Product Details
SMiLE

SMiLE
Brian Wilson

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Track Listing

  1. Our Prayer/Gee
  2. Heroes and Villians
  3. Roll Plymouth Rock
  4. Barnyard
  5. Old Master Painter/You are My Sunshine
  6. Cabin Essence
  7. Wonderful
  8. Song For Children
  9. Child is Father of the Man
  10. Surf's Up
  11. I'm in Great Shape/I Wanna Be Around/Workshop
  12. Vega-Tables
  13. On a Holiday
  14. Wind Chimes
  15. Mrs. O'Leary's Cow
  16. In Blue Hawaii
  17. Good Vibrations

Product Details

  • Amazon Sales Rank: #1697 in Music
  • Published on: 2004
  • Released on: 2004-09-28
  • Number of discs: 1

Editorial Reviews

Album Description
Smile is inarguably the most long-awaited album in modern pop history. It's been more than 37 years since the title first appeared on a label release schedule, intended as the January 1967 follow-up to the groundbreaking art-rock of the Beach Boys' Pet Sounds. But Smile never made its initial release date. Today, this album is not a mere reconstruction of past performances, but something entirely new, a serious summation of a project that has been gestating for nearly four decades.

Amazon.com
The Greatest Album That Never Was finally is. The Beach Boys' uncompleted 1967 album Smile has remained the elusive touchstone of Brian Wilson's brilliant, star-crossed career for decades. Artistic Holy Grail and troubling professional Waterloo for Wilson, a tantalizing prism of unfulfilled promise to his loyal cadre of fans, its story has become pop music's Rashomon. Finally completed via spring 2004 recordings with his stellar, longtime touring band (none of the original '60s sessions were used, though they've been recreated here with often stunning authenticity), it's arguably as alien to contemporary pop as it might have seemed in its intended '67 context--even to ears freshly primed by the glories of Pet Sounds.

Collaborator Van Dyke Parks's impressionistic, often mischievous lyrics conjure a collage of arcane 19th-century Americana that's equal parts artful ellipse and aloof nostalgia. But wed to Wilson's innovative composition and recording techniques (echoing beat author William Burroughs's fabled cut 'n' paste methodology and exemplified by the modular "Good Vibrations"), the resulting semisuite confections challenge the boundaries of both song and album form, but with an insouciant charm that's as different from Pet Sounds as that landmark was from "I Get Around." Turns out those hypothetical comparisons to Sgt. Pepper's weren't so far off the mark. --Jerry McCulley

Smiling with Brian
Amazon.com Music Editor Peter Hilgendorf called Brian Wilson to congratulate him on the release of Smile, and to talk about the recording and some of the history behind this highly anticipated release. Listen now.

Catch Up with Brian Wilson and the Legend of Smile:
Here are a few lists to help unravel the stories and sounds of Smile.


Customer Reviews

Four decades of conception5
This album must be listened to in effort to see the musicality and artistry, and without comparison to the Beach Boy's discography. The album brings amazing harmonies and a more mature sound, presented in an artistic format.

The musicians have fun with this album! It does what it says it will do... makes you smile!

Confusing and inconsistent3
I'd heard that this was one of those missing gems of musical history,so I had to check it out and was mostly confused. I may have even given the album a higher rating than it deserves because my reaction was not angry, but like I was missing something given all the hype. Its not that I would call it bad, it just wasn't all that fun and catchy as pop music, nor did it have any seeming depth as serious experimental music. It just lurched from song to song and lurched within songs. The false endings and sudden restarting of Heroes and Villains became tiresome. And was this supposed to be Rock and roll? Because it came to sound like some sort of experiment with older American music forms Randy Newman might make, but then not release for sale. I'm not the greatest Beach Boys fan, but I'd give Wilson an honest chance.

I think the high marks, as easy as it would be to make catty remarks about them, are superfans who may have other areas of more sensible taste, but are blinded by their love of Wilson in a whole context and mistake the way this album inflames their nostalgia for great accomplishment by the album itself. Maybe it is just one of those controversial taste dividing lines between otherwise agreeable persons. In any case, borrow this before you buy it, otherwise you will be thinking about what you could have done with that $15 for a LONG time to come.

Experiencing a whole new world5
I bought this album in the fall of '04 because I liked the Beach Boys and I saw that Good Vibrations was on this CD. I was only vaguely aware of Brian Wilson's involvement with them and at the time I mostly associated him with the song Brian Wilson by The Bare Naked Ladies. It sounds pretty crazy to me now, but I had just never heard much about the Beach Boys and Brian beyond most of their surfer songs and Lennon and McCartney's fondness towards Pet Sounds. Needless to say, I had no idea what I was in for when I listened to this. I had put it in my car stereo immediately upon leaving the store and initially thought I had made a mistake. It wasn't like anything I had ever heard before. Then, almost surreally, there started to be sounds of doo-wop or 'oldies' rock that I really like and then I was totally taken away by the music. It was almost organic, in that the music felt so fresh and alive and blended so seemlessly from one song to the next. I couldn't believe what I was hearing and afterwards was almost obsessed with learning everything I could about Wilson and SMiLE. I found out I was far from the only one who was moved by the music this way.

I consider it an honor that I got to buy this final completed album when it came out and experience it like I did. Also, as a side note, when I was listening to Good Vibrations at the end of the album basking in what I had just heard, I thought I was in familiar territory and then there was an extra section of chanting during the part of the song where it gets quiet that wasn't in the original release of the song, and it was so perfect and unexpected and it really did make me smile listening to it. I'll never forget that.