Product Description

From the master of literary mayhem and provocation, a full-frontal Triple X novel that goes where no American work of fiction has gone before

Cassie Wright, porn priestess, intends to cap her legendary career by breaking the world record for serial fornication. On camera. With six hundred men. Snuff unfolds from the perspectives of Mr. 72, Mr. 137, and Mr. 600, who await their turn on camera in a very crowded green room. This wild, lethally funny, and thoroughly researched novel brings the huge yet underacknowledged presence of pornography in contemporary life into the realm of literary fiction at last. Who else but Chuck Palahniuk would dare do such a thing? Who else could do it so well, so unflinchingly, and with such an incendiary (you might say) climax?

Product Details

• Amazon Sales Rank: #51548 in Books
• Published on: 2008-05-20
• Released on: 2008-05-20
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 208 pages

Features

• ISBN13: 9780385517881
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.

From Publishers Weekly
Palahniuk's audacious ninth novel tells the story of Cassie Wright, an aging porn queen who intends to put an exclamation point on her career by having sex with 600 men in one day on film. The story begins with Mr. 600—the pornosaur who introduced Cassie to the business—as he describes the other 599 actors awaiting their moment on screen. The perspective then shifts to Mr. 72, an adopted Midwestern 20-something who is one of the many young men claiming to be Cassie's long-lost son. Mr. 137, a has-been television star hoping to revive his career, wants to ask Cassie's hand in marriage so that the two can star in a reality TV show. But for a novel centered around a gargantuan gangbang, there's surprisingly little action; the small amount of narrative movement takes place backstage, where the characters attempt to get a sense of one another while waiting for their number to be called. There are sharp moments when Palahniuk compassionately and candidly examines the flesh-on-film industry, but mostly this reads like a cross between the Spice Channel and Days of Our Lives. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Palahniuk has followed his tendency towards sensationalism to its logical conclusion and written a novel about a pornographic film, to mixed reactions. Naysayers wrote that Snuff either failed in its satirical role or, worse, Palahniuk has simply run out of ideas and only wants to make readers cringe. Yet other reviewers felt that, as in previous novels, Palahniuk’s strong, character-driven explorations of the unseemly actually reveal a great deal about our society. Certainly, he riffs cleverly on Cassie’s cinematic history (“Gropes of Wrath,” for example). But Palahniuk’s play on movies and literature in the context of this novel perhaps points to an important question raised by the New York Times Book Review: “What the hell is going on? The country that produced Melville, Twain and James now venerates King, Crichton, Grisham, Sebold and Palahniuk.”
Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
Palahniuk has made a career out of exploring alienation and depicting sex addicts, suicides, serial killers, and suffering artists. So it’s not surprising to learn that his new novel is set in the sad world of sex cinema. Aging porn legend Cassie Wright is making one last film, a record-setting gang bang in which she will copulate with 600 men. But, as the title foreshadows, the grotesque simulation of love will prove fatal—for someone. As with Rant (2007), Palahniuk employs an oral-history format, with the story recollected by three men—Messrs. 72, 137, and 600—and Ms. Wright’s handler, Sheila. (These passages are obviously very explicit, and not only does the porn not look pretty, the Palahniukian prose may cause readers’ interest in all sex to flag for a while.) While Palahniuk’s strengths—acerbic humor and bold ideas—are present here, his weaknesses are, too: indistinct voices and characterizations, repetitiveness, and research that’s not integrated but quoted from one character to another. That said, he’s an original, and there is something heady about the risks he takes as a writer. But, ultimately, his ideas are more interesting than his writing—some readers are bound to ask why they’re hanging around someone who keeps beating them up. --Keir Graff