Product Description

Written by the popular author of the Green Witchcraft series, the techniques presented in this book offer a unique way of working with the Tarot that incorporates the tools and tenets of the Witch's Craft. Develop a personal method of reading the cards while learning to use any Tarot deck for divination, pathworking, meditation, and spiritual reflection.

Product Details

• Amazon Sales Rank: #217549 in Books
• Published on: 2003-06-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 312 pages

About the Author
Born in 1947 and raised in a family oral tradition of at least three generations, Ann Moura began writing about her heritage as a Green Witch in 1993 when her mother passed away. Her maternal heritage is Brazilian/Celtic-Iberian through her mother and grandmother. From them she learned folk magics and Craft concepts that included Rules of Conduct, spiritism, herbal spells, candle magics, reincarnation belief, calling upon the Elementals, and working with “The Power.”Ann holds both Bachelor of Arts and Master of Arts degrees in History and writes from the perspective of her personal experience and family training. Her books are sold internationally in English, Italian, French, German, Portuguese, Spanish, Dutch, and Russian. Ann is the author of Green Witchcraft: Folk Magic, Fairy Lore, & Herb Craft, Green Witchcraft II: Balancing Light & Shadow,  Green Witchcraft III: The Manual, Green Magic: The Sacred Connection to Nature, Grimoire for the Green Witch: A Complete Book of Shadows, and Tarot for the Green Witch.

Excerpt. © Reprinted by permission. All rights reserved.
Part One Getting Started

A Brief History of Tarot Interpreting the casting of a spread of tarot cards, called reading, has been associated with Witchcraft and magical practice for many decades, and with Gypsy fortunetellers for centuries. In Witchcraft, the tarot is used today as a tool for divination, psychic readings, meditations, personal growth pathworking, and spiritual insight, but what is the origin of the tarot and how did this intriguing set of cards evolve? This mysterious deck of cards began its career as the game of tarocchi in fifteenth-century Italy, recognizable today as the game of Trumps or Whist. Subsequently, the tarot cards have been embraced by people, denounced by Christian clergy, banned by kings, revived by kings, and regulated by laws. Over the centuries, the tarot evolved into today's recognized system of divination, beginning with the writings of an eighteenth-century Mason named Antoine Court de Gebelin and a host of French clairvoyants operating on the premise that the cards were of Egyptian origin. The designs, numbering, interpretations, and reverse interpretations began to take the familiar present-day shape through the efforts of nineteenth-century Ceremonial Magicians. These people were Masons who operated in the secret societies and occult orders popular in the Victorian Age, in particular those of the Grand Order of the Rose Cross and the Hermetic Order of the Golden Dawn. Many people contributed their special insights on the cards from the eighteenth through nineteenth centuries, and by the early twentieth century the tarot form most familiar in America was that of Arthur Waite, painted by Pamela Coleman Smith, and known as the Rider-Waite deck.

Today, the typical deck has seventy-eight cards divided into two parts, with the Major Arcana representing archetypal powers, universal imagery, and cosmic fates, while the Minor Arcana represents the interactions of daily life. The Major Arcana contains twenty-two cards, of which twenty-one are numbered, plus the unnumbered Fool, which is usually assigned the 0. This 0 card may begin or end the deck, depending on your point of view. The ordinary pack of playing cards descends from those of the Minor Arcana, although with only three of the possible five court cards for each suit. The four suits of the Minor Arcana are variously labeled Pentacles, Coins, Disks, and Bells; Swords, Knives, Daggers, and Leaves; Wands, Batons, Rods, and Acorns; or Cups, Cauldrons, Bowls, and Hearts. Depending on the tarot deck, the terms for the suits may vary, but these became in modern playing cards, respectively, the suits of Diamonds, Spades, Clubs, and Hearts.

There are a number of opinions on how the tarot came to Europe, but I feel the most plausible is that the Romany Gypsies, migrating from India through eastern Europe and into northern Italy during the Middle Ages, brought the cards with them. Any suggestion that ancient Egyptians used tarot cards results in the uncontrolled raising of an eyebrow since there is no evidence to support this theory. The earliest tarot deck of Europe still in existence with nearly all the original cards (five have been reconstructed) was made in 1450 in Milan for Viscount Sforza, although playing cards are mentioned in writings from 1397 and 1441. This tarocchi deck had no titles or numbers for the distinctive cards that are now identified as the Major Arcana. The Minor Arcana consisted of the four suits containing Kings, Queens, Knights, and Pages as Court Cards; the Aces; and the cards numbered 2 through 10 as pips like modern playing decks, making reverse readings out of the question. In fact, the idea of reverse meanings is a relatively recent invention. The Ace of any suit may be read as a 1, or as a trump card of greater power than a King card, so it may be at home on either end of the four suits of the Minor Arcana, somewhat as the Fool card may be placed on either end of the Major Arcana.

All subsequent tarot decks show the influence of the Sforza deck, and examining this deck reveals the evolution away from the earlier Pagan images. There were several aspects of the Goddess Diana and examples of tools from the Etruscan and Roman period, and more contemporary tools, such as a war wagon carrying an enthroned woman and being pulled by golden-winged white horses without reins, and the accouterments of the Medieval street magician. The Diana images were replaced in later renderings by generic females, and the battle wagon became a chariot with unruly teams of horses or sphinxes held in check by the sheer will of a dominant man. The mages controlled the Elementals through intellectual power, and the original's floppy hat evolved into the cosmic lumniscate, while the hourglass of the gentlemanly Old Father Time became the lantern of the monkish Hermit. The Popess, a reminder that a woman was once elected to rule the Church based upon her ability when no one knew her sex, only to be deposed upon discovery, became a less intimidating High Priestess. The Wildman awakening the Earth, a custom still followed in German, Romanian, Austrian, and British villages with variations of the British Morris Dancer tradition, and possibly derived from rites of Dionysus and Bacchus, was changed to the Fool, heedlessly stepping off into danger. The Sun of Apollo, spreading joy and erasing fear, became the Sun of twins or a child on horseback. It is in the many aspects of Diana that most changes took place. Diana releasing the Star of Hope from her open, outstretched hand (the rays of which fall in front of her hand) became a generic woman pouring out waters on land and sea beneath the stars. Diana of Temperance, pouring from one pitcher to another the dark wine that symbolized the blood of the resurrecting God, giving it thus the breath of life, became an angel pouring water between pitchers. Diana of the...(Continues)

Customer Reviews

Excellent interpretation.....not for beginners..
In THE TAROT OF THE GREEN WITCH, Ann Moura uses the paradigm known as "The Wheel of the Year' to organize and explain her interpretation of the cards of the major and minor arcana. If you are not familiar with the `Wheel of the Year' or basic Tarot concepts, you may find this book less than helpful. Even if you are familiar, you may note that here is yet another explanation of an ancient set of cards with an origin shrouded in the mist of time. These days, authors seldom provide citations and Moura is no exception, so I was only able to follow her comments about the various interpretations because I have assembled and read a library on this topic, as well as having various occult experiences.

Whether you accept Margaret Starbird's exposition linking the Tarot with an archaic Gnostic catechism, or Isabel Kliegman's interpretation which ties the Minor Arcana to the Kabbalah, or you accept a Jungian explanation, you will probably enjoy reading Moura's book.

Moura says she is not interested in the "Fire versus Air' argument for Swords and Wands or the reversal of the `Strength' and `Justice' cards in the Waite-Ryder deck produced by the Order of the New Dawn. Nor is she interested in which interpretation of the `Wheel of the Year' is "correct". She provides compelling reasons as to why she believes most experts agree the Tarot is not of European origin, and may in fact have originated in India, traveling west via Romania (Which in my mind makes no difference as the origin is "Indo-European" and thus the argument put forward by Rachel Pollock and Joseph Campbell regarding an association between the Tarot and the ancient near East is not disproved) .

Moura does not view Tarot cards as useful for "fortune telling", but rather she says they are for divination, which is a different matter. Fortune telling implies predestination, and if we have free will, which she believes we do, then events are not immutable or fixed. Divination implies future outcomes which can be affected.

I found this book both informative and helpful, and while I may not agree with every last aspect, I recommend it to anyone who has moved beyond the basic interpretations and wants to explore further. If you want a basic volume, check out Rachel Pollack's book SEVENTY-EIGHT DEGREES OF WISDOM.

A New Way to Look at Tarot the Green Way
This book has helped me so much in learning and understanding the Tarot.

The way Ann Moura explains the cards in the way of the Green Witch makes more sense, and works with any deck.
I chose to use my Herbal Tarot, and looking at the Fool as the Greenman, etc. makes reading Tarot cards so much easier.
The book has card from one of three different decks that are the author's favorites. Ann Moura suggests as you read about each card, to use place the card from your deck on top of the printed card in the book....it's like hands on, and really gets you familiar with your deck.

I highly suggest this book especially for beginners and those in the Craft of the Green Witch.

EXCELLENT TAROT GUIDE
This book is great instruction for "beginner" and "advanced" tarot readers. One of the best features of the book is the card combination descriptions and the Wiccan holidays linked the the Major Arcana. It is easy to follow instruction and I keep refering back to it years after I purchased it. I have over 20 tarot books and it is by far one of the best tarot books in the market.