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Architectural Acoustics (J. Ross Publishing Classics)

Architectural Acoustics (J. Ross Publishing Classics)
By M. David Egan

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Product Description

Authored by David Egan, one of the foremost authorities in the field of architectural acoustics, this architecture classic presents in a highly illustrated format the principles of design for good hearing and freedom from noise in and around buildings. The more than 540 illustrations are not merely supplements to the text but serve as the core of the basic principles of sound and hearing, sound absorption and noise reduction, sound isolation and criteria for noise, control of HVAC systems noise and vibrations, auditorium acoustics design, and electronic sound systems. Architectural Acoustics is a must have for architects, interior designers, engineers, consultants, students and all others concerned with the design and construction of buildings. An unabridged J. Ross Publishing republication of the edition published by McGraw-Hill, New York, 1988, 448pp. Key Features - Offers more than 540 illustrations to visually explain basic acoustic engineering principles with complete clarity and tables of engineering data that further enhance understanding and the usefulness of the text - Contains many valuable checklists of design aids, data tables of sound absorption and sound isolation properties for a wide variety of building materials - Presents case study examples of common problems and step-by-step practical solutions - Provides handy access to useful formulas, a metric system conversion table, a summary of common building acoustics terms, and extensive references


Product Details

  • Amazon Sales Rank: #62447 in Books
  • Published on: 2007-01-30
  • Released on: 2007-01-23
  • Number of items: 1
  • Binding: Paperback
  • 448 pages

Editorial Reviews

Review
Architectural Acoustics is another important work on our shelf, and is a must for all libraries. --Glen Ballou, S&VC

It would take a library of a dozen titles to duplicate what s in this one book. Architectural Acoustics is for the intelligent, college-level beginner, with a desire to learn basic concepts, as well as practical computation and design methods. There is nothing else in print that covers as broad an area of acoustics, and covers it in as much depth. --Ted Uzzle, Sound & Communications

About the Author
M. David Egan, Hon. AIA, is a consultant in acoustics and Professor Emeritus at the College of Architecture, Clemson University. He has been principal consultant of Egan Acoustics in Anderson, South Carolina for more than 35 years. A graduate of Lafayette College (B.S.) and MIT (M.S.), Professor Egan also has taught at Tulane University, Georgia Institute of Technology, University of North Carolina at Charlotte, and Washington University. He is the author of Concepts in Architectural Acoustics, Concepts in Thermal Comfort, Concepts in Building Firesafety, and Concepts in Architectural Lighting (two editions). In addition to consulting, teaching, and writing, Professor Egan is a fellow of the Acoustical Society of America, member of the National Council of Acoustical Consultants, and an Association of Collegiate Schools of Architecture (ACSA) Distinguished Professor.


Customer Reviews

Architectural Acoustics--Egan4
Over the years I have bought two text books on this difficult subject, and never could get past more than two chapters. In contrast, this book is both readable and extremely well organized with a summary of the main points at the end of each chapter. For any formulas used in the text, he defines the symbols along with the formula. No looking back to early chapters.

Highly recommended.

best introduction to architectural acoustics5
Even after having collected and read quite a few of the modern textbooks on architectural acoustics, Egan's Architectural Acoustics (1988 hardback edition in my case) still stands as the most accessible first foray into the subject. I frequently use this book in my consulting practice when I need to illustrate a fundamental concept, such as sound isolation, auditorium shaping, or the basic acoustical conditions necessary to support various styles of music. Even though the binding has mechanically failed, I have not yet been able to bring myself to part with the book long enough to have it rebound. Perhaps the new softcover binding will actually hold up better to repeated reading, as this book will surely receive and deserve!

Use This Book!5
Since first encountering Egan's text a little more than 20 years ago, I've continued to return to it for solid information. Complex material is presented in a way that allows me to apply it to unique conditions at hand. Some of the world-class acoustics consultants with which we've had the privilege to work rely on Egan to help communicate complex ideas. Without compromising too much real technical nuance, the ideas are so clearly communicated that I was able to offer the book to members of a church in eastern Europe working to improve the condition of their worship space.