Product Details
2007 Children's Writer's & Illustrator's Market (Children's Writer's and Illustrator's Market)

2007 Children's Writer's & Illustrator's Market (Children's Writer's and Illustrator's Market)
From Writers Digest Books

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Product Description

More Than 800 Places to Get Published

*Completely updated listings for opportunities in the U.S. and abroad
*Insider information from the industry’s top children's writers, illustrators, editors and agents

This is the ultimate go-to resource for anyone who creates material for children. Writers and illustrators will find hundreds of outlets for their work--whether it’s aimed at toddlers, young adults or somewhere in between. The opportunities range from book publishers and magazines to greeting cards, puzzles and games. There’s also an exhaustive section of additional resources, including information on conferences, workshops, contests, grants, clubs and more. From the hobbyist to the seasoned pro, no one in the field will want to be without this must-have guide!


Product Details

  • Amazon Sales Rank: #460612 in Books
  • Published on: 2006-07-26
  • Original language: English
  • Number of items: 1
  • Binding: Paperback
  • 448 pages

Editorial Reviews

About the Author
Alice Pope has been the editor of Children’s Writer’s & Illustrators Market for more than a decade. She is a former Regional Advisor for the Society of Children’s Book Writers and Illustrators, a frequent speaker at children’s writing conferences, and a collector of picture books.


Customer Reviews

For children's writers and illustrators: if you can have only one book on your shelf....5
This is a condensed version of the review I posted on my web site, The Purple Crayon. I'm the author of The Complete Idiot's Guide to Publishing Children's Books, and I have to be familiar with books in the field. CWIM is a very reliable market guide.

Contents: Considering its title, it's no surprise that the bulk of CWIM is taken up by the Markets section. This provides information about publishers of books, magazines, greeting cards, and plays. There are several profiles of industry "insiders" scattered through. This year, the cover claims 750 individual listings in all, down from last year's 800, so the editors have been pruning. The book publishers section has about 200 entries. The entries vary in length, but always include addresses and other basics; they may also include names and titles of editors and art directors, a brief description of their publishing program, sample titles, and other information. Indexes help you find publishers by subject. New this year is a "Names Index," which lists editors--this is a very useful feature.

The first part of the book has articles, some of which present the same basic information for people just getting started every year, followed by 12 all-new articles and five "First Books" profiles. I always turn to this part of a new CWIM first. This year, articles that interested me included "Writing the Nonfiction Book Proposal," "The Newest Children's Book Imprints," "Mainstreaming the Graphic Novel," and "Blogging for Authors and Illustrators."

Comments: Though I like the feature articles, which cover topics of interest to published authors (reprints, self-promotion) as well as beginners, the reason to get CWIM every year is the Markets section. CWIM is almost always accurate, and saves anyone who needs information about children's publishers an enormous amount of time and effort. If you tried to compile this information yourself, you wouldn't have time to write or illustrate.

a *MUST HAVE* for all children's book writers!5
This really is a must have for anyone seriously thinking about (or actively working in!) the children's book market. I have four picture books published and still buy a new edition every year; my old copies have stained, dog-eared pages throughout. At every conference I present, I tell folks to go get this book since it's such a great resource. It tells you who the right editors are, offers a great index in the back so you can look up publishers by subject matter or genre, what kinds of manucripts publishers are looking for, even what NOT to do. I like to thumb through it before a conference to get familiar with the presenters and/or to think of questions to ask. Get this and "Writing Children's Books For Dummies" and you are all set. -Bitsy Kemper

A Helpful Tool Exclusively for Children's Genre Writers and Artists5
Getting published in the children's genre is always easier with the annual Children's Writer's & Illustrator's Market. Each year, the guide is 100-percent updated to bring writers and illustrators the most accurate and complete information to finding a home for their work.

Listings include complete mailing addresses, contact names, terms of payment, tips for getting published and types of work handled. Submission guidelines also spell out exactly how that particular publishing market wants you to send your work to them.

Articles also shed light on the industry with tips on how you can get your own work into print. Some of those articles include "10 Tips for Writing a Great Query Letter," "The Newest Children's Book Imprints" and "The New Rules for Teen Lit."

The markets cover book publishers, Canadian and international book publishers, magazines, greeting cards, puzzles and games, play publishers and producers and young writer's and illustrator's markets. Resource listings like conferences and workshops, clubs and organizations and agents and art representatives give you additional opportunities to make contacts as well as an impression in the children's genre.

The 2007 Children's Writer's & Illustrator's Market contains more than 750 listings for getting published. By narrowing down your focus to find listings specifically geared toward the children's genre, your chances of getting published go up dramatically.