The Devil's Backbone (Special Edition)
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Average customer review:Product Description
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Media Type: DVD
Artist: ALMODOVAR,PEDRO
Title: DEVIL'S BACKBONE
Street Release Date: 04/25/2006
Genre: HORROR
Product Details
- Amazon Sales Rank: #3553 in DVD
- Brand: ALMODOVAR,PEDRO
- Released on: 2004-07-27
- Rating: R (Restricted)
- Aspect ratio: 1.85:1
- Formats: AC-3, Anamorphic, Color, Dolby, DVD-Video, Special Edition, Subtitled, Widescreen, NTSC
- Original language: Spanish
- Subtitled in: English
- Number of discs: 1
- Dimensions: .25 pounds
- Running time: 108 minutes
Editorial Reviews
Amazon.com
Seething passions, wandering ghosts, and an unexploded bomb fill this beautifully filmed tale of war and suspense. Though The Devil's Backbone was advertised as a horror movie in the States, it's really more of a drama that happens to have ghosts in it. During the Spanish Civil War, young Carlos is abandoned at a completely isolated orphanage. The tensions therein have been building for years, exacerbated by the unexploded bomb resting menacingly in the courtyard. Bullies scheme, tempers flare, and a ghost that visits Carlos's bed seems to be the key to it all. The movie is full of excellent performances, especially by Marisa Paredes as the gruff-but-kind headmistress, Eduardo Noriega as the handyman with secrets to keep, and Federico Luppi as the benevolent professor who likes to keep deformed fetuses in jars. A rich, satisfying drama with some good, spooky fun thrown in. --Ali Davis
From The New Yorker
The Mexican director Guillermo del Toro's supernatural melodrama takes place against the backdrop of the Spanish Civil War, in a poverty-stricken orphanage, where the ghost of a young boy resides. The movie overreaches when it attempts to be a political allegory but becomes hauntingly atmospheric as it settles down and simplifies its intentions. Del Toro's elegant pacing and gothic touches imbue the proceedings with a cool mystery. In Spanish. -Bruce Diones
Copyright © 2006 The New Yorker
Customer Reviews
"An Insect Trapped In Amber"
THE DEVIL'S BACKBONE is a well made Spanish language film with adequate English subtitles to tell this ghost/historical/war film to an American audience. The setting of the movie is a remote desert orphanage for boys during the Spanish Civil War. The acting is excellent all around with special kudos going to the child actors especially the young men playing Carlos and Jaime. And the film has one of the hunkiest villains ever in Eduardo Noriega II playing Jacinto. The movie is filled with atmosphere, gothic images and symbolism some of which are neatly tied in to the plot line and some of which are left dangling. This movie may not be as jump out of your seat scary as Del Toro's ghost story THE ORPHANAGE but overall THE DEVIL'S BACKBONE is the better film of the two.
Del Toro, the Spanish Civil War and Me; 3 Things That Should Never Come Together
I once wrote an angry review for "Pan's Labyrinth". If you've read it you probably tacked a "NO" vote up there; that's cool. I got a little riled by Del Toro's uneven depiction of history and the fact that history had anything to do with a "fantasy" film. I gave it 3 stars because, besides the slanted history and despite its artistic qualities, I took great issue with the nebulous point of the story, proven by the common misinterpretations of its "deeper" meaning in the glowing amazon.com reviews. Of course, I was out of my depth to think such things. So, you think I would have learned my lesson? No, I buy another Del Toro film staged in the Spanish Civil War; $5 or not, what was I thinking?!
Now you might wonder; "Why did you give this film 4 stars and the other, more revered film only 3 stars?" and that would be a fair question. The answer is simple; I knew what to expect. "Pan's Labyrinth" was marketed as a fantasy film but that was not what I got. "Devils Backbone" was marketed as a ghost story. However, I had the sense to read up on it and realize this was just deceptive American marketing. I had learned my lesson... ...sort of.
-WE STUPID AMERICANS
We must all be idiots since Del Toro's films are much too deep for us to understand here in America. The distributors "understand" this. So, when they package these DVD's they feel compelled to compare the films to something we can identify with like "The Others" or "Lord of the Rings"; just ridiculous. Of course, neither of those two films remotely resembles the two Del Toro films they were compared to. This film is nothing like "The Others" and, luckily, I did not expect it to be. I do enjoy that story more though.
-WHAT DO I HAVE AGAINST DEL TORO?
In a nutshell; I don't like his stories. I like his skill as a Director. I think he makes some of the more visually stunning films of the day. The guy is dripping with style. But, I don't like his stories. If he never did anything but direct other people's stories, I'd be happy to watch. However, his stories just bug me. It bugs me that he can't show war without taking sides. It bugs me that his stories pretentiously try to be "deep" and ambiguous to the point that even those who love them don't truly understand them. I recently viewed Fritz Lang's "M". In an interview, Lang said "I hate giving interviews... ...because if a director has to explain his film then he hasn't done his job". I could not agree more. Good stories practically tell themselves. Does the meaning need to be deciphered? I have ideas about "The Devils Backbone" but Lord knows if I'm right. There may be nothing to interpret at all. So, I just look at it as a story about an orphanage in the middle of the desert with a tormented ghost and ruined people lurking about. It's not bad at being that.
-THESE KIDS CAN ACT
Despite my bellyaching, there were things that I liked about this film. Being set in an old orphanage, there needs to be kids. Well this is a boy's orphanage and can these boys act. You need to give the director credit here. They're a bunch full of character and are easy to care about. All the actors did pretty well and their characters were fairly well developed. However, I have to say the heavy in the film was a bit extreme. I wasn't surprised by this since the villain in "Pan's Labyrinth" was also nearly unimaginable in his cruelty.
-NOT A HORROR FILM
This is not news to anyone who's read a review for this before, but I thought I should make sure you knew. There is brutal violence, a bloody ghost, and evil people but this is much less a horror film than "Pan's Labyrinth" is. The most horrific thing about this film is the constant depiction of highly flawed people. Even the "Heroes" have ugly sides. This is actually a pretty depressing film now that I think about it.
-THE FINAL JUDGMENT
I liked the acting and the characters. I thought it was visually excellent. I thought the story was ok until it got to the point. It was "the point" that was either heavy handed or too subtle; I admit I'm not sure which. I might be looking for something that's not even there. Either way, it was the details that made it interesting and not the overall "message". Of course, history being one of my interests, the slanted depiction of the Spanish Civil War gave me heartburn as well. However, it did everything else so well that I have to give it 4 stars even if I did not like the story.
-Acting.....4.5 Stars
-Visuals....5.0 Stars
-Story......2.5 Stars Average...4 Stars
Lucid Dream
This is one of the best movies I've seen in some time, multi-layered and a visual feast. Nothing corny here. Immediately, the film pulls the viewer into another time and place, to a landscape filled with immense beauty and menace. This is not a horror film, but a coming of age movie of great poetry, portraying compassionate understanding of the tribally violent and innocent world of childhood. Lust, greed, mystery, ghosts, and friendship are all explored with a deft touch. This will be a classic. You won't even notice the subtitles, and the lovely Spanish language only adds richness and depth to del Torro's tapestry, set in Spain during the Civil War. I really can't recommend this film highly enough. Ironically, it's easier to write a tough, critical review than communicate the lucid poetry of this film's accomplishment.





