Track Listing

1. Lady d'Arbanville
2. Maybe You're Right
3. Pop Star
4. I Think I See the Light
5. Trouble
6. Mona Bone Jakon
7. I Wish, I Wish
8. Katmandu
9. Time
10. Fill My Eyes
11. Lilywhite

Product Details

• Amazon Sales Rank: #9511 in Music
• Released on: 2000-05-23
• Number of discs: 1
• Formats: Original recording reissued, Original recording remastered
• Dimensions: .22 pounds

Album Description
Limited Edition import-only vinyl LP repressing of this album. Universal. 2007.

Amazon.com essential recording
Mona Bone Jakon marked the beginning of the Cat Stevens we know and love, forming alongside Teaser & the Firecat and Tea for the Tillerman the creative heart of Stevens's oeuvre. Though previous releases showcased his sticky burr of a voice and flashes of his songwriting brilliance, it was on Mona Bone that Stevens became disillusioned enough with the music industry to write more deeply introspective and personal songs. It's interesting to note that his disavowal of the biz (wryly commented upon in the song "Pop Star") coincides with his increasing popularity. You can hear Stevens finding his distinctive voice and sound on the first few bars of "Lady D'Arbanville" in all its baroque, emotive glory. "I Think I See the Light" marks the beginning of Stevens's lyrical spiritual pursuits, and "Trouble" stands among the best tracks in his career. All in all, Mona Bone Jakon is a delight, and because it never achieved the Top 40 radio ubiquity of later albums, it sounds fresh and distinct. --Tod Nelson

Customer Reviews

He's got a Mona Bone Jakon (but it won't be lonely for long)
Cat Stevens had two absolutely great albums -- _Tea for the Tillerman_ and _Teaser and the Firecat_. This one came first, and it's almost as great.

At this point in his career, he had already released two albums' worth of good but largely unremarkable pop music (_Matthew and Son_ and _New Masters_). It's here, on _Mona Bone Jakon_, that he introduces the delicate-textured acoustic sound with which he is most identitifed.

It's hard to explain why I don't think the result, despite its tremendously high quality, is _quite_ as marvelous as the two albums that followed it. There's wonderful stuff on here, my personal favorites being "I Wish, I Wish," "Katmandu," and "Fill My Eyes." And I don't think there's a single really weak track. There's probably a matter of taste lurking in here somewhere; I just think his writing and playing got even crisper and cleaner on _Tea_ and _Teaser_.

At any rate, if you have this one and the next two, you have most of the "very best of" Cat Stevens already, never mind those other "best of" collections. Borrow _Buddha and the Chocolate Box_ from somebody and tape "Sun/C79" and "Oh, Very Young," and you'll have the rest of it.

(Not that his other stuff isn't _good_, but it's mostly not of the same quality -- though portions of _Catch Bull At Four_ come within inches of it. I don't have much patience with "fans" who tell us that the rest of us aren't "true" fans if we find "Foreigner Suite" to be much ado about nothing and don't especially care for _Izitso_. If we have to suspend our powers of discrimination and uncritically adore everything an artist emits, who wants to be a "true" fan of _anybody_? And what genuine artist would want such "fans"?)

Trivia time: this album was originally going to be entitled _The Dustbin Cried the Day the Dustman Died_; the album cover still reflects the earlier title. And "Mona Bone Jakon" was a little private nickname Cat had given to -- let's put it delicately -- a certain portion of his anatomy to which one does not ordinarily call public attention and about which he will undoubtedly not write any more songs now that he's a Muslim.

Speaking of which, here's a little more history for the uninitiated:

"Cat Stevens" was the stage name of Steven Georgiou, who was born in the U.K. in 1949 of a Cypriot father and a Swedish mother. Something of a musical prodigy, he released his first two albums well before he was twenty years old as was on his way to becoming a "pop star." He then fell victim to a terrible case of tuberculosis. When he returned to singing and songwriting, he had taken a decidedly more reflective turn and found himself delivering absolutely beautiful stuff with no apparent commercial potential. That was fine with him; he was no longer particularly interested in commercial success. But, perhaps ironically, his delicate confessional songs and his deliberate avoidance of "commercial-ness" turned him into a huge international star.

Well, he eventually (1977) became a Muslim and adopted the name "Yusuf Islam" (after the biblical dream-interpreter Joseph). At about that time he also left the music industry. He has since recorded a couple of albums about Islam, but his last collection of commercial music was _Footsteps In The Dark_ (ostensibly a second volume of his "greatest hits," but in fact a set of lesser-known favorites and a handful of tunes not available elsewhere).

You can feel safe in ignoring the comments from people who think he has become "rigid" and/or "intolerant." The simple fact is that nearly every Cat Stevens album (the exceptions being his first two) is filled with "spiritual seeking," and he eventually found what he was looking for in Islam. His "recent" (actually, 1989-90) remarks on Salman Rushdie were not what you probably think they were (and in particular he didn't call for Rushdie's death). He's no more "rigid" or "intolerant" than the rest of us; he's simply a religiously observant Muslim, that's all. There's a problem here only for people who think seekers should never get around to finding, or that traditional religion is more "dogmatic" than irreligion.

His songs don't need to "transcend" their creator in order to be great; there's no need to run down Yusuf in order to elevate Cat. And since they _were_ written during his "seeker" stage, they're suitable for everybody -- future Muslims or not.

Cat's most complete album.
I don't know if anyone else feels this way, but I find this album to be Cat Stevens' best. Let me give you some reasons why...

(1) I'd never heard any of the songs before I bought the album, which made it very fresh.

(2) MBJ is much more melodic and entrancing than his other albums. I think that's due in part to this excellent remastered edition, which makes the sound crystal clear.

(3) The lyrics, like the music, are much more sprawled than his other albums. It seems like he's much more relentless with his lyrics in this album.

(4) It seems like this album just flows better than his others. That could be because he has so many classic songs that tend to overshadow the entire album. That's something that doesn't happen on MBJ.

These songs are so fresh that one must wonder if they'd be hits today. Sure, I recommend Cat's other albums to new fans, but if you're tired of his hits (which are excellent, don't get me wrong) and are ready for a change, pick up Mona Bone Jakon.

Cat Stevens uses unique tuning and phrasing in his songs
I have always loved this man's music,and I wish he was still creating it. Mona Bone Jakon has some songs of such haunting beauty that they remain with you forever. The genius of Cat Steven's orchestration,arrangements and playing make him a special favorite of many listeners. If you like this album and are not familiar with his other albums,try Catch Bull at Four and Tea for the Tillerman as well. There is no other musician like him.