Product Description

The winner of Britain's prestigious Whitbread Prize and a bestseller there for months, this wonderfully readable biography offers a rich, rollicking picture of late-eighteenth-century British aristocracy and the intimate story of a woman who for a time was its undisputed leader.

Lady Georgiana Spencer was the great-great-great-great-aunt of Diana, Princess of Wales, and was nearly as famous in her day. In 1774, at the age of seventeen, Georgiana achieved immediate celebrity by marrying one of England's richest and most influential aristocrats, the Duke of Devonshire. Launched into a world of wealth and power, she quickly became the queen of fashionable society, adored by the Prince of Wales, a dear friend of Marie-Antoinette, and leader of the most important salon of her time. Not content with the role of society hostess, she used her connections to enter politics, eventually becoming more influential than most of the men who held office.

Her good works and social exploits made her loved by the multitudes, but Georgiana's public success, like Diana's, concealed a personal life that was fraught with suffering. The Duke of Devonshire was unimpressed by his wife's legendary charms, preferring instead those of her closest friend, a woman with whom Georgiana herself was rumored to be on intimate terms. For over twenty years, the three lived together in a jealous and uneasy ménage à trois, during which time both women bore the Duke's children—as well as those of other men.

Foreman's descriptions of Georgiana's uncontrollable gambling, all- night drinking, drug taking, and love affairs with the leading politicians of the day give us fascinating insight into the lives of the British aristocracy in the era of the madness of King George III, the American and French revolutions, and the defeat of Napoleon.

A gifted young historian whom critics are already likening to Antonia Fraser, Amanda Foreman draws on a wealth of fresh research and writes colorfully and penetratingly about the fascinating Georgiana, whose struggle against her own weaknesses, whose great beauty and flamboyance, and whose determination to play a part in the affairs of the world make her a vibrant, astonishingly contemporary figure.

Product Details

• Amazon Sales Rank: #31475 in Books
• Published on: 2001-01-16
• Released on: 2001-01-16
• Original language: English
• Number of items: 1
• Binding: Paperback
• 512 pages

Features

• ISBN13: 9780375753831
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
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Amazon.com Review
Georgiana Spencer was, in a sense, an 18th-century It Girl. She came from one of England's richest and most landed families (the late Princess Diana was a Spencer too) and married into another. She was beautiful, sensitive, and extravagant--drugs, drink, high-profile love affairs, and even gambling counted among her favorite leisure-time activities. Nonetheless, she quickly moved from a world dominated by social parties to one focused on political parties. The duchess was an intimate of ministers and princes, and she canvassed assiduously for the Whig cause, most famously in the Westminster election of 1784. By turns she was caricatured and fawned on by the press, and she provided the inspiration for the character of Lady Teazle in Richard Sheridan's famous play The School for Scandal. But her weaknesses marked the last part of her life. By 1784, for one, Georgiana owed "many, many, many thousands," and her creditors dogged her until her death.

Biographer Amanda Foreman describes astutely the mess that surrounded the personal relationships of the aristocratic subculture (Georgiana and the duke engaged for many years in a ménage à trois with Lady Elizabeth Fraser, who inveigled her way into the duke's bed and the duchess's heart). Foreman is, by her own admission, a little in love with her subject, which can lead to occasional lapses of perspective, but generally it adds zest to a narrative built on, rather than burdened by, scholarship, that is at once accessible and learned. An impressive debut, in every sense. --David Vincent, Amazon.co.uk

From Publishers Weekly
HShe was the most prominent British woman of her day. Whatever she wore became instantly fashionable, and her parties were the ones to attend. Royals, aristocrats and politicians sought her opinion, for she was as influential as she was beautiful. Princess Diana? No, her great-great-great-great-aunt, Georgiana, Duchess of Devonshire (1757-1806). A bestseller in the U.K. and the winner of the 1999 Whitbread Prize for Best Biography, Foreman's debut is captivating not just because of Georgiana--whose insecurity, demented love life and gambling addiction made her personal life even more dismal than Diana's--but also because Foreman's portrayal of high society in late-18th-century Britain and France is so remarkably vivid. Foreman gives readers the aristocracy fighting for control over Parliament, King George slowly losing his mind, his love-struck son ill-prepared to take the throne, and more bed-hopping than on a TV soap opera. Georgiana, who bore an out-of-wedlock child with politician Charles Grey, knew that her best friend was her husband's mistress, but that was the least of her problems. Prone to drinking, drug-taking and eating disorders, she also racked up gambling debts equal to $6 million in today's dollars. Foreman's combination of exhaustive research and storytelling skill make Georgiana's story at once lurid, sensational and touching. (Jan.)
Copyright 1999 Reed Business Information, Inc.

From Library Journal
Sex! Politics! Intrigue! This Whitbread Prize-winning biography has all that and more; if it were fiction it would be a best seller. Georgiana (1757-1806) was the most accomplished social hostess of her day and a formidable, if behind the scenes, force in Whig politics. She and the Duke shared their life with Lady Elizabeth Foster in a m?nage ? trois, the intricacies of which can only be guessed at. Together they raised a variety of children resulting from a number of liaisons. In addition to her work as a patron of the arts, Georgiana also wrote fiction, poetry, and a play, some of which was published in her lifetime. Brian Masters's previously published biography of the same title (now out of print) focuses mostly on her social activities. On the contrary, Foreman (a recent Ph.D. and researcher at Oxford) brings Georgiana's political savvy and influence into play against the backdrop of the American Revolution and the hostility between George III and the Prince of Wales. The names and titles tend to get confusing at times, but this well-written, well-researched book is finally a pleasure to read. For all libraries.AJulie Still, Rutgers Univ., Camden, NJ
Copyright 1999 Reed Business Information, Inc.

Customer Reviews

A Book You Want to Read Again and Again
I bought this book because it had such a glowing review in the New Yorker, but frankly I was a little dubious about its obscure subject. However, once I started reading it I couldn't put it down. Think money, sex, adultery, lesbianism, aristocracy, drug addiction, gambling, politics, scandals, betrayals, blackmail, fashion, theater, and the French Revolution, and you have just some of the potent elements in this book. Foreman writes with great clarity and verve. The book reads more like a novel than a work of history. And yet it is full of fascinating insights and historical information. Georgiana seems more like a modern woman with thoroughly modern neuroses than an eighteenth-century character. I couldn't help but root for her all the way along. The evil Bess, on the other hand, is a character straight from the movie Single White Female - a classic evil best friend who cannot completely disguise her intentions. I recommend this book to all readers.

A Great Read
Georgianna deserves to find an American audience as proportionately big as its British audience. Georgiana was a smash over there in England, a country fond of behind-the-scenes stories of aristocratic ladies in the past. (And in the present, too: much has been made of the connections between the Duchess of Devonshire and her descendent, Diana, Princess of Wales.) Yet Amanda Foreman's Georgiana is much more than one of those ersatz popular biographies full of pillow talk and emotions that result more from the biographer's imagination than real research. The book is written in an unpretentious, straightforward style that values clarity above everything. You don't have to be a Masterpiece-Theater-watching anglophile to appreciate its glamour, wit, and intrigue, and you don't have to be a professional historian to grasp its many provocative implications about history and the birth of mass political campaigning. Amanda Foreman must thank heaven every day that such a brilliant subject came her way, and she serves it well. Still, it would be hard to write an uninteresting book about the Duchess of Devonshire. She is a wonderfully paradoxical figure whose meaning seductively eludes the reader's grasp: was she a dilettante or a genuine, energetic talent frustrated by the sexism of her time? Was she merely acting out of the privilege of her class (really, she was above class) or was she genuinely driven ? The ladies of Stella Tillyard's Aristocrats come across as pampered pawns who infrequently lucked into a little free will. Foreman's Georgiana, in contrast, proves that at least one late-18th-century Englishwoman was capable of acting upon her will-even if she made more than one life-altering whopper of a bad decision. Foreman clearly loves her subject, but she does not leave out the flaws and weaknesses in Georgianna's character--all her indulgence, dishonesy, and self-interestedness are on display here. Still, one of Georgianna's greatest charms was learning from her mistakes, and thus her life-narrative has the arc of a good novel. One problem: it's hard for the non-historian to judge Foreman's claim that the duchess's political success represented a general involvement of women in politics of the time greater than is usually acknowledged. What woman other than Georgiana, so unlike anyone else, enjoyed her kind of power and how many were so advantageously poised, by birth and marriage, to find or create that power? Still, Georgianna's story, in Foreman's skillful telling of it, points to the truth of her claim that "the propensity of women's historians to ignore high politics, and of political historians to ignore women, has resulted in a profound misunderstanding of one of the most sexually integrated periods of British history."

More History This Good And Reading Of Fiction Will Decline
That this book was The Whitbread Award Winner, and a tremendous success in The Duchess Of Devonshire's own country, is no surprise. However as an avid reader of History I was pleasantly surprised at the book's popularity here.

This book was published when the Authoress Foreman was 30 years old, and was produced while she was even younger. To me this makes this Biography of Georgiana all the more impressive, as it can, and will stand with historical works by other writers twice her age and more.

I also believe Ms. Foreman's youth allowed her to bring The Duchess to us as her peer in age, which allowed more objectivity, and a candid portrayal that was brutally honest but never derogatory for it's own sake. That this is the first work of Ms. Foreman's is simply amazing.

History has great moments, but even the most interesting periods of time, or the life of one extraordinary life can be numbing to read. The Biographies go on forever in tedious detail that leaves the reader exhausted. Ms. Foreman writes what is necessary, she uses the space she needs, and the result is a remarkable amount of information related, in an efficient manner. Not only do we learn about The Duchess, for additionally Ms. Foreman fills her story with all manner of events surrounding the Duchess and Europe at large, to convey even more information.

The life of The Duchess must be read to be appreciated. This woman filled her relatively short life with more accomplishments, and amassed more influence, that today her life is as enjoyable and impressive to experience as a reader, as it must have been exciting to witness 200 years ago.

The word Renaissance is used to describe an individual of multiple talents at which they excel. The word has no more appropriate person to attach itself to. The Duchess, was there, did everything, created and set the tenor of society, and did it all to the absolute extreme. She was not perfect, but she was remarkable. Her exploits of 2 centuries ago make those of today's public figures rather pale.

An excellent read, a remarkable debut, and hopefully the first in a string of work that Ms. Foreman will relate.