Product Description

In the tradition of The Complete Peanuts, re-introducing the brilliance of E. C. Segar and his famous sailor man to a new generation.

Most folks are familiar with Popeye through a variety of incarnations that have ensconced the character in the public consciousness for almost 80 years—the animated Popeye cartoons, the feature film Popeye, etc.—but far fewer have been exposed to the original brilliance of Popeye's creator, E.C. Segar. Now, comic strip fans can experience Segar's original comic strips through this new six-volume series.

In 1929, Segar took his eccentric Thimble Theatre comic strip (which began in 1919) and introduced Popeye, transforming the strip almost overnight into one of the most popular works of art in American history. Segar's entire cast of characters, such as Olive Oyl, Wimpy, Eugene the Jeep, the Sea Hag, and Alice the Goon became a part of American culture. This outwardly farcical gaggle of vaudevillian-esque antiheroes, bumbling about on picaresque chases was one of the most sophisticated—and hilarious—comic strips in history.

Fantagraphics' Popeye will collect the complete run of Segar's Thimble Theatre comic strip (dailies and color Sundays) featuring Popeye, re-establishing Segar as one of the first rank of cartoonists who have elevated the comic strip to art. He was the most popular cartoonist of his day, his sense of humor coming straight out of Mark Twain, who also balanced exaggerated tall tales and a perfect ear for everyday speech with dark themes that undercut his laugh-out-loud stories.

In this first volume, covering 1928-1930, Popeye's initial courtship of Olive Oyl takes center stage while Olive's brother Castor Oyl discovers the mysterious Whiffle Hen. Also, the entire cast meets the Sea Hag for the first time in their pursuit of the "Mystery House" (Popeye's first extended daily narrative), and Castor Oyl attempts to turn Popeye into a boxing champion in a series of hilarious Sunday strips.

These strips are masterpieces of comic invention. Popeye's omnipotence pre-figures the rise of superheroes in the 1930s and 1940s, though Popeye is a much more sympathetic character, and his very name announces his vibrant personality. He's a scoundrel with a heart of gold, and a tongue of silver: "My sweet patootie loves me because I yama high-voltage poppa, and she is my hotsy-totsy momma!" His mangled English pulsated with the vital spirit of immigrant America, its rhythm poetic in its own vulgar way: 'I yam what I yam and tha's all I yam.'"

Segar blended complex narrative, slapstick traditions, brilliant characterization, and an inimitable cartooning style to create the most exciting and profound humor of its era, rivaling even the great film comics of his era, such as Charlie Chaplin and the Marx Brothers.

Product Details

• Amazon Sales Rank: #42679 in Books
• Published on: 2006-11-22
• Number of items: 1
• Binding: Hardcover
• 200 pages

From Booklist
Segar had been drawing the Thimble Theatre strip for a decade when he launched its leading characters, Castor Oyl and Ham Gravy, on a seafaring adventure in 1929. The squinty-eyed seaman they hired for the voyage quickly came to the fore, soon displacing all of the strip's other characters except for Castor's sister Olive, who became the hired tar's scrawny sweetie. Most people know Popeye, as the character was called, through his animated incarnation, but Segar's strip is a far richer creation combining a colorful cast, outlandishly inventive dialogue, slapstick humor, and lengthy story lines that originally unfurled over the course of months. The first two years of Popeye contained in this oversize volume show those ingredients in place right from the start, even before Segar added such beloved second bananas as Wimpy and Swee'pea. The book's series title, E. C. Segar's Popeye, is telling. Although many hands continued the strip after its creator's death in 1938, none of them came close to capturing the brilliance Segar displays in these pages. Gordon Flagg
Copyright © American Library Association. All rights reserved

About the Author
Elzie Chrisler Segar was born in 1894 and died in 1938. His work was recently showcased in the landmark "Masters of American Comics" exhibition at the Hammer and MOCA museums in Los Angeles.

Customer Reviews

a great volume! :)
What makes this first volume great is that it doesn't start with Popeye's first appearance but weeks before. Really neat to see Thimble Theatre without Popeye in it. Makes me wanna see volumes of all pre-Popeye Thimble Theatre strips.
Segar showed himself a grade-A cartoonist even before the famous Sailor Man entered the picture :)

Popeye At His Very Best
As much as I respect the old Fleicher Studios for producing some wonderful Popeye cartoons that became an integral part of establishing him as a worldwide phenomenon I think they did him no favor in moving him into an urban environment. Popeye is at his very best, as a sailor, adventuring on the open seas. Nobody wrote or drew Popeye like Elzie Segar. Unfortunately, Mr. Segar passed away at the very young age of 43 having created Popeye a mere 9 years earlier. So what we have here is over a year and a half of Popeye's absolute best run ever.

This is not the Popeye most people are used to. This is the Popeye that existed prior to being significantly toned down at the behest of William Randolph Hearst in response to the characters growing popularity. This Popeye is a violent, foul mouthed sailor with a serious gambling addiction. Few able bodied males outside of the diminutive Castor Oyl manage to get through the book without receiving one of Popeye's famous haymakers and I have to give credit to Elzie Segar for his skill in drawing the most thunderous, teeth rattling punches in the history of comics. In the opening introduction there is a group drawing by Segar of a menagerie of characters from Thimble Theater including a most mild-mannered looking fellow named Johnny Doodle. I thought surely Mr. Doodle would be safe from Popeye's fists but sure as the sun rises in the east, before the book was through Johnny Doodle was left horizontal.

In one particularly funny sequence Popeye punches out a man for no apparent reason. When asked why, Popeye answers, "I don't need a reason... I socks `em where I sees `em, I leaves `em where I socks `em". Queried further Popeye responds, "I jus wanted to see which way he'd fall" and finally adds, "I likes to smack tall swabs on account of they fold up so nice" Later it turned out the man he socked was a crook but when it gets right down to it the humor of Popeye revolves around his burning desire to punch everyone he meets and Castor Oyl's vain attempt to control it. Popeye is a man who kills a horse with a single crushing blow. In volume one Popeye is arrested multiple times on assault charges and proudly proclaims, "I hits cops too - I hit's `em jus' like they was somebody else" In a sense the original Popeye seems almost like a parody of his future self.

I absolutely loved this book. A few reviewers complained about size of the images saying they caused eyestrain but I didn't have any problems at all. My biggest complaint is with the gigantic dimensions of the book. I would have preferred something similar to what was produced for the Dick Tracy or Peanuts collections. I also have to confess that the covers are absolutely bewildering. I'm not sure what the publisher was going for but I don't think it worked. I guess I also have to take issue with the introduction which really didn't do anything for me. In the end it's the brilliance of Elzie Segar's drawings and writing that makes this volume. I've already purchased volume 2 and intend to continue buying them as they are released.

Good Content, POOR Execution
Be sure to eat not only spinach but lots of carrots before tackling this one.

Even so, you'll likely need a magnifying glass to read these strips. Who's bright idea was it to cram six strips onto a 10.5 x 14-inch page? It made for some serious squinting when I checked this out at my local comic book store.

And at 10.5 x 14-plus inches, this book hardly makes for cozy reading material.

Bad book design and layout have made what could have been more accessible material a real chore. I like the dimensions of Tony Millionaires' Maakies books: one strip per page, and look ma! no squinting!