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Painting People: Figure Painting Today
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Product Description
From CHOICE:
London art historian and critic Mullins has brought together a study of contemporary artists who paint the human figure. Included are 200 color reproductions by 85 artists from around the world. Some artists, such as Lucien Freud and Chuck Close, are well known, but many are still developing their reputations. Mullins chose artists who paint people interacting with the world and, in doing so, explore themes of modern times. Her chapters are arranged by these themes: ""The Figure Unravelled,"" ""The Urban Condition,"" ""Other Worlds"" (which explores themes of romanticism), ""Folk Tales"" (the telling of unique and well-known stories), and ""Past Deconstructed"" (focusing on the use of photography by these artists). Many of the works reflect on the isolation of the people portrayed, some are disturbing, and some emphasize the newest technology that these artists employ, including the use of photography in their work. This valuable collection of modern art includes excellent bibliographies for each artist. Summing Up: Highly recommended. General readers; lower-division undergraduates through professionals. -- N. M. Lambert, University of South Carolina Upstate"
Product Details
- Amazon Sales Rank: #193651 in Books
- Published on: 2006-09-15
- Released on: 2006-09-15
- Original language: English
- Number of items: 1
- Binding: Hardcover
- 192 pages
Editorial Reviews
Review
Well documented with artists' biographies, a selected bibliography, a list of illustrations, and an index, this superbly conceived book makes the art of figure painting understandable to diverse audiences. It belongs in most academic, special, and public libraries that have art book collections. Strongly recommended.-Cheryl Ann Lajos, Free Lib. of Philadelphia (Cheryl Ann Lajos Library Journal )
About the Author
Chris Ofili (born 1968) is an English painter noted for works referencing aspects of his African background. He is one of the best-known Young British Artists, a Turner Prize winner, and the source of one of the New York art world's biggest scandals. It was Ofili's painting, a depiction of a black African Virgin Mary surrounded by images from blaxploitation movies and close-ups of female genitalia cut from pornographic magazines, that caused then-Mayor Rudolph Giuliani to close the infamous Sensation exhibition at The Brooklyn Museum in 1999.
Cecily Brown was born in London and received her MFA from the Slade School of Art there. Her work has been exhibited at many galleries worldwide including The Saatchi Gallery, London; the Gagosian Gallery, New York and the Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Laylah Ali was born in 1968 in Buffalo, New York. She has had solo exhibitions at inVA, London; 303 Gallery, New York; Gertrude Contemporary Art Space, Melbourne, Australia; Contemporary Art Museum, St. Louis, Missouri; Albright-Knox Art Gallery, Buffalo, New York; Museum of Modern Art, New York; Institute of Contemporary Art, Boston; and the Yerba Buena Center for the Arts, San Francisco, among others. She has been featured in group exhibitions such as The Body, The Ruin, Ian Potter Museum of Art, Melbourne, Australia; 2004 Whitney Biennial, New York; Splat Boom Pow!, Contemporary Art Museum, Houston, Texas; 2003 Venice Biennale; and Freestyle, Studio Museum in Harlem, New York. She received a B.A. from Williams College and an M.F.A. from Washington University, St. Louis. Ali lives and works in Williamstown, Massachusetts.
MichaIl Borremans was born in 1963 in Geraardsbergen, Belgium. Solo exhibitions of his work have been mounted at the Cleveland Museum of Art, the Kunsthalle Bremehaven, and the Museum f r Gegenwartskunst in Basel, Switzerland, among others. Borremans lives and works in Ghent.
Chuck Close was born in Monroe, Washington, in 1940 and studied visual art at Yale University. Photography has been an integral part of his painting process since the mid-60s, and later became a body of work in its own right. Close has also distinguished himself as a master of printmaking. Since 1967 his work has been the subject of more than 100 major exhibitions throughout the world.
George Condo was born in Concord, New Hampshire in 1957. In the early 80s he worked at Andy Warhol's Factory, then later rose to fame in alongside Jean-Michel Basquiat, Keith Haring, and Julian Schnabel, playing a key role in the 80s revival of painting. Solo exhibitions of Condo's work have been mounted at the Contemporary Arts Museum, Houston and the Palais des Congres de Paris, as well as at such prestigious galleries as Bruno Bischofsberger in Zurich and Luhring Augustine and PaceWildenstein in New York. In 1999, he received the Academy Award in Art from the American Academy of Arts and Letters.
John Currin was born in 1962 in Boulder, Colorado. After completing his MFA at the Yale School of Art, he moved to New York with his wife and muse, artist Rachel Feinstein, where they currently live and work. His highly lauded figurative paintings and drawings have been widely shown in institutional group shows and solo gallery exhibitions throughout the United States and Europe.
Amy Cutler was born in 1974 in Poughkeepsie, New York, and lives and works in Brooklyn. Her work has appeared at the Brooklyn Museum, P.S.1 and the Drawing Center, and in the Whitney Biennial. It is in the collections of The Museum of Modern Art, the Whitney Museum of American Art, the New Museum, and The Metropolitan Museum of Art, all in New York, among others.
Peter Doig was born in 1959 in Edinburgh. He grew up in Trinidad, Canada, and London, and now lives and works in Trinidad. Venues for his solo shows have included the Whitechapel Gallery, Gavin Brown's Enterprise, the National Gallery of Canada and the Museum of Contemporary Art in Miami. He was short-listed for the 1994 Turner Prize, and his work has appeared in group shows at the Centre Pompidou in Paris, Kunsthalle Wien and the Serpentine Gallery.
Marlene Dumas was born in 1953 in Capetown, South Africa. After studying at the Michealis School of Fine Arts there, she relocated to the Netherlands, where she studied in Haarlem and Amsterdam. She has participated in numerous solo and group exhibitions, including at the Centre Georges Pompidou, Paris; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; the Tate Gallery, London; and the Museum fur Moderne Kunst, Frankfurt.
Marcel Dzama was born in Winnipeg, Canada in 1974, where he later founded the Royal Art Lodge, and where he still lives and works. Last year his work appeared in Paris, Stockholm, London, Dusseldorf, Toronto and New York. It has also been published by Simon & Schuster, Penguin Books, Soft Skull Press and McSweeneyis Books.
Eric Fischl was born in New York City in 1948. He received a BFA from the California Institute for the Arts in 1972. His work has been the subject of numerous important exhibitions including: the Institute of Contemporary Art, Boston; the Whitney Museum of American Art, New York; the Walker Art Center, Minneapolis; the Milwaukee Art Museum, Milwaukee; and the Museum of Contemparary Art, Chicago. Fischl lives and works in New York City and Sag Harbor, NY.
Lucian Freud has been described as the greatest figurative artist working today. In a career spanning more than six decades, he has redefined portraiture and the nude through his dispassionate and unblinking scrutiny of the human body. Although he is best known as a painter, etching has been a constant and integral part of his studio practice since 1982. Born in Berlin in 1922, he moved with his family to Britain in 1933 and became a naturalized British citizen in 1939. He lives and works in London.
Margherita Manzelli was born in Ravenna, Italy in 1968. Recent exhibitions of her work have been held at MAXXI, Rome, and the Art Institute of Chicago. She currently lives in Milan and London.
Born in 1960 in Leipzig, Neo Rauch is a lifelong resident of Germany. He has shown his work at The Museum of Modern Art and the Guggenheim Museum in New York, the Centre Georges Pompidou, Paris and in the past year alone at venues in London, Prague, Montreal, Santa Fe and Osaka. His work has been covered by the New York Times and the New York Times Magazine, The New Yorker and Artforum, and is in the collections of both The Museum of Modern Art and the Guggenheim in New York.
Daniel Richter was born in Eutin, Germany, in 1962 and today is based in Berlin and Hamburg. His artistic career has been as brief as it has been successful, beginning with his debut at the Berlin gallery Contemporary Fine Arts in 1996. Since then he has had solo shows at Patrick Painter in Los Angeles, Kunsthalle zu Kiel and various galleries in Berlin, Paris, Vienna and Hamburg, and has been included in group shows throughout the United States, Europe and Asia.
Dana Schutz was born in Michigan, studied art at Columbia University, and now works in New York City. Since her first public exhibition several years ago her work has been celebrated by critics, curators and collectors. It is already placed in many major private collections of contemporary art in the U.S. and Europe, and with numerous major institutions. She has been included in such significant international exhibitions as the Venice Biennale and PS1's Greater New York.
Luc Tuymans was born in 1958 in Belgium. Since his appearance at the 2001 Venice Biennale and Documenta 11, he has fast become one of the most important painters of his generation. He lives and works in Antwerp.
Lisa Yuskavage was born in Philadelphia in 1962. She studied at the Tyler School of Art, Temple University and the Yale School of Art. Her first solo museum exhibition was held at The Institute of Contemporary Art, Philadelphia, in 2001; solo gallery shows have been mounted at Greengrassi, London; Marianne Boesky Gallery, New York; Studio Guenzani, Milan; and Christopher Grimes Gallery, Santa Monica, among others. She has been featured in group exhibitions at the San Francisco Museum of Modern Art, the 1999 Istanbul Biennial, the Saatchi Gallery, the Aldrich Museum of Contemporary Art and at Casey Kaplan, New York. She was also featured in the Whitney Biennial 2000 and in the P.S.1 Contemporary Art Centeris Greater New York exhibition. She received a Tiffany Foundation grant in 1996 and a MacDowell Colony fellowship in 1994. The series Tit Heaven was shown in her first solo show, in 1992, at Elizabeth Koury Gallery in New York.
Customer Reviews
An interesting selection.
London art historian and critic, Charlotte Mullins', extensive selection indicates just how strong the art of portraiture and the figure are in contemporary art. Particularly in light of how much drawing, and the figure in general, fell out of favour during the 20th Century.
All the big players are here: Close, Freud, Borremans, Richter, Nara etc. alongside the lesser known. The works of 80+ artists are featured, typically with two, sometimes more, representative pieces per artist, in full-colour.
The collection centres around works created in the last six years, with the artists grouped together by various themes:
The Figure Unravelled - Close, Freud, Akkerman etc.
The Urban Condition - Eggerer, Evans, Fischl...
Other Worlds - Mutu, Doig, Takano...
Folk Tales - Condo, Schutz, Howard...
The Past Deconstructed - Borremans, Brown, Xiaogang...
with all styles represented from photorealists, Neo-Expressionists, Comic-Inspired, self portraits etc.
On the copy I have the index pages appear to have shifted slightly during printing leading to the text being ghosted. However that doesn't appear to have occured elsewhere, although I'm not 100% sure about that. Also I would have preferred the details of art media, dimensions etc to have be placed alongside the piece as opposed to being collected in an appendix.
It's an interesting selection accompanied by insightful text from Mullins. It certainly provides a good foundation from which to explore the world of contemporary figure/portraiture. Although I am left with the question "Is this really the best of what's out there?" as a number of works I didn't care for. Each to their own :-)
Recommended.
Good survey of new figurative work
This is a good overview of contemporary figure painting focusing particularly on new and emerging artists in addition to established, well known painters who are acknowledged masters of figurative work. While Close, Currin and Fischl are included, much of the book focuses on newer artists such as Anna Bjerger and Jocelyn Hobbie. The emergence of Chinese painters is not ignored, with a few also represented.
Some 68 contemporary painters are featured, divided into five categories. Additional painters are discussed in the narrative at the beginning of each style category, each with their works shown in color.
Each of the featured artists is given two pages for reproductions, all in color, and a few sentences about their work. There is also a section of biographies for each artist at the end of the book, including -- importantly -- dealer contact information. The reproductions are high quality and although they vary in size, many are full page.
While well known figurative painters such as Peyton, Yuskavage, Tuymans or Cecily Brown are included, the wide variety of figurative styles featured means that most of the book focuses on work by younger and/or lesser known artists such as Jun Hasegawa or Ridley Howard and also a carefully edited group of relative "unknowns" (but largely represented by meaningful galleries), at least to those of us who aren't able to crawl Chelsea every Saturday.
Good start could be better
In one sense I really like this book. It has oodles of high quality images of very contemporary artists work, and lets be honest, it's hard to find good images of contemporary artists work a lot of the time. I also liked the text that prefaced each section of the book, it was well written and interesting. However, many of the artists featurerd I felt were a little sub par- that is to say, I've seen better contemporary figure painters. Some are great; Freud, Saville, Yuskagvich, Currins, but many were just not up to the level of some of the great painters featured. Plus, the text about each individual artist was very brief. Over all, i'm glad I have it, but I feel it could be a better overview of figurative painting today.
