Track Listing

1. Birth and Death of the Day
2. Welcome, Ghosts
3. It's Natural to Be Afraid
4. What Do You Go Home To?
5. Catastrophe and the Cure
6. So Long, Lonesome

Product Details

• Amazon Sales Rank: #30030 in Music
• Released on: 2007-02-20
• Number of discs: 1

Album Description
Limited edition two CD pressing of the long waited fourth studio album from the moody and intense Texas instrumental band Explosions In The Sky featuring a bonus disc of remixes of each of the album's six tracks. Known for bringing an emotional heft and sense of hope to a usually placid genre, Explosions In The Sky have experienced the kind of meteoric rise in popularity that flies in the face of music industry convention. Their songs run well past a length suitable for radio play or commercial music videos; they avoid performing in LiveNation/Clear Channel venues; they didn't jump to a major label; and they don't sing. They're also the very rare band that fans of Sigur Ros, Sufjan Stevens and My Chemical Romance can all agree on. EITS are not just an anomaly, they're a gateway. Recorded by John Congleton (The Roots, The Mountain Goats) at Pachyderm Studios in rural Minnesota, the album is a massive leap forward, showcasing a broader instrumental range and their most focused, efficient songwriting. Bella Union. 2007.

Amazon.com
Sometimes Explosions in the Sky start with a whisper and end with a scream, but on "Birth and Death of the Day", they begin with a scream and proceed into a symphonic odyssey that Aaron Copland might have composed if he'd played electric guitar. Like Copland, EITS are cinematic, but with more kinetic drive than any film--except maybe Koyaanisqatsi--could match. Compositions like "It's Natural to Be Afraid" take you on epic journeys that roar like a Harley Davidson one minute and slip into taut contemplation the next, using the slow-tension build that EITS have perfected. All of a Sudden I Miss Everyone was produced by John Congleton, who has worked with lo-fi groups like the Roots and the Mountain Goats. That might explain why the album lacks the atmosphere of EITS's monumental The Earth Is Not a Cold Dead Place and their Friday Night Lights soundtrack. Instead, they rely even more on the arc of their compositions and the integral twin lead guitar lines that never solo but always drive the songs. They can shift from power-chord aggression to the sound of plucked mandolins in an instant. This is progressive rock for people who weren't even born when prog reigned supreme. It's the sound of King Crimson, transmuted through punk and grunge aesthetics. --John Diliberto

Customer Reviews

A Gorgeous Epic
Explosions in the Sky will always have a special place in my heart. "The Earth is Not a Cold Dead Place" introduced me to instrumental post-rock, and remains a gem of the genre. This Austin-based group has the capacity to make truly emotionally stirring instrumentals, and they can move me with a guitar riff the way few can with lyrics.

Their latest studio release, "All of a Sudden I Miss Everyone" is simply the next step in the maturation of the relatively unique sound of this band. The elements that made "The Earth..." so great are still here, and in droves. The guitars remain the protagonisits, with Munaf Rayani, Mark Smith, and Michael James at the helm. The melody is rarely held by a single instrument, and rarely, if ever, reaches into the territory of a solo. Often, all three will play distinct parts, with varied rhythms, that somehow manage to coalesce into a cohesive whole. Reaching, dreamy riffs that bend and collapse into themselves, often dueling between the right and left channels, serve as a propellant into reflective, sparse arrangements that ache with the energy that served to reach that plateau. Much of the intense energy found in their music can be attributed to the phenomenal drum work of Chris Hrasky. He seems to have an innate gift for knowing how to fill the entire work with a sense of longing, and yet having. Also, new to the Explosions sound, is the addition of piano work on the latter half of the record. I was taken a bit aback at first, but on several listens, the work would be incomplete without it.

The production is sparse, yet highly adequate. The record was produced by John Congleton, who is know for his lo-fi work, yet the album still twitches with atmosphere not present in his other work. The sound is simple, almost unadulterated save for the effect pedals, with no apparent studio sheen. He does exactly what I would hope a man producing EITS would do, and that is get out of the way and let their music speak for itself. In that, his work in this record is a complete success.

To those who write this off as being stagnant, and having a lack of innovation, I say so what? If Explosions had re-invented themselves and made anything else, I for one would have been inconsolably disappointed. This stands as a work on its own, not to be judged in relationships to the band's previous work. Explosions newcomers and long-time fans alike will both appreciate this record; the band following a similar formula as they have in the past does not make this music any less beautiful, heartbreaking, and uplifting.

I imagine it must be difficult for the band to come up with titles for their tracks and records, but they always somehow manage to be meaningful without sounding trite. The titles fit the mood superlatively, yet are deceptively melancholy. One might read the album and track titles and mistake this as a sad-core record, which couldn't be further from the truth. This is an album filled with hope, longing and beauty. True, it may be born out of melancholy, but that only serves as the foundation for a tower of hope. This could almost be a novella, beginning with the crashing first moments of "The Birth and Death of the Day," meandering through various heights and depths, and emerging triumphant with "So Long, Lonesome." Even the album title mixes joy with loneliness, assuming that there is an event that, in an instant, transfigures the mind, and makes one long for things familiar. At its best moments, this music has the capability to do exactly that.

Another fine album.
You know, if there's one thing you can say about Explosions in the Sky, it's that they're consistent. While many may (and often do) lament the fact that they never deviate from making long, mellow, atmospheric compositions, I just really can't get enough of this stuff. What these guys do just really takes me to a better place, and I love em for it.

Now, praise aside, I will admit that this is not their best work. Compared to their previous material, especially the beyond-stunning "The Earth Is Not a Cold Dead Place", this is just a good album, not a mind-blowing masterpiece, and I don't think I'd have had quite the same initial reaction to the band, had I heard this first. The songs are a bit shorter, which I suppose could potentially make it more accessible to some, but at the same time, the melodies just don't quite draw me in quite like they have before. On "The Earth...", the songs are all in the 8-10 minute range, but they're so riveting and enveloping, I don't even notice. Here, they're more in the 4-6 minute range, and they don't quite feel like they have as much time to unfold, and really do their thing. But make no mistake, the mesmerizing guitar melodies are still very much there. Plus, there are a few surprises, such as some slightly louder moments of distortion here and there, as well as some very nice piano, which fits in perfectly.

Overall, I'd recommend this album to fans, but not to newcomers. It's very good, but they've done better. Check out their early albums first, and then you'll decide if you want this. But chances are, you probably will.

(Oh, and great cover art, as well. I'm a sucker for cool packaging.)

Artist who's paintbrush is sound
I'm listening to this Album for the first time after reading raving reviews about the band in both Spin and Rolling Stone magazine and wondering just what an instrumental rock band would sound like. A lot of people say good music isn't coming out anymore but I think this album is proof that if you're willing to look, good music is still being made.

I've often wondered what the great composers of the past would think of our music today and I can safely say I think they would easily understand and enjoy this group of musicians.

There are no lyrics but that doesn't mean there is no melody. This is people creating music in its purist form. If the music is this good I can only imagine that if there were words, they would be the answers to the meaning of life itself. As it is, don't be surprised if listening to this album puts you into another level of consciousness that you rarely enter.

Thank you Explosions In The Sky for not being afraid to break the mold and make your own way. With this album, you have inspired me to do the same.