Track Listing

1. The Look of Love - featuring Fergie
2. Funky Bahia - featuring will.i.am & Siedah Garrett
3. Agua de Beber - featuring will.i.am
4. Waters of March - featuring Ledisi
5. Odo-Ya - featuring Carlinhos Brown
6. Somewhere in the Hills (O Morro Nao Tem Vez) - featuring Natalie Cole
7. Lugar Comum - featuring Jovanotti
8. Morning in Rio
9. Dreamer - featuring Lani Hall & Herb Alpert
10. Y Vamos Ya (...Let's Go) - featuring Juanes
11. Catavento (Catavento e Girassol) - featuring Gracinha Leporace
12. Acode - featuring Vanessa da Mata

Product Details

• Amazon Sales Rank: #16466 in Music
• Brand: Dig
• Released on: 2008-06-10
• Number of discs: 1
• Dimensions: .21 pounds

Album Description
Brazilian music legend Sergio Mendes spins his remarkable magic on his newest recording, a bona fide classic! This is a kaleidoscopic album that underscores the maestro's ear for addictive melodies, as well as his ability to cast incredibly talented singers and musicians from all over the world

People en Español
Given his 40-year career, it’s difficult to imagine that Sergio Mendes is still able to reinvent himself and create a new sound. But the record-breaking Brazilian musician doesn’t seem to have any limits. Two years ago he came out with Timeless, which distinguished itself from his usual bossa-nova sensibilities and featured a fantastic mix of hip-hop and Latin Jazz. For Encanto, Mendes and his band, Brasil ’6--collaborating with Fergie and will.i.am (Black Eyed Peas), Natalie Cole, and Herb Alpert--have made the perfect lounge CD, which fans of Bebel Gilberto and Céu will certainly appreciate. --Ernesto Sánchez (People en Español )

Con más de 40 años de carrera, es difícil pensar que Sergio Mendes todavía tenga la capacidad de reinventarse y crear un sonido distinto. Pero pareciera que para el brasileño de mayores ventas en el mundo no hay límite. Si bien hace dos años presentó Timeless, un disco completamente distinto a su tradicional bossa-nova, con una espectacular mezcla de hip-hop y latin-jazz, en Encanto, Mendes y su banda, Brasil ’66--acompañados de la mano de Fergie y will.i.am (Black Eyed Peas), Natalie Cole, y Herb Alpert--logra el disco perfecto de "lounge," que los fans de Bebel Gilberto y Céu sabrán apreciar. --Ernesto Sánchez (People en Español )

About the Artist
Brazilian music legend Sergio Mendes spins his remarkable magic on his newest recording, Encanto (Enchantment), which is among the maestro's most beautifully realized in his unparalleled career. The collection refines Sergio's singular blend of infectious rhythms and irresistible melodies from the great Brazilian Songbook, with his always thoroughly modern arrangements and masterful production approach. The resulting collection is a bona fide Sergio Mendes classic-- a kaleidoscopic album that underscores the maestro's ear for addictive melodies, as well as his ability to cast incredibly talented singers and musicians from all over the world.

"Every time I make a new record, it's a new adventure." explains the affable Mendes from his Los Angeles home. "My main motivation," he enthuses, "is to record wonderful songs. In the process, I enjoy sharing with the world the diversity of Brazilian music-- both in terms of rhythm and melody."

"This time, I wanted to go full circle. So I decided to begin this journey in my homeland, Brazil. I traveled to Rio and Bahia, meeting a number of old friends that I hadn't played with in quite a while. There's a very special musically creative environment in Brazil, which inspires me tremendously."

Mendes was still living in Brazil during the momentous era between the late '50s and the early '60s when the samba-based bossa nova was born. In fact, he was one of the first practitioners of the new genre, together with composer Antonio Carlos Jobim, guitarist Joao Gilberto and lyricist Vinicius de Moraes.

True to his desire to go back full circle, Mendes recorded four seminal Jobim compositions: a hip-hop version of "Agua De Beber" with Toninho Horta on guitar, Mendes' wife Gracinha Leporace on vocals, and the man himself showcasing his instrumental chops on a bewitching Rhodes solo; "Waters of March," which features Grammy nominated,super talented new artist Ledisi; "Somewhere In The Hills," with vocals by none other than Natalie Cole and Flugel Horn solo by great German jazz artist Till Bronner; and "Dreamer," which marks the first time that former mentor Herb Alpert actually plays the trumpet on a Sergio Mendes album, with brilliant vocals by Lani Hall, Alpert's wife and the original lead singer of Mendes' Brasil `66.

But the most daring cover in the entire album is a new version of Burt Bacharach's "The Look Of Love," which Mendes had originally transposed to bossa nova heaven in 1967, when it became his biggest hit with Brasil `66. Produced by Black Eye Pea will.i.am, this new interpretation maintains the beguiling melody of the original, bringing the tune to new millennium territory: keeping Sergio's original bass line intro, with crisp drum programming and a sexy rap/vocal by The Black Eyed Peas' Fergie.

"I mentioned 'The Look Of Love' to Will. I was looking for a way to re-do it, with a dance beat that I heard in Brazil(which is very popular, nowadays, with young people down there) which I thought would be great for the song. Will loved the idea and suggested Fergie to sing it. On Timeless, we had reworked 'Mas Que Nada,' presenting it in a different way, and it became an international hit. This time, we did 'The Look Of Love,' 40 years later.

will.i.am's enthusiasm should not come as a surprise. Growing up in Los Angeles, he collected Mendes' original bossa nova classics on vinyl and was influenced by his smooth, pan-Latin approach to creating dance music with sophisticated arrangements and production values. Their 2006 collaboration Timeless distilled the exhilarating feelings that will.i.am experienced recording an album with his longtime idol.

Customer Reviews

Summery and enchanting.
"Encanto" follows the highly acclaimed 2006 collaboration with will.i.am Timeless and with this latest release, Sergio takes us even deeper into Brazil, having recorded all the basic tracks in Rio and Bahia and finally finishing up in in California, where the studio band included Alphonso Johnson.
For "Encanto" (in Spanish for Enchantment), Mendes has also enlisted the formidable and enchantingly diverse talents of an array of guest musicians who hail from the world over.
Latin superstar Juanes from Colombia and multi-talented Carlinhos Brown & Vanessa da Mata from Brazil jostle alongside the foremost Japanese pop group Dreams Come True, Belgium's Zap Mama and Italian rapper Jovanotti.
This international cast is completed by the American stars Fergie, Siedah Garrett and Herb Alpert who is accompanied by his wife, original Brasil '66 singer, Lani Hall.
Old smoothie Mendes gets jiggy on a selection of bossa-favourites with a raft of guest stars including the ubiquitous Will.i.am and Fergie from the Black Eyed Peas, Natalie Cole and Herb Alpert et all...
This new album essentially is a cross between Mendes' soft, salsa-tinged melodies and modern day R'n'B.
The opening track, "The Look of Love" with rap/vocals by Fergie, is a deliciously moreish funky-fusion, and for the first third or so, the combination of Sergio's Rhodes with the hip-hopped production style is terrific.
Perhaps this new version of Burt Bacharach's "The Look Of Love", which Mendes had originally transposed to bossa nova heaven in 1967 is the boldest track on "Encanto".
This new interpretation, produced by Black Eyed Peas will.i.am, preserves the alluring melody of the original while bringing the song into the new millennium with crisp drum programming and a sexy rap by Fergie.
Then it goes all smooth jazz on you. Not bad, though.
Whether you are a Sergio Mendes fan especially the earlier stuff, Brasil 66, Equinox, etc or a Black Eyed Peas fan, or indeed R&B then there's something on this album to please everyone.
I'd say for such a challenging album there are only a couple of songs that are just to heavy hip hop for me.
The rest is a joy to listen to, if you are open minded about remixes and love to see what Sergio has been up to.
This album is a grower. The more I listen to it, the better it gets.
You will like it.
Picks of the album: "The Look of Love", "Waters Of March", "Dreamer", and "Somewhere In The Hills (O Morro Nao Tem Vez)".

Equinox
Sergio Mendes & Brasil '66 - Greatest Hits
The Very Best of Sergio Mendes & Brazil 66

The album debuts at # 1 of Billboard Top Contemporary Jazz and at # 60 of The Billboard 200 (Issue Date: 2008-07-12).

Very disappointed
Occasionally I will buy a CD just because of one song...and I'm not getting this one simply because of "The Look of Love." I have always loved Sergio Mendes' work, but I loathe and detest this remake. The original was a passionate love song...Fergie brings all the excitement of a Pap smear to her version. She not only doesn't sound like her breath has been taken away--I can't believe she has a pulse.

A Step Up from "Timeless"
"Timeless", released in 2006, was a welcome return for Sergio Mendes. I hadn't really followed him much since his album a full ten years before that one titled "Oceano". He used an approach similar to the Oceano and "Brasileiro" albums of the 90's. That is, utilize the talents of some of the budding new talents of the time and put out a nice quality album. On Timeless, he produced the album with Will-I-Am of the black eyed peas, and had a similar approach but more hip-hop/R&B influenced, rather than contemporary as the older 90's albums. I think the key to enjoying this and "Timeless" is to take them as they are. A melding of different musical styles and cultures. It's not like his old music from circa' the 70's. I think some people might be surprised how big R&B and rap and hip-hop are in Brasil; at least in the cities... a lot of my friends in the interior like forro, pagode, etc. but even then like hip-hop, etc.

This one stacks up nicely. In fact, I liked this one better than "Timeless". One of my main criticisms of Timeless was that it felt like I didn't always feel enough of Sergio's influence, if that makes sense. But here you can definitely hear more of Sergio's unique sound and production work which makes it feel so Brazilian. I liked the beat to "Waters of March", sung in English by Ledisi. "Oda-Ya" was funky enough, featuring Carlinhos Brown, a super producer in Brasil whom Sergio actually featured in his old "Brasileiro" cd, and was a part of Tribalistas. For some reason the rhythm reminds me a bit of Jairzinho. I also really dug "Somewhere in the Hills", sung by Natalie Cole. An Antonio Carlos Jobim staple, she did a very nice job. "Dreamer", featuring Herb Alpert and Brasil 66 member Lani Hall was also very beautiful. Another top song on this album was "Catavento". Simply beautiful, featuring Gracinha on vocals, and Toninho Horta on guitar. For good measure there's also a healthy dosage of cuica. Wonderful rhodes as expected and a very nice, easy bossa in some parts. More than maybe any of the other songs on this album, it's the closest to her features on "Oceano" or "Brasileiro". they have a near magical musical connection, Sergio and Gracinha.

There were other very good songs too, like "Acode" with the very talented (and Goooossssstosa Vanessa Da mata) and "Y Vamos Ya" featuring Colombian icon Juanes. It's a very nice album. There's much less hip-hop/rap in this, and it goes down much smoother. But I understand this might be a downer to some, and to be honest the one song I didn't really care much for was the rendition of "The Look of Love". Otherwise, I certainly recommend this. Classy guests all around bsides the artists mentioned. Even Joao Donato appears! Especially if you were similar to me with the last album and wanted a few more songs like "Timeless" and "Samba Da Bencao" or "Consolacao" for example. A nice job by Sergio and will-i-am, who I think hit on the concept a bit more here with less samples, etc. If you do get this and like it, check out Timeless and you might also like Sergio's "Brasileiro" album from 1992 as well. For another artist, check out Marcos Valle too.

In a year where we sadly lost a legend (Dorival Caymmi), it's wonderful to hear a new album from Sergio Mendes.