Track Listing

1. Park Slope/Dean Wareham & Britta Phillips
2. Courting Blues/Bert Jansch
3. Holland Tunnel/John Phillips
4. Lullaby/Loudon Wainwright III
5. Heart Like A Wheel/Kate & Anna McGarrigle
6. The Bright New Year/Bert Jansch
7. Drive/The Cars �
8. Let's Go/The Feelies
9. Figure Eight/Blossom Dearie
10. Come Sing Me A Happy Song To Prove We All Can Get Along the Lumpy, Bumpy, Long and Dusty Road/Bert Jansch
11. Hey You/Dean Wareham
12. Family Conference/Dean Wareham & Britta Phillips
13. Street Hassle/Lou Reed
14. The Swimming Song/Loudon Wainwright III

Product Details

• Amazon Sales Rank: #23707 in Music
• Released on: 2005-10-18
• Number of discs: 1
• Format: Soundtrack
• Original language: English

Amazon.com
The soundtrack to The Squid and the Whale will probably be most enjoyed by the cynical, but that doesn't mean it isn't great. In fact, it's a nice intro to some '60s and '70s folk. British musical legend Bert Jansch appears here as does John Phillips of the Mamas and the Papas. (To rely on cliché: Phillips' "Holland Tunnel" is a forgotten road trip-ready gem.) However, the really on-point songs come from Loudon Wainwright III and his former wife and sister-in-law, Kate and Anna McGarrigle, respectively. Anna M's brutal "Heart Like a Wheel" tells a story of lost love--very applicable to a movie about a divorcing couple--while Wainwright's biting "Lullaby" reflects tension between a father and child all too well. (Loudon Wainwright is the father of Rufus Wainwright, also a singer-songwriter. Noah Baumbach is the son of novelist Jonathan Baumbach, and has made a semi-autobiographical movie about a difficult relationship between a father and son who will eventually be working in more or less the same field? Oh, the synergy!) The Cars' "Drive" and an old School House Rock tune provide two of the lighter moments on this disc (and "Drive" isn't exactly "YMCA") only to have the soundtrack wrap up with Lou Reed's "Street Hassle," a kind of black-hearted "Bohemian Rhapsody," and Wainwright's "The Swimming Song," which features the phrase "I'm a self-destructive fool." Why this song hasn't already been used in every indie film from sex, lies, and videotape to Garden State, the world may never know.

Baumbach's selections show that he's serious about the pop music that accompanies his film, and that he wants the soundtrack to be more than a random selection of hits from the latest up-and-coming bands. He shares this trait with his writing partner from The Life Aquatic with Steve Zissou, Wes Anderson. Since Anderson's soundtracks are almost always as interesting and inventive as his films, this collection of music bodes well for Baumbach's directorial career. --Leah Weathersby