Track Listing

1. Troublemaker
2. The Greatest Man That Ever Lived (Variations on a Shaker Hymn)
3. Pork and Beans
4. Heart Songs
5. Everybody Get Dangerous
6. Dreamin'
7. Thought I Knew
8. Cold Dark World
9. Automatic
10. The Angel and the One
11. Miss Sweeney (Deluxe Edition Bonus Track)
12. Pig (Deluxe Edition Bonus Track)
13. The Spider (Deluxe Edition Bonus Track)
14. King (Deluxe Edition Bonus Track)

Product Details

• Amazon Sales Rank: #3430 in Music
• Brand: Weezer
• Released on: 2008-06-03
• Number of discs: 1
• Format: Extra tracks
• Dimensions: .18 pounds

Album Description
Limited Deluxe Edition of their 2008 album features four bonus tracks over the standard version and comes housed in a special digipak, with a deluxe booklet containing lyrics, photos, liner notes and band commentary on the songs. Weezer, one of the biggest and most influential bands of the last decade will, for the third time in its six-album history, release a self-titled album already being referred to by people as The Red Album. Comprised of sessions produced by Rick Rubin, Jacknife Lee and the band itself, the album is adventurous and undeniably Weezer. The first single, the quirky and catchy 'Pork and Beans', was recorded under the watch of the Irishman Lee and already a Modern Rock smash hit.

Amazon.co.uk
Early word on the sixth album from Weezer--and their third self-titled record, although fans, sensibly, are referring to it as "The Red Album"--is that this is their experimental record. Luckily, Rivers Cuomo isn’t interested in penning his own jazz odyssey; for him, experimental is just finding cunning ways to nuance Weezer’s stock-in-trade--crunchy, candy-sweet guitars and vocal harmonies--with new pop tricks. The sardonic lyric of "Pork and Beans" hints at a new direction: "Timabaland knows the way to reach the top of the charts," Cuomo sings, "maybe if I work with him I can perfect the art". Actually, Timbaland’s not on board, but producer Jacknife Lee brings a variety of drum machines and electronics, and Weezer rise to the challenge with some generally inspired messing around. "The Greatest Man That Ever Lived (Variations on a Shaker Theme)" sees Cuomo adopt a gangsta rap slur over screaming sirens, while elsewhere, the other three Weezer members take a turn at the microphone. But it’s Cuomo’s songs that are the winners--notably "Heart Songs", a tribute to the songs that "never feel wrong" that swoops from melodic schmaltz to grunge scuzz with a deft invocation of Nirvana. Skip to the bonus tracks, meanwhile, for a great cover of "The Weight" that takes The Band’s original and drenches it in chundering guitars. --Louis Pattison

About the Artist
As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer consistently delivers their trademark hook-heavy guitar pop. What sets the band apart from every other garage band out there however, is their geekiness. None of the members of Weezer, especially leader Rivers Cuomo, are conventional rockers -- they were kids that holed up in their garage, playing along with their favorite records when they weren't studying or watching TV. As a result, their music is infused with a quirky sense of humor and an endearing awkwardness that made songs like "Undone (The Sweater Song)," "Buddy Holly," and "Say It Ain't So" off their self-titled debut into big modern rock hits during 1994 and 1995.

Weezer started in the competitive Los Angeles club scene, eventually landing a deal with DGC during the post-Nirvana alternative signing boom. Three days before the band began recording their debut with producer Ric Ocasek, they added guitarist Brian Bell. Upon completing the record, Weezer went on hiatus temporarily -- Cuomo was studying at Harvard when their eponymous debut record came out. With the support of DGC and a striking video directed by Spike Jonze, "Undone (The Sweater Song)" became a modern rock hit in the fall of 1994, but what made Weezer a crossover hit was "Buddy Holly." The bands second album Pinkerton was released in 1996, but not long after the band finished the tour in support of the album, they took time off to regroup and plan their next move.

But a funny thing happened during Weezer's self-imposed exile...while their copycat offspring were falling by the wayside, a whole new generation of emocore enthusiasts discovered Weezer's diamond-in-the-rough efforts for the first time, and their audience grew despite not having a new album in the stores.

Before they could enter the recording studio to record their third release, Weezer tested the waters by landing a spot on the 2000 edition of the Warped Tour, where they were consistently the day's highlight. Hooking up again with the producer of their 1994 debut, Ric Ocasek, Weezer recorded what would be known as "the Green Album" (a title given by fans since it was their second to be self-titled). Issued in May of 2001, the album was an immediate hit, debuting at number four on Billboard and settling comfortably in the upper reaches of the charts for much of the spring/summer. The songs& videos for "Hash Pipe" and "Island in the Sun" became radio and MTV staples, reestablishing Weezer as one of alt-rock's top dogs. The follow up, "Maladroit" was released a year later.

Weezer's last album, "Make Believe," spurred the band's highest charting Top 40 single (#2) in "Beverly Hills," and had two #1 Modern Rock hits with "Beverly Hills" and "Perfect Situation. That album sold platinum in U.S.

This June, for the third time in its six-album history, Weezer will release a self-titled album through DGC/Interscope Records on June 3rd. To distinguish it from the other eponymous albums, it's being referred by people as "The Red Album." There are now no more primary colors to describe Weezer albums having exhausted blue and green previously. Comprised of sessions produced by Rick Rubin, Jacknife Lee and the band itself, the album is adventurous and undeniable Weezer pop-rock. The first single, the quirky and catchy "Pork and Beans," was recorded under the watch of the Irishman Lee and will soon be a Weezer classic.

Great albums are culminations of the past with an eye to the future, and the Red Album has parts "Blue Album," "Pinkerton," and forges new territory with all four members taking turns singing lead. The Red Album is the rarest of modern music combinations: being both immediate and having the quality of growing better upon each subsequent listen.

Customer Reviews

A Brand New Weezer (3 1/2 stars)
The Red Album is the biggest surprise that this band has released to this date. While at times it has its typical weezer hooks, chugging power chords, and cuomo melodies, this album sheds a whole new light on who Weezer actually is today in 2008. It's the first Weezer album where the other members had the same amount of insight as Rivers on ideas for the songs. Some of the songs are sung entirely by other members of the band. Also, the members of the band switch instruments multiple times. I think it is safe to say that this is the most experimental album by far by Weezer.

Troublemaker - This opening track is crazy catchy, but doesn't really go to many places and is probably one of the weakest tracks on the album(especially lyric wise). "Marrying a biatch, Having seven Kiads"...?? The track is able to keep you on your feet, but that's about it.

The Greatest Man That Ever Lived - The most epic track on the album crosses over to many different genres. The song constantly changes for the whole six minutes of the song includes challenging choral pieces, punk breakdowns, pop verses, and original Weezer and Rock melodies.

Pork and Beans - The first single of the album. In a way, it was a tease for what was to come for the album since a chorus of a Weezer song hasn't sounded like this for years. While the verse has a new Weezer feel, the chorus takes you back to 1994. Written after an intense meeting with Geffen, Rivers angrily went home to write this song that is an allout backlash at the record company for not respecting the freedom of the band. "Imma do the things that I want to, I ain't got a thing to prove to you". One of the strongest tracks on the entire album for sure.

Heart Songs - Rivers' influences mean a lot to him. Which is why this sincere ballad another one of the strongest tracks on the album. Describing all of his influences by name, Rivers mentions all of the rockstars and past musicians that helped him become who he is today. At times, the song sounds a bit corny moving into the chorus. But, the bridge is one of the strongest bits on the entire album with insanely catchy overlapping vocals and distorted guitars. He mentions that his room mate showed him "Nevermind" by Nirvana, and that it "broke the chains it had up on me" and by that time he set out to start a rock band with his friends.

Everybody Get Dangerous - One of the hardest tracks on the album. *Personally* its my least favorite on the entire album next to Troublemaker. But at the same time, the song starts out absolutely rockin. I also feel like the verses are really strong. Reminiscent also of the chili peppers and maybe zeppelin. The chorus seems a bit corny, especially with the "boo yah"! The highlight of the song is towards the end where Pat goes off by himself, and the rest of the band is just shouting having fun.

Dreamin' - Rivers pushed this one to be on the album. I see why he did it too. Maybe not the strongest track, but it definitely brings back the Weezer feel to the album. It sounds like a lost track off of Make Believe or Maladroit. Sort of has a "Keep Fishin" type of feel but a little harder. Also, a pretty interesting breakdown with Brian singing lead. Very psychedelic sounding, and then it gets a bit more poppy as it goes on.

Thought I Knew - Brian's song on the album. He sings lead vocals. It definitely has a "Space Twins" or "The Relationship" type of feel on the album. It doesn't sound like a Weezer song at all. But it is a good tune, it just doesn't feel like it flows too well with the rest of the album. The lyrics are definitely nice, as well as the guitar work. The track itself is really great, but I'm not too sure it belongs on here.

Cold Dark World - Scotts song on the album. Another weak one on the album (personally I feel this way). The song doesn't really go anywhere. It just feels dead. Scotts not exactly singing in the verse, its more talking. The chorus "Angel come in a cold dark world, im gonna be your man". The chorus had potential but doesn't really hit it right. The strongest part of the song is when the guitar has a break by itself. It's really pretty.

Automatic - Pats song on the album. Very rockin and pretty awesome. It's really in your face. The only thing that was a dissapointment was the tempo. In the remix that was first released, the tempo was set MUCH MUCH higher. And it gave a whole new feel to the song. Pats vocal perfomance is impressive, and this was definitely a good choice from him and the band to put this one on. Very solid track.

The Angel And The One - One of my favorites on this album by far. This song has one of Rivers' best performances in years. Or maybe it's just nice to hear him talking about love again. It is by far the best album closer since Pinkerton, and has Rivers describing how he is at peace with his love life "I am complete, is what im sayin. I'm flying up so high, my purple majesty displaying". Even the guitar work is beautiful towards the end. Which is nice to hear since the album barely showcases any guitar work. Nothing else to say except that this is a beautiful song.

The other 4 deluxe tracks are amazing. Miss Sweeney starts to sound like Old Weezer but at first sounds like something completely new until it hits the chorus, the full band version of "Pig" is utterly satisfying compared to the demo, The Spider is beautiful and actually very trippy sounding, and lastly King is a great acoustic song sung by Scott. This one should have replaced Cold Dark World. King is a very strong track. I guess the only thing I have to say is that I was dissapointed that there wasn't one real guitar solo on the whole album. Also, the b sides/covers are really awesome so I suggest everybody tries to get their hands on them. Enjoy the album everyone, it is yet another success by Weezer.

Confused by the extreme reactions to this album.
Is this Weezer's best album? No. It is their worst? No. Is it their strangest? Definitely. It would seem to me, though, that people are either so enamored with the band or so enamored with the past they've lost a critical ear. But let's take it song by song:

1. Troublemaker -- Fairly standard Weezer fare, really, although a bit more pop than perhaps their earlier stuff. Enjoyable, but not really memorable.

2. The Greatest Man That Ever Lived -- Yes, it's strange and rarely repeats -- save for the main chorus -- but each section is pretty catchy on it's own. They lyrics are pretty hilarious.

3. Pork and Beans -- Again, fairly standard Weezer fare, backed by a great video. It's pretty catchy, but not really that interesting.

4. Heart Songs -- Yes, it sounds a bit cheesy when it starts, but it's a great song, backed by an experience we all share: those songs that never leave you, that will always be important no matter how much time passes. It builds really nicely, too.

5. Everybody Get Dangerous -- For what it's worth, I liked "We Are All On Drugs," which probably informs my opinion of this song. I enjoy the heck out of it. The chord changes are great and the lyrics are hilarious -- a great job of taking me back to my youth and a legitimate question: what do we do when our kids act like we did?

6. Dreamin' -- An obvious single, made less obvious by the outro, which is really cool. A good song and classic Weezer.

7. Thought I Knew -- Yes, Brian sings lead on this. And, yes, it doesn't sound like a Weezer song at all, even on a album that's redefining what a "Weezer" song is. On it's own merits, this might be a great song, but it's simply too jarring to hear on the album.

8. Cold Dark World -- Scott sings lead on this one and it's much less jarring to me. I actually like this song. It's fairly driving and Scott delivers his vocals a lot like Rivers (who sings on the choruses).

9. Automatic -- I think this might be Pat on vocals here. Again, a twist from Weezer, but not completely different. It's an okay song. I think a big problem people might have with this album is the fact that these three songs come in a row.

10. The Angel and The One -- This is a great song. This is classic, heartfelt Weezer. I read a review where someone said this album didn't have the emotional appeal that previous Weezer albums have had, and while that might be true on a whole, this song (and Heart Songs) just really hit home.

BONUS TRACKS

11. Miss Sweeney -- I agree with a previous reviewer -- this song makes the bonus album a required purchase. It's just a great song and Rivers' vocal delivery is just so great. It's songs like this that make you realize just how creative Weezer can be.

12. Pig -- Another good one, kind of folksy, kind of earthy, but still quirky in that Weezer way.

13. The Spider -- Yeah, it's a little bizarre and kind of sounds like one of Rivers' home recordings. It might grow on me in time, but now it's just kind of there.

14. King -- Man, I don't know if Scott writes the vocal lines and lyrics or if Rivers handles that and just has Scott sing it, but I have to say that he's pretty freaking great. This is probably better than "Cold Dark World."

Overall, I think it's a good album. I'd have given it 3 and a half stars initially, but I'm sure it will earn the extra half a star going forward.

Somewhat baffling
This album contains both the best and worst material Weezer have released since their reformation, which makes for a very strange album. "Pork and Beans" manages to recapture that signature "Weezer" sound circa the blue album more succesfully than any other song they've released since the 90s, and "The Greatest Man That Ever Lived" is easily the most interesting and ambitious song they've released since then, both of which set this album up to be as much of a return to form as can be expected at this point.

However, after the first 3 tracks, things get a little weird. Where Weezer used to stand out from the bland, generic alternative rock of their peers, they now seem to eagerly embrace it. Songs like "Everybody Get Dangerous" and "Automatic" sound like bad late 90s alt-rock radio rejects (although "Dangerous" does eventually delve into a bizarre bridge about Rivers' future children slicing up his house with ninja swords, which is interesting). "The Angel and The One," which seems to be an attempt at recapturing the epic spirit of "Only In Dreams," comes off more as a bad Creed song.

This album marks the first time that other members of the band have been allowed to lend lead vocals and songwriting to an album, which on paper sounded exciting. However, Weezer are known for such a distinct aesthetic (like Pitchfork said in their review, they're essentially a brand) that these songs sound like a completely different band. I admire their spirit of experimentation, but I feel like these songs should have ultimately been omitted in favor of a more consistend album and a more consistent sound as a band.

Forgetting, for a moment, the gag inducing detours into stale, outdated alt-rock cliches from the late 90s, there is one area in which I feel this album succeeds. On the songs that were actually written and sung by Rivers, he is actually being very direct and personal and writing things that come from a real place in his life. The lyrics on the past 3 albums have sounded as if they come from a soulless random-impersonal-lyric-generator, leaving the songs with a rather shallow feeling. Here, although the lyrics are frequently stumble inducingly awkward or overly sing-song-rhyme-y, you feel like Rivers is actually being sincere, and that's all Weezer fans have been asking for for the past decade. In that regard, I'm pleased.

As far as the bonus tracks go, "Ms. Sweeney", "Pig" and "The Spider" are very interesting and see Rivers returning to the weirdness of some of his older B-sides, which is promising. What they lack in focus and hook they make up for in quirky charm.

Overall, this is an album that only a die-heard Weezer fan needs to purchase, and even then only to listen to a couple times and wonder "why?" Otherwise, just buy the first 3 tracks and enjoy them on their own. I give it 3 stars for the undeniable charm of "Pork and Beans" and "Greatest Man," along with the 3 decent bonus tracks (do yourself a favor and don't even listen to "King").