Product Description

Here is What Is, the remarkable sixth solo album from Daniel Lanois, strikes a chord for independence as the first major release on his own Red Floor Records. An acclaimed singer/songwriter/producer known for producing some of the greatest albums of the last two decades (U2, Bob Dylan, Brian Eno, Peter Gabriel, Emmylou Harris, The Neville Brothers, to name a few), Daniel Lanois has created an album full of viscerally powerful and beautiful new tracks that rank amongst his best. ''Here Is What Is'' was recorded in Toronto, Los Angeles and Shreveport, LA with drummer Brian Blade (Joshua Redman, Joni Mitchell, Norah Jones) and pianist Garth Hudson (The Band) and captures Lanois' signature musical sensibilities and virtuosity. The album also includes philosophical interludes and inspiring conversations with Brian Eno taken from the film by the same name.

Track Listing

1. Chest Of Drawers
2. Where Will I Be
3. Here Is What Is
4. Not Fighting Anymore
5. Beauty
6. Blue Bus
7. Lovechild
8. Harry
9. Bells Of Oaxaca
10. This May Be the Last Time
11. Smoke #6
12. I Like That
13. Duo Glide
14. Bladesteel
15. Moondog
16. Sacred And Secular
17. Joy
18. Luna Samba

Product Details

• Amazon Sales Rank: #6531 in Music
• Released on: 2008-03-18
• Number of discs: 1

Amazon.com
Here is What Is, the remarkable sixth solo album from Daniel Lanois, strikes a chord for independence as the first major release on his own Red Floor Records. An acclaimed singer/songwriter/producer known for producing some of the greatest albums of the last two decades (U2, Bob Dylan, Brian Eno, Peter Gabriel, Emmylou Harris, The Neville Brothers, to name a few), Daniel Lanois has created an album full of viscerally powerful and beautiful new tracks that rank amongst his best. ''Here Is What Is'' was recorded in Toronto, Los Angeles and Shreveport, LA with drummer Brian Blade (Joshua Redman, Joni Mitchell, Norah Jones) and pianist Garth Hudson (The Band) and captures Lanois' signature musical sensibilities and virtuosity. The album also includes philosophical interludes and inspiring conversations with Brian Eno taken from the film by the same name.

Customer Reviews

His most eclectic work to date
Despite being a huge Lanois fan, I must admit there is something with this record that doesn't work completely for me (I'm particularly disappointed with the title track, since there are far better versions out there). Maybe it's the same problem I have with Slingblade and Belladona, records that don't move me in the way that Acadie, FTBOW or Shine do.

As usual, you should listen to it in a quiet room or better using your headphones in order to fully appreciate the soundscapes created by this gifted producer.

Greatness
If you're not already a fan of Lanois, then you will be, especially after watching the DVD that corresponds to this album. Really amazing, beautiful and inspiring. The missing link connecting so much of the great music of the past 25 years, Eno, U2, Nevilles, Willie, etc. I would highly recommend this cd and the film of the same name.

Best thing he's done in a decade
Given the almost spooky excellence of everything he touches, to say this is the best thing Daniel Lanois has put out in a decade really is saying something. Eschewing the need to stick with one particular sound - either the ragged-edged rock of "Wynona" or the cool minimalism of "Acadie" and "Belladonna" - this new album delivers on the promise of "Shine", giving us a set of genre-defying songs that are warmer, richer, more lyrically engaging and ultimately more moving than anything he's done before. Highlights are the title track, the exquisite "Harry", "Duo Glide", "Moondog" and a new cut of "Where Will I Be" (though not even Lanois himself can top the Emmylou Harris version he produced). What strikes me most about this recording is that Lanois seems more comfortable in his own skin as a songwriter and performer; overall it's less self-consciously arty, more confident, more relaxed, more joyous. That's not to say it lacks artistry. As always, Lanois and his collaborators use the simplest rock instruments to generate a sound that's bigger, deeper, more subtle, more complex, and far more expressive than you might think possible from such arrangements. Close listening reveals the infinite care and genius with which these songs have been crafted - especially in the mix - but, as with all great music, in the moment of reception it all just sounds effortless. What's particularly satisfying about this release is that it's not simply a merchandising spin-off from the film of the same name. Against expectations, this strange playlist of cross-genre songs and inspiring snatches of interviews with Brian Eno and others works as an album in its own right. Strongly recommended.