Track Listing

1. Cauterized
2. Culture of Doubt
3. Deliver My Enemy
4. Archaic
5. Buried in a Nameless Grave
6. Dawn of Defeat
7. Prelude to Doomsday
8. Upon Their Cross
9. Strength in Numbers
10. Hollowed
11. Unleash Hell
12. Bio-Terror

Product Details

• Amazon Sales Rank: #103401 in Music
• Released on: 2007-07-17
• Number of discs: 1
• Dimensions: .22 pounds

Album Description
Tenth album by the U.S. death metal force features guest appearance from Mick Thompson (Slipknot). Strictly limited edition digipak.

Customer Reviews

Old School Death Metal
Thats how I would describe this CD. I think Malevolent Creation is awesome and this CD was definately worth the buy. Their early death-metal style is cool, and as a musician it is nice to learn from some of the original bands of this genre. After all, not many other death metal bands have 10 albums.

rock on

X is One of Their Best
For reasons I don't understand Malevolent Creation never get the respect they deserve and have always been denied their place within the top tier of classic DM with such bands as Death, Morbid Angel, and Obituary. "Doomsday X" features much of the classic MC lineup and is one of their best efforts. They have updated the classic DM sound with extra aggression and thrash and the results are a brutal 12-track assault. Dave Culross's drumming is perfect as usual and Brett Hoffmann's vocals are awesome. And, of course, Phil Fasciana (of the most talented guitar players around) and John Rubin exhibit furious first rate axe work throughout the CD. I have a hard time comparing old school DM (even updated) with current styles, but within the sub-genre of classic DM "Doomsday X" is definitely a five-star album. I hope this lineup stays together and delivers again with their "XI".

A glorious return to form for one the best, most persistent and most underrated American DM bands
Malevolent Creation fans had something to rejoice about with the release of 2007's "Doomsday X", not only was Brett Hoffmann back on vocals, Jon Rubin stepped in to do secondary guitar work, Jason Blachowicz returned on bass and Dave Culross stuck around to do the drums. MC has had more lineup changes than Spinal Tap (no joke), so it is always nice when they do these "return to form" albums like what happened with "Envenomed".

From the first note of the first song, the listener notices top notch production that gives MC an even punchier sound. The reason Brett Hoffmann is liked by so many Death Metal fans is his perfectly intelligible, raspy, yet powerful vocals. In the early 90s the trend with death/grind vocalists was to be as guttural and incomprehensible as possible. Hoffmann bucked the trend and went in the other direction. Culross sounds more inspired than ever (or at least since "Eternal") refusing to blend in the background and blast the time away. The guitar work is much more inventive than the prior few efforts.

The first track is a little slow but picks up during the half way mark. "Culture of Doubt" is simply amazing even though the introduction is somewhat standard DM fare. The promo track for the album "Deliver my Enemy" is varied yet simple but still amazingly catchy in that way that only the MC guys can do.

The rest of the album is very good and all the tracks standout apart from each other. The middle of the album delivers a little lull but that is rectified toward the end of the album. MC here sounds as inspired as they were during the early nineties and their slight attempts to branch out musically are welcome (for example the track with a wild solo for the intro).

If they could keep this lineup, maybe MC (who never seem to be mentioned in discussions about early 90s DM) could keep some of the respect they most certainly deserve. However the achilles heel of the band, the fact that they can't keep the same lineup for more than a few moments, may be their undoing. This was further evidenced by the "Death by Decibels" tour with Vader in late 2007 where Blachowicz and Culross were replaced with Marco Martell and Fabian Aguirre. Even if MC don't create anything great for a while after this, this album should quench any metal fan's thirst who wants something from the old school-thrash/death metal-South Florida-mold.