Product Description

Set at a small, affluent liberal-arts college in New England at the height of the Reagan 80s, The Rules of Attraction is a startlingly funny, kaleidoscopic novel about three students with no plans for the future--or even the present--who become entangled in a curious romantic triangle. Bret Easton Ellis trains his incisive gaze on the kids at self-consciously bohemian Camden College and treats their sexual posturings and agonies with a mixture of acrid hilarity and compassion while exposing the moral vacuum at the center of their lives.

Lauren changes boyfriends every time she changes majors and still pines for Victor who split for Europe months ago and she might or might not be writing anonymous love letter to ambivalent, hard-drinking Sean, a hopeless romantic who only has eyes for Lauren, even if he ends up in bed with half the campus, and Paul, Lauren's ex, forthrightly bisexual and whose passion masks a shrewd pragmatism. They waste time getting wasted, race from Thirsty Thursday Happy Hours to Dressed To Get Screwed parties to drinks at The Edge of the World or The Graveyard. The Rules of Attraction is a poignant, hilarious take on the death of romance.

Product Details

• Amazon Sales Rank: #9634 in Books
• Published on: 1998-06-30
• Released on: 1998-06-30
• Original language: English
• Number of items: 1
• Binding: Paperback
• 288 pages

From Publishers Weekly
This tale of privileged college students at their self- absorbed and childish worst is the very book that countless students have dreamed of writing at their most self-absorbed and childish moments. With one bestseller to his credit, Less Than Zero author and recent Bennington College graduate Ellis has had the unique opportunity of seeing his dream become a realityand all those other once-and-future students can breathe a sigh of relief that it didn't happen to them. Through a series of brief first-person accounts, the novel chronicles one term at a fictional New England college, with particular emphasis on a decidedly contemporary love triangle (one woman and two men) in which all possible combinations have been explored, and each pines after the one who's pining after the other. Theirs is a world of physical, chemical and emotional excessan adolescent fantasy of sex, drugs and sturm und drangwherein characters are distinguished only by the respective means by which they squander their health, wealth and youth. Despite its contemporary feel and flashy structurethe book begins and ends midsentencethe narrative relies on the stalest staples of melodrama and manages to pack in a suicide, assorted suicide attempts, an abortion and the death of a parent without giving the impression that anything is happeningor that any of it matters. Major ad/promo.
Copyright 1987 Reed Business Information, Inc.

From Library Journal
Two years after his debut best seller, Less Than Zero ( LJ 6/1/85) , Ellis returns with a very different novel. Though still about college students (Ellis graduated only last year), this story is told through numerous student diaries, illustrating the "accidents" that often form the basis of modern relationships. Here, misunderstandings, differing perceptions, and often just bad hearing cause pairings to begin or end, proving Ellis's implied thesis that there are no "rules." Ellis has his pretensions (the book starts and finishes in the middle of a sentence, and one diary entry is in easy French), but he successfully fleshes out his characters and creates involving situations. This should be a hit like the last, especially with college students. For public and academic collections. Susan Avallone, "Library Journal"
Copyright 1987 Reed Business Information, Inc.

Review
"Inspired. A wonderfully comic novel." --Gore Vidal

"Ellis is, first and last, a moralist. Under cover of his laconic voice, every word in his [novels] springs from grieving outrage at our spiritual condition." --Los Angeles Times Book Review

"Serves to establish Mr. Ellis's reputation further as one of the primary inside sources in upper-middle-class America's continuing investigation of what has happened to its children." --The New York Times Book Review

Customer Reviews

Both excessive and tepid
If you were a WASPy, spoiled, vacuous student of a liberal-arts college in the mid-'80s and you jumped from one empty relationship to another and mulled obsessively over every mundane detail in your aimless life while thinking in run-on sentences, this book was written just for you. But I can't imagine possibly being interested, much less intrigued, by The Rules of Attraction. Ellis' second novel is only notable for being almost entirely unexceptional.

Most of this story is recounted in a first-person narrative by central characters Paul, Lauren and Sean, among a handful of other friends, relatives and acquaintances. They spend most of their time ingesting all manner of drugs, legal and otherwise. They jump into bed with whoever looks good at the moment. They usually avoid anything resembling responsible behavior by habit. And when they aren't whining over every minor misfortune that befalls them, they're trying desperately to fool themselves (and us) into believing that the few positive aspects of their lives are so much more engrossing than they actually are.

In terms of accuracy and structure, there isn't anything particularly objectionable about this story. What exists of the plot was cunningly conceived, and the dialogue is entirely authentic. Ellis possesses a very keen wit, but it's utilized far too infrequently; for every hilarious incident that's depicted here, there are a half-dozen that very nearly put me to sleep. These characters are realistic, decadent, impulsive and thoroughly boring. The story moves along at a lively pace, but these people are so self-absorbed and their respective tellings of each sequence are so pedestrian that slogging through this rather short book is quite a chore. Even contradictions found in comparison of any two self-serving, entirely subjective accounts of a common episode aren't terribly engaging.

The most frustrating aspect of this story is that the only interesting characters here are confined to its periphery: flighty Victor, fastidious Patrick (Bateman, the titular antagonist of the much more entertaining "American Psycho") and Eve, Paul's emotionally estranged mother. If these characters had been afforded a greater share of the narrative, this book might have been a much more engaging read.

Setting aside the minutia of this critique, it must be noted that this entire genre of popular fiction has been rendered obsolete by the Internet. At any time, I can access a wealth of blogs scribed by self-obsessed wretches who are every bit as dysfunctional as the spoiled brats of this banal, miserable volume, most of whom have much more intriguing exploits to relate. I can read about and laugh at their pathetic lives for free and this book doesn't convey anything profound either, so of what use it it?

Perfectly Written
After reading "Less Than Zero" I was excited to give another Bret Easton Ellis novel a try, and this turned out to be one of those books I never wanted to end. Every page was full of something interesting and thought provoking and what at times seemed shocking also seemed like the harsh, honest truth. And this has become one of my favorite novels that I know I'll read over and over again.

The events are intriguing, the use of different narrators is great and very effective, and the writing style is perfect. Ellis really knew his characters well and had me believing these were real people.

And as always in the three Ellis novels I've read (Less Than Zero, The Rules of Attraction, Glamorama), I felt some disgust towards the characters' actions yet admired them at the same time and part of me wanted to live their wild and eccentric lives.

A sad but hilarious portrayal of contemporary college culture
The characters in "The Rules of Attraction" all use alcohol and drugs without a second thought, sleep with the most convenient person available and have no idea what they want to do with their lives. Not only are the main characters of Sean, Lauren and Paul aimless and careless of searching for a purpose in love and life, but the entire school of Camden seems to be exactly the same way. While Ellis may go a bit overboard with his portrayal of existential ennui at American colleges, there is more than a grain of truth in what he shows us about this country's young people. I would recommend this book for any kid about to go off to college so they know how *not* to be like while they are there, and for any adult who has bittersweet memories of their own college experiences.