Product Description

In these breathtaking novellas, A.S. Byatt returns to the territory she explored in Possession: the landscape of Victorian England, where science and spiritualism are both popular manias, and domestic decorum coexists with brutality and perversion. Angels and Insects is "delicate and confidently ironic.... Byatt perfectly blends laughter and sympathy [with] extraordinary sensuality" (San Francisco Examiner).

Product Details

• Amazon Sales Rank: #66158 in Books
• Published on: 1994-03-29
• Released on: 1994-03-29
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

From Publishers Weekly
Byatt revisits the Victorian landscape of Possession in these two fluid and intricate novellas.
Copyright 1994 Reed Business Information, Inc.

From Library Journal
This work consists of two novellas set in the mid-19th century. The first, "Morpho Eugenia," is a Gothic fable that explores the multiple themes of earthly paradise and Darwin's theories of breeding and sexuality. There is an implied parallel between insect and human society throughout. The hero, a poor, scholarly entomologist, is taken into a wealthy Victorian family. His life and loves, particularly for the daughter Eugenia and the eponymous species of butterfly, comprise this tale. The second novella, "The Conjugal Angel," is reminiscent of Possession ( LJ 11/1/90), Byatt's 1990 Booker Prize winner for fiction, wherein poetry is woven into the narrative. Here, the poem is Tennyson's "In Memoriam , " written to mourn the death of Tennyson's friend Arthur Henry Hallam, who was engaged to the poet's sister Emily--a main character here. This is a philosophical ghost story, bizarre and comic, but since assorted mediums meet real characters, it is difficult to relate to any of them. These novellas will attract attention due to the fame of their author, but they will appeal to a very limited audience. Previewed in Prepub Alert, LJ 12/92.
- Patricia C. Heaney, Nassau Community Coll. Lib., Garden City, N.Y.
Copyright 1993 Reed Business Information, Inc.

From Kirkus Reviews
Two postmodern novellas with Victorian themes that have all the leaden scholarly pretension of that era--and none of the leavening irony that made Byatt's bestselling Possession (1990) so successful a mix of erudition and wit. Taking two intellectually incompatible ideas--Darwinism and spiritualism--of the period, Byatt then sets them up in their quintessential Victorian settings, where they are observed, illustrated, and dissected like the insect specimens of the first novella and found to signify not very much, despite quotes from the greats and the Bible. In ``Morpho Eugenia,'' impoverished naturalist William Adamson, homeward bound from insect-hunting in South America, is employed by a wealthy clergyman-scholar who's trying to write a book that will reconcile his religious beliefs with his scientific interests. Adamson soon falls in love with the clergyman's daughter, the beautiful Eugenia, whom he marries only to find that her behavior is eerily similar to that of some of the insects he's been studying with the help of governess Matty. With the proceeds from his book on ants, Adamson then heads off with Matty to South America, cheered by their sea captain's thought for the day: ``That is the main thing--to be alive.'' The widow of this same captain is one of the protagonists of ``The Conjugal Angel,'' in which a group holds weekly s‚ances where she is medium. They meet in the home of Captain Jesse and his wife Emily, Alfred Tennyson's sister and once the fianc‚e of the beloved Arthur Hallam, to whom the poet dedicated that great Victorian icon ``In Memoriam.'' All of which means a great deal of poetry quoted, a great number of spirits consulted, and much speculation about just what Alfred really felt for Arthur--as well as an abrupt ending in which an angel teaches all those present a rather earthly lesson. Too much learning can be a dangerous thing for a novelist who needs to separate the learned monograph from the illuminating tale. Dull and forced. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Customer Reviews

Prisoners of ideology
Angels and Insects is an intriguing pair of novellas. At one level it examines the complexities of human relationships, especially those incorporated within marriage and the family. It identifies tension, dissipates it, anticipates expectations and then seeks resolution of conflict when they are not realised. In Morpho Eugenia, William, a suitor, pursues his beloved and she becomes his wife. They breed with regular success, but there is a darkness that separates them in their marriage, a darkness that becomes light when William comes home from the hunt unexpectedly.

In The Conjugal Angel we enter a spirit world. For the inhabitants of the world, the spirit reality is as tangible, as rational a universe as any other. It is a world with familiar landmarks that reveal themselves easily to the accepting mind. Powerfully and engagingly interpreted by an influential writer, their significance enters the participants' assumptions, their existence never questioned.

Angels and Insects is set in the mid-nineteenth century and, as such, deals with concepts, both social and intellectual, which are quite foreign, quite removed from those of the contemporary reader. In Morpho Eugenia, we have a scientist exploring the revolutionary ideas of evolution and applying these not only to the natural world he researches, but also the private human world, both physical and emotional, that he inhabits. Needless to say, his radical ideas are not shared by many close to him. In The Conjugal Angel, we encounter a group of people motivated by a reality they all share. But, for the contemporary reader, it is a reality that is utterly foreign, its literature and its analysis both apparently bogus in today's judgment.

Thus, eventually Angels and Insects is a novel about ideology. It illustrates how ideological assumptions about the nature of existence can drive an individual's and a society's approach to life, and how it can convince people of the truth of illusion, or vice versa. And in considering the works of contemporary poets, Angels and Insects illustrate how the literature of an age can become suffused with its ideology and, indeed, how this can feed back into the substance of life to reinforce assumptions.

As ever, A S Byatt's use of language is virtuosic, making the process of reading Angels and Insects a delight throughout. It is an ambitious project which almost achieves its design. The shortfall, however, becomes a frustration.

Fine Use Of Mid-Victorian Setting
Two novellas, both set in Byatt's favorite period, the Victorian era. The first novella carried, in my opinion, the weaker second, but both are good reads. The first story was later shot as an NC17 movie. It is about a biologist who comes back to England after a decade in Brazil and begins to write his great work on the civilization of ants. He falls in love with the daughter of his host family and marries her. For several years all seems well, if slightly askew, somehow, to him, and at the end of the novella, we learn exactly what is wrong with life in that house and what has been wrong all along. (Slightly shocking, really, giving the unsuspecting tone to the plot that led up to it.) The second novella is about the late-Victorian mania with séances and spiritualism. In it a woman whose husband, captain of a whaling ship, is presumed drowned at sea, and she is encouraged by her sister to seek the aid of a noted medium. Both these novellas may easily be partaken of in a day, and make superb reading material for a long flight or rainy evening spent alone.

Fly like an angel, sting like a bee
A.S. Byatt is best known for her lush, time-spanning historical romance "Possession." In "Angels and Insects: Two Novellas," Byatt revisits the intellectuals of the Victorian era. She dips into Victorian interests in spiritualism, insects, poetry and love -- not to mention their darker sides as well.

"Morpho Eugenia" introduces us to a young naturalist named William, who until recently had been studying insects in the Amazon. He was shipwrecked, then rescued by the wealthy Alabaster family. While continuing to study butterflies, he marries the beautiful eldest daughter Eugenia and for a time, lives the good life. The only problem is that unknown to him, Eugenia is wrapped up in a lifelong tangle of obsession and incest.

"The Conjugial Angel" introduces us to a group of mediums who gather to call up spirits. Mrs. Papagay is still in love with the dead Arturo. Emily mourns her dead lover, immortalized in her brother Alfred Tennyson's "In Memoriam" -- except she has married again. Now she struggles with her past emotions, her present doubts, and her longing to communicate with her love again.

As in her prior works, Byatt's writing is almost dizzily lush. She has a good sense of detail, describing ribbons, moths, butterfly wings, and the flames of gaslights. But pretty words are not all that Byatt has to offer -- she makes use of poetry (her own, and that of others), Darwinism and religious faith, Swedenborg, a family whose opulence covers their decay, and the nuances of love. Not to mention the dialogue: Eugenia's rambling explanation about her relationship with her brother is chilling.

Perhaps best of this collection is that Byatt has a fantastic grasp on period descriptions and dialogue -- it all sounds like a novel from the 19th centuy, with the polish of a modern book. Which is not to say that "Angels and Insects" is perfect. Byatt spends a little too much time on the moths and too little on the Alabaster family. And she's not at her best in "Conjugial Angel," which lacks the punch of the first novella. It's moving at the end, but takes awhile to get there.

Delving into such topics as survival of the fittest, poetry and love, Byatt produces a solid pair of novellas written in her usual sensuous prose. Despite some flaws that bog it down, this is a unique read.