Product Description

DC's new editions of TRANSMETROPOLITAN begin here, with this volume collecting issues #1-6 of the acclaimed Vertigo series from writer Warren Ellis and artist Darick Robertson! After years of selfimposed exile from a civilization rife with degradation and indecency, cynical journalist Spider Jerusalem is forced to return to a job he hates and a city he loathes. Working as an investigative reporter for the newspaper The Word, Spider attacks the injustices of his surreal 23rd century surroundings.

In this first volume, Spider ventures into the dangerous Angels 8 district, home of the Transients — humans who have decided to become aliens through cosmetic surgery. But Spider's interview with the Transients' leader gets him a scoop he didn't bargain for. And don't miss Spider's first confrontation with the President of the United States . . . in a men's room.

Product Details

• Amazon Sales Rank: #212466 in Books
• Published on: 1998-02-01
• Released on: 1998-02-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 72 pages

Review
Ellis's dystopic narrative, with its full-color tale of a gonzo journalist, shares with mainstream superhero comics a macho ethos that undermines the otherwise cool Watchmen-like script. Spider Jerusalem, a hip reporter of the Hunter Thompson mode, breaks a five-year drug binge on a mountaintop to replenish his resources. The city he returns to resembles the post-apocalyptic Blade Runner and all its funky visual progeny, and Jerusalem soon uncovers a government plot involving a staged rebellion by half-aliens. Two pages at the end (done by a different artist?) suggest how much better this would have looked in a style like Moebius, instead of the conventional DC-house graphics. Still, lots of background gags and some sharp cross-cutting panels make for a compelling read. (Kirkus Reviews)

About the Author
Warren Ellis has created and written for The Authority, Transmetropolitan, Orbiter, the award-winning Planetary, and the forthcoming Ministry of Space. Darick Robertson is the artist and co-creator of Transmetropolitan. He is also the artist on The Boys and Fury, and creator of Space Beaver.

Customer Reviews

This Spider has a real bite
"Transmetropolitan: Back on the Street" is a book-length comic by Warren Ellis and Darick Robertson. The copyright page notes that the contents of the book originally appeared in single issue form as "Transmetropolitan" 1-3.

This vividly illustrated tale focuses on Spider Jerusalem, a journalist in a futuristic city. This is very much a science fiction story, spiced with references such as one to a Martian secession movement. In this volume Spider investigates a controversy involving an emergent subculture of genetically altered humans.

The tattooed, chain-smoking, gun-toting Spider is a compelling protagonist. The book is violent but intelligently written and often quite funny. The story raises questions about police conduct, multiculturalism, the First Amendment, and the role of the journalist in society. It's a remarkable book that has whetted my appetite for more of Spider's saga.

The finest and sharpest
This was a series I got dragged into kicking and screaming. Before it was a Vertigo title, it was published under the short-lived Helix imprint; ironically, it was the only Helix book I didn't read. Long story short, the Helix books were that bad. Everyone kept telling me, "You need to read this." I kept replying, "It's another Helix book," and I went on my merry way for a couple years.

I kept on buying my usual titles until the series was wrapping up, and my comic store guys (Rich and Ethan at Comic Fortress, Somerville NJ) told me to just try the first volume.

Thank you, guys.

First of all, this is Warren Ellis' most personal, volatile, heart-felt, and above-the-board best writing he has ever produced. The protagonist, Spider Jerusalem, is a Hunter S Thompson of the future; the series reads like Fear and Loathing in Blade Runner (if Ridley Scott had choked to death watching NBC sitcoms, Ted Nugent hunting videos, and porno). He's a hacked-off gonzo journalist who swings between eyewitness to humanity's best and Bill Hicks "we're a virus with shoes" vitriol, and Ellis crafts every word flawlessly.

Darrick Robertson is the perfect artist to complement the words. There is so much detail in every panel, including very human facial expressions (a very lost art in this business of gritted teeth on every cover) and backgrounds that are like a Where's Waldo of minutiae. As blaringly noisy as this vision of the future is, it's also unsettling enough to be glad we don't live there.

Or do we? Ellis weaves a lot of food for thought throughout the series, commenting on our world through his, and maybe there's some Warren Ellis in Spider Jerusalem. His point of view on the government is like no other, for example, and his catagorization of humanity as sheep waiting to be shorn, butchered, and eaten may not be that off the mark.

What Warren and Darrick have given us is nothing short of a masterpiece. This isn't a comic book, anymore than Hunter S just wrote columns. This is Comics Literature, capitalization intended. It's also Great Entertainment.

So set your bowel disruptor on "prolapse", grab a bag of Monkey Burgers, take your Jumpstart pills, and, like Rich told me, just try the first volume.

It's more addictive than crack, and better for you.

Not for everyone
I just recently started reading graphic novels and I've been actively searching for some of the more critically acclaimed publications. I started with Preacher and Y: The Last Man. I found both extremely enjoyable -- fantastic art, intriguing stories, and always a healthy dose of humor.

I had high hopes for the same in Transmetropolitan, but ultimately didn't get it. I can see the intelligence in the writing and potential in the central character (Spider), but the perpetual nihilism and references to strange and abstract futuristic concepts left me bored. It reminded me of the popular cyberpunk style of writing, which I never enjoyed either. So in a nutshell this one just wasn't a fit for my personal taste -- I gave up after the second volume. Three stars for the creative effort and strong artwork.