Track Listing

1. Harlem's Nocturne
2. Karma
3. Heartburn
4. Medley: If I Was Your Woman/Walk on By
5. You Don't Know My Name
6. If I Ain't Got You
7. Diary
8. Dragon Days
9. Wake Up
10. So Simple
11. When You Really Love Someone
12. Feeling U, Feeling Me (Interlude)
13. Slow Down
14. Samsonite Man
15. Nobody Not Really (Interlude)

Product Details

• Amazon Sales Rank: #7765 in Music
• Released on: 2003-12-02
• Number of discs: 1
• Dimensions: .24 pounds

Amazon.com
Alicia Keys has more than lived up to the promise of her formidable debut Songs in A Minor, pushing beyond her flirtation with old-school soul and venturing into the modern world, even hiring Timbaland to guide her through the shoals of anthemic hip-hop on the breathless and funkified "Heartburn." Sounding like a hyperthyroid cheerleader, Keys unleashes a quirky sense of humor that no one even suspected she possessed. Her effortless singing on the beat-driven "Karma" is a wonder of sonics on this uplifting piece of pop philosophy, giving countless anxious woman hope that everything will work out as it's meant to, or on "Samsonite Man," where it won't. But despite her edgy styling and jazzy vocal posturing, Keys hasn't abandoned her love for old R&B and travels back in time, giving Gladys Knight's "If I Was Your Woman" a face lift it may not have needed, then turns around and recasts the song as the winsome and dramatic "You Don't Know My Name." But at its heart, The Diary of Alicia Keys is a gross misnomer. After listening to the disc, fans will know little more about the elusive diva than they did before, her lyrical style consistently more narrative than confessional. In fact, the title track doesn't delve into the singer's inner life, but instead is about a long-distance love affair, with Keys promising the object of her affection that: "I won't tell your secrets/Your secrets are safe with me/I will keep your secrets/Just think of me as the pages in your diary."--Jaan Uhelszki

Customer Reviews

Unbelievable And Undeniable Talent
Alicia Keys arrived on the scene back in 2001 with her No.1, multi-platinum debut album "Songs In A Minor." The Grammy award winning album made Alicia a worldwide superstar and a true force to be reckoned with in the music industry. Her debut album was ever so slightly overhyped which then made the follow-up, "The Diary Of Alicia Keys," ever so slightly over-anticipated upon its fall 2003 release. The album went straight to No.1 in its week of release shifting some 610,000 copies. Alicia has staying power, and this proved it.

Since that infamous debut album, Alicia Keys has brought in a unique and shockingly mature dose of talent to the music industry. Amongst her entrance was the arrival of Nelly Furtado and Norah Jones, two equally talented super powers who enjoyed record sales beyond their wildest dreams and a following like no other. Such success, however, can cloud the illusions of those experiencing it, no matter how deserved it is. Alicia Keys could have easily fallen into the trap of an artist who took herself too seriously (the dramatic title of the album suggests this) but, thankfully, there is no need to worry; The Diary Of Alicia Keys is another masterpiece...

On this sophomore effort, Alicia has avoided the frequent trap of crumbling under pressure on how to follow up a stunning debut. She has matured her style slightly with a superb collection of lush and dreamy soul-tinged, R'n'B influenced tracks that highlight and complement her remarkable vocals. Everything about the album is incredibly mature and real. Even the song titles are beautiful, staring off with the intro "Harlem's Nocturne." This piano opening soon breaks out with a soulful beat in a similar vein to the intro on the album's predecessor. This swiftly moves into "Karma," a superbly beat-driven song that uses Alicia's vocals to the optimum. "Heartburn" has a fantastic drum beat and strumming guitars with a sizzling beat and brilliant production. It's a new style for Alicia, and it works well. Some may dislike it, but you gotta give the girl props for being creative. "If I Was Your Woman/Walk On By" is a superb cover version which has been altered to suit Alicia's vocal range and musical style. This is swiftly followed by "You Don't Know My Name," the album's lead single. Obviously Alicia couldn't compete with her debut single "Fallin'" on her comeback single, so what does she do? She releases a six-minute, future-classic love ballad masterpiece with spine-tingling piano trickles and a full-on telephone section, remeniscent of Stevie Wonder's "I Just Called To Say I Love You!"

"If I Ain't Got You" displays Alicia's superb vocals perhaps better than on any other track. Alicia really sells the song and this is the second single. Meanwhile, the gorgeously-melodic "Diary (Featuring Tony! Toni! Tone!)" is a definite album highlight. The gentle piano creeps in here and drops to offer superb lyrics; "Just think of me as the pages in your diary." "Dragon Days" is one of the album's highlights. Alicia sings of the dragon days when the fire was hot, like a desert needing water, baby! Her soulful voice totally complements the song's mature mood. "Wake Up" is yet another highlight with Alicia displaying her vocals once more in an up-tempo track about relationship troubles. Done a million times before, but still sounds fresh by Alicia. "So Simple" is one of my favourite songs on the album, but a lot of people can't stand it because of the little squeaky voice in the background of Lellow chanting, "It could be so simple!" The song has a rather isolated mood to it, but this only serves as the genius behind it.

"When You Really Love Someone" is an up-tempo song with a moody and confused intro that highlights the realism of a relationship and what each partner must do to love one another. "Cause a man just ain't a man if he ain't man enough," cries Alicia, sounding similar to how she did on "A Woman's Worth." "Feeling U, Feeling Me (Interlude)" is a superb section that breaks the album up slightly. The beat just relaxes the hell out of you whilst also managing to make you feel so sexy with its seductive mood as Alicia whispers her (short) lines. "Slow Down" is not one of the best tracks on the album and Alicia could've been forgiven for leaving it off the album. Luckily things pick up with the sparkling "Samsonite Man." What a beautiful song title! And Alicia's not wrong as she sings "Packing his bags, gotta go, gotta go, packing his bags, gotta go," to a shimmering beat that raises the mood. "Nobody Not Really" is a DAMN fine song that is just way too short. It only just makes the third minute but should've been at least one longer. The song opens in a flurry of excitement with its piano as a saxophone breaks it down whilst Alicia sighs in the background. The way her vocals are drawn out through the verses is just really superb and is a perfect closer to a brilliant sophomore effort.

OVERALL GRADE: 10/10

I bought Songs In A Minor after the hyped had died down somewhat - a whole year after its release. I really enjoyed that album and it's certain that the public did too. The Diary Of Alicia Keys will obviously not perform as well on the charts and around the world, but this is truly a mature, sophisticated second album from Alicia. It has future-classic written all over it. An album that will be in the homes of millions of soulful fans around the world, and her third album is just going to continue this trend.

Her Diary = A Fine Chameleon.
"The Diary Of Alicia Keys'" puts Beyonce, Shakira, Underwood, & all of todays female artists from every genre of music in the bargain bin. The album starts with the classical song "Harlem's Nocturne." Her Piano playing is superb, then a choir joins in aided by a fine beat. "Karma," is adriven song that uses Alicia's vocals at their best. "Heartburn," has a good drum beat as her raw vocals compare her lust for a man with the title. "If I Was your Woman/Walk On," is a jazzy version of Isaac Hayes-"Walk On by."

"You Don't Know My Name," is a 1970's finesse ballad. It is a refreshing female version of male angst, the spoken interlude in the middle fits perfectly. "If I Ain't Got You," sounds like a mix of gospel & Aretha Franklin. This may have Alicia's best vocals on this album? The brass behind Alicia's Piano added elegance. "Diary," is a fine gentle song. It sounds like it came off of her debut album. This one was my favorite of her Sophmore album.

"When You Really Love Someone," seems like a cross between "A Woman's Worth & Fallin?" I would call it the former part two. "Wake Up & So Simple" are too familiar & the latter has some annoying sounds. "Slow Down," is reminiscent of Janet Jackson's "Lets Wait Awhile." "Nobody Not Really," is lighter & has a less cloudy or dark feel as if the day was just starting. She wonders who will be interested in this her diary? Obviously, several million to date & with good reason. This is a fine album.

Good snapshot of today's R&B
I like Alicia Keys' music. Some feel that she is overrated. I personally think it may be too early in her career to comment specifically on that, but I do feel that she hasn't fully reached the apex of her creativity. Alicia has more talent and spirit than some of her diva counterparts. We've seen it time and again, but I think there will be much more in the future.

Having said that, this set will do as good exposure to Alicia's talent. "You Don't Know My Name" has to be the most perfect usage of sampling yet for 2004, and is alone worth the price of the CD. The vibe and atmosphere match the lyrics to a tee, and I disagree that the spoken interlude is either corny or too long. This one is a modern day masterpiece...well done, Alicia!

There are other flashes of brilliance throughout the album that let you know that Alicia is a force to be reckoned with. But you always get the feeling that there is too much left in reserve. You always wanna leave your fans wanting more, but maybe not quite this much.

An example of what I'm talking about is the album's closer, "Nobody Not Really." This is the kind of off-the-beaten-path material that I know Alicia is capable of, and so much more...and it so GOOD. But this is one brilliant song compared to what is mostly average R&B material.

I realize that Ms. Keys is more of a mainstream artist on a mainstream label, so she can't get too far out there. But perhaps next time around we can get a better balanced mix of the predictable stuff and the songs that express her own vision. What she sees is beautiful and I'd like to experience more of it.