the better of the two.

'Daredevil' is an unusual superhero movie. It is a truer film-noir than most. The essential aspect of film noir not being just a dark visual palette, but a main character becoming more tightly ensnared in a web of tragedy that he can't escape from. Matt Murdock loses his sight, his father, his love, and as the violence escalates, finds little but faith to console him, and asks if it's enough. In the opening shot, he is bleeding, clinging to the concrete cross of the catholic church, and the film backtracks from his origin to his character's 'Dark night of the soul'.

This reviewer found the vulnerability of the character, the fact that he's not 'super' much more interesting from an acting standpoint. Ben Affleck did get alot of bruises doing the stunts in the film and his performance has a true humility in certain scenes that hasn't been seen from him before or since.

It's not perfect, though. There are many scenes that are meant to lighten the mood that seem sophomoric, Colin Farrel as Bullseye comes off as a psychotic irish clown rather than the smug, gritty villain he was on the page, Elektra gets nearly no backstory here that would add depth to her(though Jennifer Garner is certainly no slouch on the athletics). The restored plotline of the murder of prostitute Lisa Tazio makes the final fight between Daredevil and Kingpin alot more meaningful, but it lacks oomph... the film is trying to sell you the idea that by looking out for the little guy, you can beat the big guys.. and the origin scene punches this theme.. as does the finale.. it just stumbles a little with it in between.

Blame Marvel for the issues, though. You can glimpse brilliance all throughout this picture, if only they had let the director do his job without burying the whole thing in marketing.

As for the transfer, this film has never looked or sounded better, the night scenes are perfectly lit, very sharp, and the sound design, particularly in the 'radar sense' sequences is stunning in 5.1.

Like the comic book character himself, this film is flawed, yet has hidden excellence(I privately add one star).

Director Knows Best
Director Mark Steven Johnson truly explores the shadowy aspects of justice and vigilantism in the additional 30 minutes added to the film, along with some other tweaks.

The scene which didn't make the final cut from producer Gary Foster and 20th Century Fox studio is attorney Matt Murdock (Daredevil) - portrayed by Ben Affleck - defending a murder suspect, who is played by rapper Coolio. The violence is also amped up which earned the revised film an "R" rating, a path not taken to movie theaters by comic book super heroes and movie studios.

Colin Farrell (Bullseye) and Michael Clarke Duncan (The Kingpin) are excellent in their roles as villains, with Jennifer Garner (Elektra Natchios) able to show a different side of the character in this grittier version. Director's have to be daredevils at times in the editing process and this Director's Cut aptly shows - again - who knows best when it comes to delivering a solid film.