Track Listing

1. Sam's Town
2. Enterlude
3. When You Were Young
4. Bling (Confession of a King)
5. For Reasons Unknown
6. Read My Mind
7. Uncle Jonny
8. Bones
9. My List
10. This River Is Wild
11. Why Do I Keep Counting?
12. Exitlude

Product Details

• Amazon Sales Rank: #2262 in Music
• Released on: 2006-10-03
• Number of discs: 1
• Dimensions: .23 pounds

Album Description
Import edition of the 2006 sophomore release from the hugely successful band from Las Vegas features one bonus track: 'Where The White Boys Dance'. It's been a long wait but a new Killer's album has finally appeared on the horizon, with preliminary reports suggesting they've dropped the fixation with English based Indie Rock n Roll to concentrate on a more homespun sound (having heard "Hot Fuss" it may surprise you to learn that they are actually Americans hailing from Las Vegas). With songs taking their cues from, amongst others, Springsteen, Johnny Cash, The Beatles, U2 and Iggy Pop this new musical offering should be ace. Island.

Amazon.com
The Killers five-million-selling debut, 2004's Hot Fuss, saw the stylish Las Vegas quartet mining inspiration from its favorite '80s British acts Duran Duran, the Cure, and the Smiths. On its follow-up, the group turns its focus homeward. First there's the album title, Sam's Town, which pays tribute to the old-school local casino where the band got its start. Then there's the music inside, a collection of windswept rockers in the vein of Bruce Springsteen that leave the indie-disco vibe of "Mr. Brightside" in the desert dust. Working with producers Alan Moulder and Flood (best known for their work with U2, Depeche Mode and Nine Inch Nails), everything here sounds bigger and shinier, with full-blown strings and choirs coloring epics like "When You Were Young" and "The River Is Wild." Coming soon to a stadium near you. --Aidin Vaziri

Customer Reviews

Its Flaws Are the Right Ones
When I first played this album I wasn't quite sure what to think. Brandon Flowers' voice sounds markedly thinner and more waver-y at points than it does on Hot Fuss. The immediate grandeur of the material, bookmarked as it is with the ornate, sometimes frilly intro / outtro combination, sets up this sophomore followup for polarizing reactions from the band's fans.

There were only one or two immediate tunes that caught me. I nervously listened to the album again. And a third time. And it is awesome. I do have some misgivings about the way it is recorded. (Unlike the band's stunning debut, there are some songs on Sam's Town that I will outright skip--they try too hard or just don't work for me. And there are some noticeable pitch problems with the vocals--baffling on a major-label, Flood-produced album.) But yet. It has not left my car stereo. There is some great, inspired work here. Stuff that draws me into its energetic, wistful, stylized vibe as skillfully as anything on Hot Fuss. Stuff that deserves repeated exploration. Stuff that rekindles my excitement about music.

This album is like a second date: you realize that your new crush has flaws you hadn't noticed the first time around, but you're just that much more endeared. And flustered. And optimistic for the future.

The Killers: Sam's Town...Second full album shows growth and maturity.
Returning to their home town of Las Vegas must have re-energized The Killers. Recorded in the Palms Hotel recording studio, the new release Sam's Town showcases the band's growth with a stronger and more musically diverse sound while still retaining the commercial viability and energy of Hot Fuss. Brandon Flowers and The Killers have created an interesting and creative album that avoids the dreaded sophomore curse and positions them well for future growth.

The addictive opening track "Sam's Town" has the same punch rhythmically as "Somebody Told Me" but is less reliant on synths and more on electric guitar. The piano-based "Enterlude" showcases a softer sound with Brandon Flowers' voice fragile and emotional before it amps up and punches into the rocking first single "When You Were Young." Despite its title, the soaring "Bling(Confession of a King) has shades of the late 80's U2 musically but Flowers can't quite match Bono's vocal style. "For Reasons Unknown" is a low point, but the fun track "Read My Mind" delivers a synth-heavy up-tempo sound that is somewhat reminiscent of the early 80's Talking Heads.

Grounded by a solid bass line, "Uncle Jonny" makes for a great track that thankfully is not overly commercial. Flowers' takes his vocals down a notch for the excellent "Bones" decorated with some great trumpet and sax. The sound of Queen returns with the bombastic track "My List" and "This River Is Wild" is hook-filled and rocking enough to make this a solid second single. "Why Do I Keep Counting?" is much like "My List" in overall sound, but a solid melody keeps this from veering wildly off track. "Exitlude" is a nice touch that speaks to the fans, "We hope you enjoyed your stay..it's good to have you with us, even if it was only a day."

Clocking in at just under 45 minutes long, Sam's Town is a slick-sounding album. Well produced by Flood and Alan Moulder, the average song length is 4 minutes. The album is vastly different in sound from Hot Fuss, which for me makes it that much better. It is less overtly commercial and instead showcases the growth of a more mature band moving forward musically. Flowers' voice is much rawer and emotional here, not buried under layers of modulation, and the band's sound is more vibrant and diverse. The band notes that this record was influenced by Springsteen, but this album does not have much of a Springsteen sound. What it is, however, is an album that will grow on you with every spin. Recommended.

A.G. Corwin
St.Louis, MO

Different Isn't Always Bad.
The Killers' debut album, "Hot Fuss," was such a phenomenon that it was nearly impossible to follow-up with something as good. Well, the Killers have tried and delivered "Sam's Town." For their second album, the foursome goes for a more rock-oriented approach, leaving behind much of the glam/disco undertones of the previous album. Is it better? Judge for yourself. One thing is for sure, though: It's different.

Sounds like: Queen, Bruce Springsteen and the Cars rolled into one.

The Good:
- They don't try to repeat themselves here. There are moments that somewhat callback to the first album, but for the most part, they took a real risk.
- The production and musicianship are much stronger than before.
- The album doesn't peter out on the second half like "Hot Fuss" did.

The Bad:
- Unfortunately, nothing here really leaves quite the impression that the strongest tracks on "Hot Fuss" did.

Hits: "When You Were Young," "For Reasons Unknown," "This River Is Wild," and "Bones."

Misses: "Uncle Johnny" a song that sticks out like a sore thumb and doesn't seem to go anywhere.

Future: "Sam's Town" most likely won't be the massive hit it's predecessor was, but at the very least, the Killers have proven they aren't just a flash in the pan or a one-trick pony.

Personally: There's nothing here that gives me the chills that half of "Hot Fuss" did, which is surprising. But the album is still good to listen too, especially where the first album is starting to sound a bit stale at this point.

Best Listened To When: "Hot Fuss" goes cold.