Product Description

From one of our most distinguished Shakespeare scholars, here is a fascinating, lively, anecdotal work of forensic biography that firmly places Shakespeare within the hectic, exhilarating world in which he lived and wrote.

Theater in Shakespeare's day was a burgeoning “growth industry." Everyone knew everyone else, and they all sought to learn, borrow or steal from one another. As Stanley Wells suggests: "To see Shakespeare as one among a great company is only to enhance our sense of what made him unique.”

Wells explores Elizabethan and Jacobean theater, both behind the scenes and in front of the curtain. He examines how the great actors of the time influenced Shakespeare's work. He writes about the lives and works of the other major writers of Shakespeare’s day and discusses Shakespeare’s relationships—sometimes collaborative—with each of them. And throughout, Wells shares his vast knowledge of the period, re-creating and celebrating the sheer richness and variety of Shakespeare's social and cultural milieus.

Shakespeare and Co. gives us a new understanding of how the Bard achieved unparalleled singularity as the greatest writer in the language.

Product Details

• Amazon Sales Rank: #488566 in Books
• Published on: 2007-04-10
• Released on: 2007-04-10
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 304 pages

From Booklist
The chairman of the Shakespeare Birthplace Trust, general editor of the Oxford and Penguin Shakespeares, and coeditor of The Oxford Companion to Shakespeare presents Shakespeare's professional context brilliantly. The curtain rises on boys dashing about London posting playbills. That is succeeded by engaging reviews of the rapid rise of theater under Elizabeth, the constituency of a typical London theater audience, and the modus operandi of what was very much an entertainment industry that included plenty of collaboration among playwrights to meet deadlines. The actor of the time in general, and the great stars of Shakespeare's company in particular, occupy the second chapter; Shakespeare's fellow dramatists, the succeeding six. Marlowe receives the most notice among Shakespeare's early peers, Jonson among the later ones. Chapters are organized around Dekker, Middleton, Fletcher, and Webster, too, because each collaborated with Shakespeare. Wells whets appetites for new performances of the plays he discusses most thoroughly, such as Marlowe's Jew of Malta, Dekker's Shoemaker's Holiday, and The Revenger's Tragedy, by, it now seems, Middleton--and Shakespeare. Essential Shakespeareana. Ray Olson
Copyright © American Library Association. All rights reserved

Review
Praise from Great Britain:

“Fascinating… An enthralling work of popular scholarship.”
–Robert McCrum, The Observer

“Ingenious… [Shakespeare’s London] was a time and a place teeming with excitement, anecdote and incident, and Wells, in this richly enjoyable work, brings it to life with a novelist’s sense of the telling detail.”
–Dominic Dromgoole, The Sunday Times

“Comprehensive and colorful… This is illuminating, well-planned and suggestive work, not only for those readers who have little acquaintance with the subject, but also for those already familiar with it. One of the greatest gifts of this book… is to re-astonish readers with the simple fact of the newness of all this.”
–Min Wild, The Independent on Sunday

“A valuable contribution to popular Shakespeare scholarship… A feat of synthesis… Each page is dense with well-chosen information and sensible, sensitive interpretation.”
–Peter Wentworth, The Literary Times Supplement

“This collaborative Shakespeare makes a refreshing change from the autistic monarch of the stage… Wit its lightly worn learning and its refreshing argument, this is a rewarding and readable book. Anyone who wants to understand Shakespeare will learn from it.”
–Colin Burrow, Evening Standard

About the Author
Stanley Wells is the author of Shakespeare: For All Time, chairman of the Shakespeare Birthplace Trust, Emeritus Professor of Shakespeare Studies at the University of Birmingham, general editor of the Penguin and Oxford editions of Shakespeare’s works and co-editor of The Oxford Companion to Shakespeare. He lives in England.

Customer Reviews

Shakespeare & Co.
Stanley Wells is one of the great Shakespeare scholars of this, or any other, generation. His work on the Oxford edition of the Complete Works, the Textual Companion, the Dictionary of Shakespeare and, if I can mention a personal favorite, Shakespeare for All Time, assure his enduring reputation. It was with keen anticipation I picked up this book, then, and I was not disappointed. The book is not groundbreaking, by any means, but is pleasant, erudite, and consistently interesting. It is the best introduction I know to placing Shakespeare in the theatrical currents of his time and tracing his interactions, such as they can be known, with his less famous, though greatly gifted, contemporaries Marlowe, Jonson, Dekker, Middleton, Fletcher, Webster and the rest.

In an age such as ours where otherwise serious people can become preoccupied with crank, dilettantish ideas like the Oxford wrote Shakespeare nonsense so much in circulation, how likely is it those same serious people have taken the time to read Shakespeare's less well known fellows? They have, perhaps, read Dr. Faustus in an English lit survey class, and know about Marlowe because, after all, HE might, just maybe, be the one who really wrote at least some of Shakespeare's plays, but certainly they have not read either part of Tamburlaine, or A Trick To Catch The Old One, or The Shoemakers Holiday. Need enough, then, that a thoroughgoing, popular introduction to the lives and masterpieces of some of Shakespeare's contemporaries deserves a home on our bulging Shakespeare bookshelves.

The first sentence of the Preface says "This book attempts to place Shakespeare in relation to the actors and other writers, mainly playwrights, of his time in an accessible and where possible entertaining manner" (ix). And so it does, with, speaking for myself, at least, emphasis on "entertaining." I found the book enormously likable. If you are familiar with the period and the authors being treated, you will find nothing new, but a non-specialists book surveying a rather broad field does not attempt to present novel interpretations, but rather can be relied on to deliver the state-of-the-art scholarly understanding of these authors and their works in a pleasant style. Wells's scholarly status guarantees the most dependable understanding of the times and writers, and his gifts as a writer makes reading a joy.

Excellent overview
This study of the circle of writers that made up the theatre world during Shakespeare's career provides both an excellent entry into the subject and also a refreshing reminder to students of the period of the diverse talent that surrounded and interacted with Shakespeare. I particularly enjoyed the opening chapter that gives us a sense of the theatre business in the Elizabethan/Jacobean period and a flesh and blood kind of context for the writers that subsequent chapters will illuminate. I found the study quite readable and well-paced, as well as useful to understanding and evaluating some of the more polemical studies of the period and its most prominent writer. The greatest attribute of the study may be that it makes one want to go back and read or re-read many of the works of Shakespeare's contemporaries.

Setting the Context
This book is excellent in establishing Shakespeare's context among the other playwrights of his time. I only wish the author had devoted as much time and energy to discussing the later writers (especially Middleton and Webster) as he did with the earlier chapters on Marlowe and Jonson. But for those who think Shakespeare was the only fellow writing plays at the end of the 16th and beginning of the 17th centuries, this is a must-read. Hopefully, someone out there will now read the works of these lesser-known (but wonderful!) English Renaissance dramatists.