Product Description

This extraordinary book presents thirty-eight of the most renowned and significant buildings of America's premier architect, from his early Prairie work in Oak Park, Illinois, in the 1890s to his daring creations of the 1940s and 1950s.

In entirely new photographs taken especially for this book by two leading architectural photographers under the direction of co-editor David Larkin, such internationally famous buildings as the Solomon R. Guggenheim Museum and Fallingwater and Wright's homes Taliesin, Taliesin West, and the Oak Park Home and Studio are seen afresh, benefiting from the photographers' special access.

Several lesser-known residences, such as Auldbrass Plantation in South Carolina, an array of wooden buildings that is Wright's American alternative to antebellum architecture, the William H. Winslow house in River Forest, Illinois, one of the architect's earliest and most surprisingly decorative houses, and the Kenneth Laurent house in Rockford, Illinois, a masterful curvilinear design, are seen in full color and demonstrate dimensions of Wright's work less often seen before. Public buildings, such as the dramatic concrete, glass, and steel Marin County Civic Center and Beth Sholom Synagogue show Wright as engineering virtuoso as well as creative architect. In addition to these existing masterworks, only the most famous of which are open to the public, the book covers buildings that have been demolished, notably the Larkin Company Administration Building, Midway Gardens, and the Imperial Hotel, which are represented here by drawings and rich archival photographs.

Each of the buildings is presented from conceptual sketch, plan, or drawing to finished masterwork, and each is accompanied by an in-depth essay detailing the development of the work. Extensive quotes from Wright's writings, unpublished talks, and private letters to the clients give valuable insight into the architect's own thinking about each commission. Never before has Wright's architecture been presented so elaborately in one volume.

Product Details

• Amazon Sales Rank: #11438 in Books
• Published on: 1993-09-15
• Released on: 1993-09-15
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 312 pages

From Publishers Weekly
Wright, as Pfeiffer notes, was primarily a residential architect, and this stunning survey of 38 of his most influential buildings reveals how he created new patterns of living through rooms that open into one another and walls that reach out to engulf gardens and plantings. That the Wisconsin-born pioneer of organic architecture was also an innovative engineer emerges in discussions of Manhattan's Guggenheim Museum with its curved elements, the tripod design of Beth Sholom Synagogue in Elkins Park, Pa., and the Marin County Civic Center in San Rafael, Calif., featuring a circular public library at the hub of administrative buildings ensconced in the hills. Wright's home and studio in Oak Park, Ill., the "Fallingwater" house in Mills Run, Pa., and the Imperial Hotel in Tokyo are among the projects selected by Pfeiffer, editor of Wright's Collected Writings and author of many books about him. Nearly all of the buildings were newly photographed for this book, which features 275 color plates, including Wright's beautiful working drawings and plans. BOMC alternate.
Copyright 1993 Reed Business Information, Inc.

From Booklist
Wright has been the subject of numerous books, illustrative and historical, popular and scholarly, but Larkin and Pfeiffer have still succeeded in creating something fresh and exciting. This handsome volume presents brand-new photographs of and lucid critical commentary on 38 of Wright's most significant buildings, including such famous public structures as the Unity Temple (1905) in Oak Park, Illinois, and New York's Guggenheim Museum (1943-59), as well as lesser-known but stunning private homes. This selection embraces Wright's entire career, from the early prairie style to the adventurous creations of the 1940s and 1950s. The process of design for each masterwork is documented from Wright's earliest conceptual sketches to his polished drawings, which are works of art in their own right. Some black-and-white photographs of buildings under construction are provided, but the book's strongest visual components are the grand color photographs. The shots were composed to capture the unique aesthetic of each structure's exterior and interior, from its orientation to the land to its elegant decorative detail and dramatic use of natural light. A liberal sampling of excerpts from Wright's writings and correspondence adds to this volume's authority and value. Donna Seaman

About the Author
Bruce Brooks Pfeiffer was an apprentice to Frank Lloyd Wright and is currently a trustee and Director of the Archives for the Frank Lloyd Wright Foundation in Scottsdale, Arizona. He is the author of Frank Lloyd Wright Drawings and Treasures of Taliesin and editor of the highly praised series The Collected Writings of Frank Lloyd Wright.

David Larkin is the co-author and designer of such celebrated illustrated books as Classic America and Shaker and publisher of Barn and Wooden Ship.

Paul Rocheleau and Michael Freeman have contributed the new photography included in this book.

Customer Reviews

The Master Guide to Wright's Greatest Works!
I have been a fan of Frank Lloyd Wright's architecture for over 30 years, and have seen many of his finest buildings. No book that I have seen in those years is as good as this one for explaining his life, the development of his architectural style, providing the details of his best work, and showing stunning photographs of exteriors, interiors, and views. If you only buy one book about Mr. Wright, I suggest this one. I have it with me tonight as I begin a one week pilgrimage to his finest work in the midwest. Each night, I will reread the sections about the works that I will be seeing the next day.

The book would be worth buying, just for the photography alone. For those buildings that still exist, brand new color images were made. These are so magnificently reproduced that they actually exceed the appearances of the originals! I don't know of another book of architectural photography where I could make the same statement. It is as though you are seeing the scenes in Wright's eye, as the pure forms that he was seeking to reproduce. Also, you get lots of images. For example, the home and studio in Oak Park, Illinois section displays 10 large color photographs. Naturally, for the buildings that do not still exist, you have only historical photographs, some in black and white. But these are very fine, as well.

Most books with wonderful photographs usually have limited essays. Masterworks is the happy exception. The essays are clear, thoughtful, and extensive. Yet they tie together to tell the story of Mr. Wright's development. So, they are more like chapters in a book rather than stand-alone essays that such books usually inspire. I was particularly pleased with the information about the materials and building methods that Mr. Wright experimented with and used at various stages of his career.

As wonderful as the photographs and essays are, what made the book special for me were the many draft sketches and conceptual diagrams in Mr. Wright's own hand. To see the transition from first sketch to final details was wonderful.

If you know Mr. Wright's work, you will be aware that he often designed his own furniture and sculptures for the buildings, and had craftsmen execute them. You will see many fine examples in the book of these details presented in their most dramatic ways.

The book also has good balance. Many books about Mr. Wright favor his homes, or his famous works, or his public buildings. This one creates a balance over his entire career of all his work. So you get a decent amount about his Usonia period as well as his Prairie years.

Here are the works that are covered in the book: Home and studio in Oak Park, Illinois; William H. Winslow House, River Forest, Illinois; Susan Lawrence Dana House, Springfield, Illinois; Arthur Heurtley House, Oak Park, Illinois; Ward W. Willits House, Highland Park, Illinois; Larkin Company Administrative Buidling, Buffalo, New York; Unity Temple, Oak Park, Illinois; E.E. Boynton House, Rochester, New York; Avery Coonley House, Riverside, Illinois; Meyer May House, Grand Rapids, Michigan; Frederick C. Robie House, Chicago, Illinois; Midway Gardens, Chicago, Illinois; Imperial Hotel, Tokyo, Japan; F.C. Bogk House, Milwaukee, Wisconsin; Aline Barnsdall House, Los Angeles, California; John Storer House, Hollywood, California; Paul R. and Jean S. Hanna House, Stanford, California; Fallingwater, Mill Run, Pennsylvania; Herbert Jacobs House, Madison, Wisconsin; S.C. Johnson & Son Administrative Building, Racine, Wisconsin; Herbert F. Johnson House, Wind Point, Wisconsin; C. Leigh Stevens House, Yemassee, South Carolina; Solomon R. Guggenheim Museum, New York City; Arnold Friedman House, Pecos, New Mexico; Herman T. Mossberg House, South Bend, Indiana; Kenneth Laurent House, Rockford, Illinois; Unitarian Church, Shorewood Hills, Wisconsin; David Wright House, Phoenix, Arizona; William Palmer House, Ann Arbor, Michigan; Isadore J. Zimmerman House, Manchester, New Hampshire; H.C. Price Company Tower, Bartlesville, Oklahoma; Harold Price, Sr. House, Paradise Valley, Arizona; Gerald B. Tonkens House, Amberley Village, Ohio; Beth Sholom Synagogue, Elkins Park, Pennsylvania; Don M. Stromquist House, Bountiful, Utah; Marin County Civic Center, San Rafael, California; Taliesin III, Spring Green, Wisconsin; and Taliesin West, Scottsdale, Arizona.

After you finish enjoying this book the first time, ask yourself what has been Mr. Wright's lasting impact on America. How has his work affected your life? How will it affect your grandchildren's lives?

Turn an optimistic view of people living in natural harmony into reality!

Excellent in both pictures and words
The primary appeal in this book is the photo collection. While the accompanying text throughout is quite interesting, I think most people will buy it for the pictures. And excellent pictures they are.

For buildings that still exist, the authors/editors took brand new photographs specifically for this book. You would be hard pressed to find similar quality photographs anywhere else.

However, if you are interested in an introductory reading on Wright's work, you won't be disappointed. The reading level seems to be geared towards someone who already knows who Wright is, but is not familiar with his lesser known works, or with the details of his life and of architecture. The authors did a splendid job of placing Wright's work in the context of the time and place, and highlighting that which is fundamentally American about both. From the insight on Wrights life and works, you will learn not only about some of the foremost icons of American architecture, but also about American culture itself. The passion the authors have for Wrights work really shows through in every page, both through photographs and text.

I read every single word and closely examined every single photo. I can promise that if you're honestly interested in learning about Wright's work, as well as his place in history and culture, you will not be sorry you bought this book.

The book is almost a masterpiece itself.
Thirty-eight of his buildings are presented mainly with large color photos along with around a dozen architectural drawings. About a fifth of the book is text. The dust jacket has a striking photo of the exterior of Fallingwater with the lights on inside at night. Maybe half the color photos fill the page. There are about nine black and white photos, mainly in the front of the book as well as a page of eight other black and white photos showing the construction of one of the buildings.

If you want a high quality overview of his work, this is the book to get. Enough buildings are shown to give you a broad view of his work and the book is long enough to go into some detail on each building. The text provides lots of information and reads less like a textbook and more like someone revealing the work of a master, in this case, America's finest architect.

You're not likely to be able to find this for much of a discounted price. It's certainly a well done book and does not fall in the catagory of discounted books. Some things are worth paying for and this could be one of them. I gotta admit, I was more willing to pay full price for Fallingwater by Kaufman. The big difference was that his book had far more full page color photographs. That's one of my few small complaints about this book. If only. But the quality of presentation, the consistently high quality of the photos and, of course, the buildings they focus on, really makes this a book deserving of a full 5 star rating. There are no bad or weak or slightly out of focus photos in this book. Many of the photos are particularly beautiful. This is the finest collection of his drawings I have seen in one book. If you only plan to own two FLW books I would definitely say make it this one and the Fallingwater book.