Product Description

In 1937 Ernest Hemingway traveled to Spain to cover the civil war there for the North American Newspaper Alliance. Three years later he completed the greatest novel to emerge from "the good fight," For Whom the Bell Tolls. The story of Robert Jordan, a young American in the International Brigades attached to an antifascist guerilla unit in the mountains of Spain, it tells of loyalty and courage, love and defeat, and the tragic death of an ideal. In his portrayal of Jordan's love for the beautiful Maria and his superb account of El Sordo's last stand, in his brilliant travesty of La Pasionaria and his unwillingness to believe in blind faith, Hemingway surpasses his achievement in The Sun Also Rises and A Farewell to Arms to create a work at once rare and beautiful, strong and brutal, compassionate, moving, and wise. "If the function of a writer is to reveal reality," Maxwell Perkins wrote Hemingway after reading the manuscript, "no one ever so completely performed it." Greater in power, broader in scope, and more intensely emotional than any of the author's previous works, it stands as one of the best war novels of all time.

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Product Details

• Amazon Sales Rank: #1724 in Books
• Published on: 1995-07-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 480 pages

Amazon.com Review
For Whom the Bell Tolls begins and ends in a pine-scented forest, somewhere in Spain. The year is 1937 and the Spanish Civil War is in full swing. Robert Jordan, a demolitions expert attached to the International Brigades, lies "flat on the brown, pine-needled floor of the forest, his chin on his folded arms, and high overhead the wind blew in the tops of the pine trees." The sylvan setting, however, is at sharp odds with the reason Jordan is there: he has come to blow up a bridge on behalf of the antifascist guerrilla forces. He hopes he'll be able to rely on their local leader, Pablo, to help carry out the mission, but upon meeting him, Jordan has his doubts: "I don't like that sadness, he thought. That sadness is bad. That's the sadness they get before they quit or before they betray. That is the sadness that comes before the sell-out." For Pablo, it seems, has had enough of the war. He has amassed for himself a small herd of horses and wants only to stay quietly in the hills and attract as little attention as possible. Jordan's arrival--and his mission--have seriously alarmed him.

"I am tired of being hunted. Here we are all right. Now if you blow a bridge here, we will be hunted. If they know we are here and hunt for us with planes, they will find us. If they send Moors to hunt us out, they will find us and we must go. I am tired of all this. You hear?" He turned to Robert Jordan. "What right have you, a foreigner, to come to me and tell me what I must do?"

In one short chapter Hemingway lays out the blueprint for what is to come: Jordan's sense of duty versus Pablo's dangerous self-interest and weariness with the war. Complicating matters even more are two members of the guerrilla leader's small band: his "woman" Pilar, and Maria, a young woman whom Pablo rescued from a Republican prison train. Unlike her man, Pilar is still fiercely devoted to the cause and as Pablo's loyalty wanes, she becomes the moral center of the group. Soon Jordan finds himself caught between the two, even as his own resolve is tested by his growing feelings for Maria.

For Whom the Bell Tolls combines two of the author's recurring obsessions: war and personal honor. The pivotal battle scene involving El Sordo's last stand is a showcase for Hemingway's narrative powers, but the quieter, ongoing conflict within Robert Jordan as he struggles to fulfill his mission perhaps at the cost of his own life is a testament to his creator's psychological acuity. By turns brutal and compassionate, it is arguably Hemingway's most mature work and one of the best war novels of the 20th century. --Alix Wilber

Review
"'The best book Hemingway has written' New York Times"

This is good Hemingway. It has some of the tenderness of A Farewell to Arms and some of its amazing power to make one feel inside the picture of a nation at war, of the people experiencing war shorn of its glamor, of the emotions that the effects of war - rather than war itself - arouse. But in style and tempo and impact, there is greater resemblance to The Sun Also Rises. Implicit in the characters and the story is the whole tragic lesson of Spain's Civil War, proving ground for today's holocaust, and carrying in its small compass, the contradictions, the human frailties, the heroism and idealism and shortcomings. In retrospect the thread of the story itself is slight. Three days, during which time a young American, a professor who has taken his Sabbatical year from the University of Montana to play his part in the struggle for Loyalist Spain and democracy. He is sent to a guerilla camp of partisans within the Fascist lines to blow up a strategic bridge. His is a complex problem in humanity, a group of undisciplined, unorganized natives, emotionally geared to go their own way, while he has a job that demands unreasoning, unwavering obedience. He falls in love with a lovely refugee girl, escaping the terrors of a fascist imprisonment, and their romance is sharply etched against a gruesome background. It is a searing book; Hemingway has done more to dramatize the Spanish War than any amount of abstract declamation. Yet he has done it through revealing the pettinesses, the indignities, the jealousies, the cruelties on both sides, never glorifying simply presenting starkly the belief in the principles for which these people fought a hopeless war, to give the rest of the world an interval to prepare. There is something of the implacable logic of Verdun in the telling. It's not a book for the thin-skinned; it has more than its fill of obscenities and the style is clipped and almost too elliptical for clarity at times. But it is a book that repays one for bleak moments of unpleasantness. (Kirkus Reviews)

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Customer Reviews

Typical Hemingway
This is my third experience with Hemingway, and while I fully expect to complete the entire Hemingway collection, I can't quite find it within myself to award five stars to any of the works I've read to date.

In each of the novels (The Sun Also Rises and Farewell to Arms being the other two) I've been entranced at times by the hauntingly beautiful writing, however there have been periods where the story drags, where the almost stream of consciousness style grinds the action to a halt. Not long enough to kill the story, but enough to impact the overall reading experience.

This novel is set in Spain, during the Spanish Civil War, the idealogical precursor to the Fascist/Communist clash soon to come on the Eastern Front of World War II. The story primarily involves American Spanish professor and converted Republican partisan, Robert Jordan and the 72 hours he spends with an anti-fascist partisan force in the hours preceding a Republican offensive.

The characters crafted by Hemingway are fascinating, most specifically the partisan leaders Pablo and Pilar. The interaction between the rebels and with Jordan are spellbinding. The character of Pilar is especially haunting and her story of the execution of the fascists (a/k/a prominent citizens) in her small Spanish village is some of the best and most captivating writing I've ever read.

Unfortunately, in my opinion, this 470 page novel is about 100 pages too long, as it is interspersed with periods of inaction, punctuated by stream of consciousness meanderings, which admittedly many may find enjoyable.

Some may find the style of language irritating (Thee, Thou, Thy mother, etc.) but I found this to be a minor issue. More problematic to me is what I can only guess is the censorship (either self censorship in light of the times or editorial censorship) whereby all instances of profanity or coarse language is omitted and replaced by bizarre alternatives. For example, these beauties from the mouth of Pablo, "I obscenity in the milk of all," and "Go and obscenity thyself." I find it hard to believe that Hemingway actually wrote this, and if not (or even if he did), these bizarre omissions cannot be rectified.

Despite these minor complaints, this is an extremely educational piece of work, both from the standpoint of literature and for the insight it provides for an extremely important and interesting period of world history. Highly recommended.

A Difficult Romanticism
Hemingway's novel "For Whom the Bell Tolls" (1940) is toughly realistic in its depiction of the butchery of warfare. The book has the no-nonsense, fact-intensive style of a reporter. Yet, in its themes of love, death, heroism, and human brotherhood, Hemingway's novel is, in spite of itself, romantic in outlook, but romantic with an edge.

The novel is set in Spain in 1937 during the Spanish Civil War (1936-1939). The Spanish Civil War was a multi-sided conflict between the democratically-elected government, the Republicans or loyalists, and its right-wing anti-communist opponents, the nationalists (fascists). The Republicans during this conflict had the assistance of the USSR. Their enemies, the nationalists, were assisted by Nazi Germany and by Italy. Hemingway was a correspondent in Spain at the time. His novel tells the story of Robert Jordan, a young American instructor in Spanish at the University of Montana who had earlier spent much time wandering through Spain. In 1936, with the outset of the conflict, Jordan volunteered his services to assist the Republicans and became an expert in explosives. Jordan idealizes his grandfather who had been a hero in the American Civil War. Jordan's father had committed suicide. When the novel opens, Jordan is assigned to destroy a bridge in furtherance of a Republican offensive. He works with a group of guerrillas in the mountains.

The story unfolds over a time of three days. Hemingway's book offers portrayals of a group of Jordan's Spanish compatriots, in addition to Jordan himself. Chief among them is a 48-year old woman, Pilar, physically unattractive, earthy, and strong-willed. She is the de facto leader of her group and is as central to the story as is Jordan. Pilar is the "woman" of Pablo, who was once a formidable fighter but who has become disillusioned by the conflict. The novel includes several scenes of high tension and near violence between Jordan and Pablo. In his efforts to blow-up the bridge, Jordan is assisted by Anselmo, an aged man who despairs of violence and killing but is devoted to the Republican cause. And, in the three days of the novel, Jordan meets and has a passionate love affair with Maria, a lovely 19-year old who has been saved from the nationalists by Pablo.

Hemingway is known for a terse, elliptical writing style, and it is on display in this book. But the writing is highly varied, with long stream of conscious digressions by Jordan as he reflects upon his past life and upon the conflict in which he has thrust himself. Much of the writing is both figurative and digressive. Hemingway tried to transcribe much of Spanish idiom directly into English, particularly the use of "thou" for the intimate Spanish "you." He also makes considerable use of untranslated Spanish phrases. The book captures the speech patterns of soldiers under tension, with much use of colorful language. Hemingway does not reproduce this language directly but, in English, uses phrases such as "obscenity" or "unprintable" in place of the words themselves. In addition to telling the story of the bridge and its destruction, all the characters engage in long discussions of their thoughts and their prior lives. These discussions generally are directed to the brutality of the war. In an outstanding passage, Pilar tells of the destruction under the command of Pablo of a group of fascist leaders who are forced to run the gauntlet before being thrown down a cliff.

Hemingway was in love with Spain, both for its beauty and its brutality. The novel has many discussions of bullfighting, largely told by Pilar as she recounts her experiences with earlier lovers. Pilar also has a power of clairvoyance in the story, especially as it relates to impending death. The book includes several vivid battle scenes. One of these scenes tells of the gunning-down by aircraft of a group of five of the guerillas assisting Jordan at the top of a small hill.(Aircraft has a large and fearsome presence in the book.) Another effective battle scene tells of the difficult destruction of the bridge and its aftermath.

The love relationship between Robert Jordan and Maria comes to dominate the novel. The two become passionately attracted to each other and quickly consummate their relationship. The passages describing the couple's lovemaking are central to the story and effective. The inhumanity of war is juxtaposed against human commitment and the beauty of the everyday. Robert Jordan realizes that he is in love with Maria, Spain, and with life. This love, in the book, reaches its peak in heroism and self-sacrifice. Jordan comes to realize what in life he values. It is because of his realization, that he ultimately must give up the things he comes to cherish. Within its language of toughness and machismo, this novel has the theme of inevitability and of romantic tragedy.

This is a book I read in high school many years ago when it was far beyond me. It is not an easy book, and not every part of it is successful. But it is an extraordinary novel. I am grateful that I had the opportunity to revisit the book when I was able to try to appreciate it.

Robin Friedman

The best of Hemingway
Filled with complex and interesting characters and written in Hemingway's characteristically simple, but effective style, For Whom the Bell Tolls is Hemingway at his best. There are few novels I would recommend more highly.

Hemingway's fascinating characters, from the American, Robert Jordan, to Pablo and Pilar, often referred to "the woman of Pablo" (if there can be one criticism of Hemingway, it is that his female characters are often simple; however, this is not true of Pilar), make this novel so wonderful, along with Hemingway's vivid descriptions of everything from the characters themselves to the horrors of war (one scene that comes to mind particularly is Hemingway's description of the execution of a group of fascists, who are beaten to death before being hurled from a cliff).

Although it is not a tale for the faint-hearted (forgive the cliche), For Whom the Bell Tolls is arguably Hemingway's greatest work. Anyone who enjoys Hemingway, McCarthy, or Faulkner should enjoy this novel.