Track Listing

1. Smash Lies
2. We Will Walk
3. One Day
4. Escape
5. So Hi So Lo
6. I Will Be Light
7. For You
8. On Nature
9. Motivate
10. Struggla
11. Darkness into Light
12. Thunder
13. Silence

Product Details

• Amazon Sales Rank: #465 in Music
• Released on: 2009-08-25
• Number of discs: 1
• Format: Original recording
• Dimensions: .11 pounds

Album Description
Few artists make an impact as complete as the one Matisyahu made with his Top 40 smash "King Without a Crown": Here was a true original, the song announced--a Hasidic Jewish musician from New York City singing reggae songs about his religious devotion. Fans responded to this one-of-a-kind voice, too, driving Youth, Matisyahu's Grammy-nominated 2006 studio disc, to the top spot on Billboard's reggae albums chart.

True originals, though, don't stay put for long, and on his bold new album, Light, 29-year-old Matisyahu proves that there's much more to his artistry than might initially meet the eye. "As my musical tastes have grown I have been re-discovering my sound and my voice," he says.

Light is anything but safe. Produced by David Kahne (Paul McCartney, Sublime, the Strokes), the 14-track collection covers a dizzying amount of stylistic ground, from hard-edged dancehall ("Smash Lies") and ska-inflected New Wave ("We Will Walk") to laidback pop-rock ("So Hi So Lo") and acoustic folk-soul ("I Will Be the Light"). While reggae is far from absent here--see the old-school toasting in "Motivate"--Light finds Matisyahu edging away from his comfort zone into more daring territory. "Being an artist is about being sensitive to how the world resonates inside you and then being able to express it," he says. "This process is an ever-changing one."

Customer Reviews

Different does not equal bad...
My favorite Matisyahu album has always been and will always be the Live at Stubbs album. When a musician explodes into the public eye and people start listening, they become attached to that sound because that's what they fell in love with. When an artist puts out something new and ventures from that beloved sound, people automatically dismiss the new record. We all do it, especially with artists we love.

Light is different, there is no denying it. It's less reggae and much more rock and hip hop. Smash Lies is a stark contrast to what most people are used to from Matisyahu. It's a very layered song, littered with piano, hip hop beats and just about everything else but the reggae sound most Matisyahu fans are accustomed to. But it's not a bad song just because it's different.

The first four songs are some of the best songs I've heard in a long time. When Matisyahu puts out a greatest hits album, I expect Smash Lies, We Will Walk, One Day and Escape to be on there.

We Will Walk and One Day are very radio friendly, very rock and roll/pop and very uplifting and catchy. It's almost as if they were put out by a different artist. Perhaps they were. Perhaps Matisyahu is growing and changing. People change. Musical styles and tastes change. Just about everything changes. It's a natural part of progression. Stagnation exists when progression is absent. The reggae isn't gone. Listen to the last half of the album, especially Motivate, Darkness Into Light, On Nature and Thunder. That initial sound that most of us fell in love with isn't gone, it's just been built upon, the way a house is built upon a foundation. What's missing isn't as important as what is present in this record.

Light may not be as good as his other records, it may not have the same sound, but it's still a fabulous record full of spirit, heart and enjoyable music, something that seems to be an anomaly these days. All good artists grow and change, Matisyahu is no exception.

Matisyahu said in an article published a few months ago that he was tired of being known as the Jewish rapper. That's how people came to know him, that's how I first discovered him. I play Live at Stubbs for people and tell them about how I saw Matisyahu in Louisville, KY back in December and that it was one of the best shows I've ever seen. They ask me who Matisyahu is and I respond, "that Jewish rapper that has a reggae rock band" and they go "oh yeah, that guy."

He said in the article that he would rather be known as a human being. As fans, we put labels on artists. He became that Jewish rapper. There is no room for growth when you are a Jewish rapper. Eventually, you're going to run out of Old Testament and Torah to rap about. Then what? A human being is allowed to grow. There is room for growth and change as a human being. Light is different from Live at Stubbs and Youth and Shake off the Dust for a reason. Matisyahu is growing and changing, breaking out of the mold that had encased him over the years.

Very disappointing
I do not like this cd at all.

It is not that it is bad, on the contrary, it is more bold, experimental and different from his other outings.

Matisyahu acquired a lot of his fans by hitting the festival circuit. If you are a big "jam band" fan then you would have crossed paths with this artist. Live, he is absolutely a "jam band". I am a "jam band" guy.

I have no problem with Matisyahu going commercial (which he obvoiusly is), trying styles that I may not agree with or the overpreachy/cheesy lyrics. What really kills this work is how overproduced every song is. I like my music raw, stripped down...and in the genre of reggae, dub or hip hop, with lots of space between the instruments. This stuff is way too processed.

When you see him live, he has a smoking hot band but you would never know it from this work. Many of his songs, live, are beautifully drawn out and developed, but not on this shmaltzy work. His songs would venture into deep grooves, but not on this album.

This cd makes Matisyahu sound like an "American Idol" contestant rather than the very experienced performer that he is. It took a long time to release this and now I see why.

NOTE, he probably will pick up new fans with his new sound but you shouldn't totally eliminate what successful formula took you this far.

Overproduced, disappointing
I was eagerly waiting for this album to come out, but after listening through several times, I found myself disappointed. Matisyahu's earlier albums had a nice reggae/hip-hop beat, but this album relies almost entirely on the hip-hop feel. I felt like I was listening to Matisyahu's Dance Party. Matisyahu barely gets any solos in the songs and he is overshadowed by beats and backup, which is a shame because he has an incredible voice. This album reminded me of Chris Cornell's Scream album. Another great artist whose album was ruined by beats and overproduction. I still think you should purchase the album to support Matisyahu and you may enjoy it, but if you hate hip-hop like me you will only enjoy a handful of tracks.