Track Listing

1. Slowes' Comb: The May 4th Movement Starring Doodlebug
2. Slowes' Comb: Black Ego
3. Slowes' Comb: Dog It
4. Slowes' Comb: Jettin'
5. Slowes' Comb: Borough Check
6. Slowes' Comb: Highing Fly
7. Agent 7 Creamy Spy Theme: Dial 7 (Axioms Of Creamy Spies)
8. Ny 21 Theme: The Art Of Easing
9. Ny 21 Theme: K.B.'s Alley (Mood Dudes Groove)
10. Ny 21 Theme: Graffiti
11. Ny 21 Theme: Blowing Down
12. Ny 21 Theme: 9th Wonder (Blackitolism)
13. Ny 21 Theme: For Corners

Product Details

• Amazon Sales Rank: #13022 in Music
• Released on: 1994-10-18
• Number of discs: 1

Amazon.com
In 1993, the Digable Planets, a trio of New York MCs with happy insect monikers (Doodlebug, Butterfly, and Ladybug) and nonthreatening auras, created manna for the pseudo-beatnik crowd. On Reachin': A New Refutation of Time and Space they melded jazz records, hip-hop beats, and rhymes--like Gang Starr and the Dream Warriors before them. Much to their dismay, the single "Rebirth of Slick (Cool Like Dat)," which combined their be-boppy flows with a catchy Art Blakey loop, captured the clove cigarette contingent. Their sleeper follow-up, Blowout Comb was a De La Soul-esque reaction to their pop success. They forsook the bohemians (and probably scared them as well) by waxing poetic about the Black Panthers and Fidel Castro and giving shout-outs to their peeps in the Five Percent Nation of Islam. Loaded with live instrumentation, the album includes "Black Ego," an interpolation of a popular Meters composition laced with nice guitar plucks, and "K.B.'s Alley," where a schizophrenic trombone perfectly complements their wordplay. Despite strong guest spots by vet female DJ Jazzy Joyce, Guru, and Jeru the Damaja, it's the hidden messages, somber mood, and understated beats of "9th Wonder (Blackitolism)" or "Dial 7 (Axiom Of Creamy Spies)" that outshine the gloss of their debut. --Dalton Higgins

Customer Reviews

"Rolling with the seven and the crescent puffin' some expression" (5 stars)
There's a few reasons that Digable Planet's sophomore album "Blowout Comb" is one of my top 10 favorite hip-hop albums ever made. First and foremost, the mix of jazz & hip-hop, in my opinion, is one of the most organic and natural mash-ups of two genres I've ever heard. And one could argue that "Blowout Comb" is the purest mixture of these elements. Fresh off of the grammy-success of their debut "Reachin' (A New Refutation of Time and Space)", DP hit the studio again to release their most artistic vision of their painfully short-lived career in 1994.

Their artistic vision is considerably richer on their sophomore effort, although it never reached the commercial heights of their debut. The production, which favors live instrumental jaunts and free-flowing jams that relate to everything from pop-jazz to the pureness of bop, is simply superb. Much of that is thanks to King Britt's exquisite vision as the group's producer/DJ. The production is a marked improvement here, as well as the rapping from Butterfly, Doodlebug & Ladybug Mecca. Their content is sharper, consciously sound, and their flows are more remarkable & focused than ever before. Ladybug Mecca in particular is arguably my favorite female rapper in the game (skills and looks...lol), and Doodlebug as well as Butterfly more than hold their own under a blanket of originality.

The album never lulls. In fact, as it moves, it feels as if it only gets stronger throughout it's 62-minutes in length. Two of the most superb cuts are stuck on the end - the chart-hitting, James Brown inflicted "9th Wonder (Blackitolism)" & the 7-minute anthem "For Corners". "Dog It" is a favorite due to the absolutely lush horn samples. "Dial 7 (Axioms Of Creamy Spies) / NY 21 Theme" featuring Sarah Anne Webb also enjoyed some well-deserved time on the charts. The guest choices are also fantastic. Guru shows up on "Borough Check", and Jeru The Damaja shows up on "Graffiti" - both excellent tracks that never detract from the album's golden feel. "Jettin'" is also a favorite, and it's just one of roughly five time Bob James is sampled here. Nothing here feels out of place in the least.

Ultimately, the more politically-charged & Afro-centric vibe's that "Blowout Comb" held over "Reachin..." may be the reason it didn't enjoy the mainstream success of it's predecessor. Artistically, the Planets prove they are no fluke, and "Blowout Comb" deserves any and all recognition it receives as being one of the finest hip-hop albums ever made. Classic. Pure and simple.

1994's most slept on hip hop album.......
i remember when i first purchased this album. once i heard it, i couldnt stop listening to it. it has the same effect on me now, and i recently purchased the compilation album which was also great w/the unreleased songs from this album. the bling of rap music's commercialism is one of the reasons why this album was slept on, on top of the fact that pendulum just didnt promote this the way they were supposed to. the art cover, photos, and liner notes that came from DP on this album was hotness...i miss them and i hope that they will come back. their solo efforts are great, but theyre gifts compliment each other, the chemistry between the 3 of them is crazy....and by the way, am i buggin or is Lady Bug Mecca one of the most slept on female mc's ever...her lyrics and metaphors is fire....her style is hotness. i was so disappointed when vibe came out with their book on female mc's and did not include her in it once... unfortunate.

G*d Save the DP's
Got this album when it first came out, then let someone borrow it and never saw it again. I just recently picked it up again. After listening to the whole thing through, I realized that this has to be the most nuanced hip-hop album ever made. It's almost depressing to listen to because this album makes you realize just how incredibly horrible hip-hop has become since. Of course, there's the ever-present but useless debate about which DP album is better but it just doesn't matter anymore. The DP's are artists in every sense and each track on this album is lovingly crafted and the whole thing just resonates with fierce creativity and a sensitivity not found anymore in this once groundbreaking genre that isn't so groundbreaking anymore.