Product Description

The quintessential novel of the Lost Generation, The Sun Also Rises is one of Ernest Hemingway's masterpieces and a classic example of his spare but powerful writing style. A poignant look at the disillusionment and angst of the post-World War I generation, the novel introduces two of Hemingway's most unforgettable characters: Jake Barnes and Lady Brett Ashley. The story follows the flamboyant Brett and the hapless Jake as they journey from the wild nightlife of 1920s Paris to the brutal bullfighting rings of Spain with a motley group of expatriates. It is an age of moral bankruptcy, spiritual dissolution, unrealized love, and vanishing illusions. First published in 1926, The Sun Also Rises helped to establish Hemingway as one of the greatest writers of the twentieth century

Product Details

• Amazon Sales Rank: #1939 in Books
• Published on: 2006-10-17
• Original language: English
• Number of items: 1
• Binding: Paperback
• 256 pages

Amazon.com Review
The Sun Also Rises first appeared in 1926, and yet it's as fresh and clean and fine as it ever was, maybe finer. Hemingway's famously plain declarative sentences linger in the mind like poetry: "Brett was damned good-looking. She wore a slipover jersey sweater and a tweed skirt, and her hair was brushed back like a boy's. She started all that." His cast of thirtysomething dissolute expatriates--Brett and her drunken fiancé, Mike Campbell, the unhappy Princeton Jewish boxer Robert Cohn, the sardonic novelist Bill Gorton--are as familiar as the "cool crowd" we all once knew. No wonder this quintessential lost-generation novel has inspired several generations of imitators, in style as well as lifestyle.

Jake Barnes, Hemingway's narrator with a mysterious war wound that has left him sexually incapable, is the heart and soul of the book. Brett, the beautiful, doomed English woman he adores, provides the glamour of natural chic and sexual unattainability. Alcohol and post-World War I anomie fuel the plot: weary of drinking and dancing in Paris cafés, the expatriate gang decamps for the Spanish town of Pamplona for the "wonderful nightmare" of a week-long fiesta. Brett, with fiancé and ex-lover Cohn in tow, breaks hearts all around until she falls, briefly, for the handsome teenage bullfighter Pedro Romero. "My God! he's a lovely boy," she tells Jake. "And how I would love to see him get into those clothes. He must use a shoe-horn." Whereupon the party disbands.

But what's most shocking about the book is its lean, adjective-free style. The Sun Also Rises is Hemingway's masterpiece--one of them, anyway--and no matter how many times you've read it or how you feel about the manners and morals of the characters, you won't be able to resist its spell. This is a classic that really does live up to its reputation. --David Laskin

From Library Journal
The publisher is using these two perennial favorites to launch its new Scribner Paperback Fiction line. This edition of Paradise marks the 75th anniversary of the smash 1920 first novel that skyrocketed Fitzgerald to literary stardom at the ripe old age of 23. Several years later, The Sun (1926), Hemingway's own first novel, performed an identical service for him at age 26. The line will eventually include additional titles by these giants as well as works by Edith Wharton, Langston Hughes, and other greats.
Copyright 1995 Reed Business Information, Inc.

Review
Novel by Ernest Hemingway, published in 1926. In England the book's title is Fiesta. Set in the 1920s, the novel deals with a group of aimless expatriates in France and Spain. They are members of the cynical and disillusioned post-World War I Lost Generation, many of whom suffer psychological and physical wounds as a result of the war. Two of the novel's main characters, Lady Brett Ashley and Jake Barnes, typify this generation. Lady Brett drifts through a series of affairs despite her love for Jake, who has been rendered impotent by a war wound. Friendship, stoicism, and natural grace under pressure are offered as the values that matter in an otherwise amoral and often senseless world. -- The Merriam-Webster Encyclopedia of Literature

Customer Reviews

On Irony
Dave Foster Wallace urged writers to eschew irony. I feel the same way, and the reason is that for irony to have its effects the society at large must have a solid moral center of good permeating though it, like it did even after the first world war, although that center was by then seriously deteriorating. Then, when one reads a book like this, one clearly understands and is not afraid to feel the irony of this book; its amoral characters, and its nihilistic portrait.

By 2008, that center is nowhere to be found, and hence readers look for something else in any book; sympathize with the characters, to get something warm and true in the positive sense from the experience, to "enjoy" books, rather than learning a dry lesson (the spare prose helps) in the negative.

These are atrocious characters. All of them, even Cohn to whom the center of good gravitates simply because he is an old world degenerate rather than a new world one. You don't go around beating people up.

I don't know how clear I was in expressing my thoughts, but I feel that irony in writing has outlived its usefulness.

Hemingway at his best
A timeless classic -- that still moves me, even now - years after my first reading!

Builds Into A Very Good Read
I'm 47 years old, have read thousands of books, and until this week had never read Hemingway. It was only finding myself out of town without a book that I snatched up my high school son's edition of The Sun Also Rises.

This is a very well written, relatively short novel which takes about five hours to finish at a leisurely pace. I must say, that for the first 50 pages or so, I was not impressed. Not a whole lot going on and what was happening didn't exactly get the heart racing. As the characters in the book relocated from Paris to Pamplona, however, I started to become engrossed in the story. I found myself reading later into the night, not feeling sleepy at all and not wanted to leave the story.

The novel follows a group of American and British expatriates in the interwar years (1920s) as they loll around and party their way through France and into Spain for the Festival of San Fermin in Pamplona. The characters are predominantly alcohol soaked wastrels whose life consists of drinking, eating, drinking, passing out, drinking, going to bull fights, drinking, eating, passing out, drinking and doing a little fishing on the side.

It is a tribute to the beautiful, highly descriptive writing of Hemingway that such a backdrop can be crafted into an entertaining read, but I must say he pulls it off. This novel has certainly motivated me to read more Hemingway.