Product Description

Visionary and prolific, Frank Lloyd Wright conceived leaded-glass windows for almost every one of his buildings between 1885 and 1923, his most celebrated years. His output was prodigious: an estimated 4,365 window designs for over 160 structures, more than 100 of which were realized. Here, Julie L. Sloan presents the largest gathering of these windows ever published.

In this accessibly written, impressively researched volume, Sloan shows how Wright revolutionized a centuries-old art form. With the boldly abstract glass he called "light screens," he distanced himself from Louis Comfort Tiffany and John La Farge and invented a fully modern language of design. Wright's windows were integral to his architectural conceptions, as Sloan demonstrates with a wealth of illustrations-- including rarely seen drawings and on-site photographs made especially for this book. In recreating the master's integration of his windows into his structures, the author brings to life such lavish landmarks as the Susan Lawrence Dana house, the Darwin D. Martin complex, and Hollyhock House, while she traces three phases in Wright's evolving language of geometric patterns.

According to Sloan, the master's vision grew from the curvilinear Queen Anne-style motifs of his earliest glass; through the chevrons, rectangles, and autumnal palette of his famed Prairie-period windows; to the jazzy asymmetries, dancing triangles, and primary colors of his 1911-23 work, when vanguard European art and architecture helped inspire his most joyous, innovative light screens. In the same years, Wright expanded his use of glass from the single opening to the casement, the clerestory, and the skylight. "While providing harmonious ornament, control of illumination, and privacy," Sloan writes, these ensembles of intricately patterned glass "negotiate the boundaries between interior space and exterior view."

Light Screens proposes a structuralist analysis of Wright's evolving typology of geometric forms and provides a cogent art-historical summary of what shaped them. Concise chapters describe the impact on Wright's glass of the Gothic Revival and Arts and Crafts movements, Japonisme, and Friedrich Froebel's educational exercises. Sloan also explains Wright's design theories and elliptical writings on glass. And she includes useful reconstructions and little-known primary-data: for example, on period terms and fabrication techniques for ornamental glass, and on Wright's clients, assistants, and suppliers. Such rich detail commends this book to connoisseurs and collectors of 19th- and 20th-century glass and modern design alike. Groundbreaking in content and commanding in scope, it is essential reading for scholars and enthusiasts of Wright.

Product Details

• Amazon Sales Rank: #1531865 in Books
• Published on: 2001-05-18
• Released on: 2001-05-18
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 384 pages

Review
"Julie L. Sloan offers here the first thoroughly researched and sensitive appreciation of the inventive and beguiling leaded-glass "light screens" that were a feature of Wright's architecture for four decades. She traces the influences and principles that guided Wright as he devised patterns for windows intimately integrated into the building for which they were designed. This fascinating book reveals exactly how the master transformed an art form."--David A. Hanks
-- Review

About the Author
Julie L. Sloan is the preeminent authority on Wright's leaded glass and a noted stained-glass scholar and conservator. She has taught at Columbia University, Williams College, and Rensselaer Polytechnic Institute. This volume and her catalogue Light Screens: The Leaded Glass of Frank Lloyd Wright represent twenty years of research, supported by the National Endowment for the Arts and the Graham Foundation for Advanced Studies in Fine Arts. The catalogue accompanies a major traveling exhibition organized by Exhibitions International, New York, in cooperation with The Frank Lloyd Wright Foundation, Scottsdale, Arizona.

Customer Reviews

Amazon's got it 180 degrees from "right"
The "cover" image shown with this book is flipped 180 degrees from its actual orientation. To see the book in its actual design, go to www.lightscreens.com ... both the hardcover catalog to the exhibition and what I call the "Big Book" (the slipcased 400-pager) are there. (The paperback catalog is available only in the museums where the exhibition is mounted.)

Others have referred to the photographs as "bland." Well, I'd have to agree where the museums that own Wright windows are concerned; Wright intended to "bring the outside in," but museums for some reason insist on photographing his windows against a white background. Since I took most of the photographs in these books, let me tell you that I always photographed them with their backgrounds - the landscapes in the middle and long distance - integral to the windows themselves, as Wright intended.

The drawings are smaller than Wright made them because any 9x12 book is smaller than Wright's drawings. And as for "came" vs. "leaded," the latter term is a commonly used generalization to describe any glass held in a metal matrix ... Wright usually used copper or brass came, but not exclusively.

Since the book is in print after 20 years of research, the fact that its designer didn't meet the first reviewer's expectations or desires is beside the point. Until now there's been no definitive overview of Wright's stained glass. We should rejoice that this books exists ... and I do. Why do I rejoice? Beause I took most of the photos in the book (I'm the ALL of ALL/JLS in the credits) and I know how difficult it was to gain access to the [lived-in] homes of Wright homeowners, so I celebrate the fact that the author's been able to share this work with the world. It would otherwise be inaccessible.

Great
This book is a wonderful companion to the traveling exhibition of the same name, but it also stands on its own if you can't make it to the exhibit.

Sloan's approach -- a chronological study of the evolution of Wright's glass design -- will be appreciated by scholars of the architect's career.

Additionally, I found the images pleasing in scope. The book includes an extensive mix of drawings (wall plans, window plans, and more), color close-ups (with plain backgrounds and with real-life backgrounds shot from the interior), in-house shots that show how the windows blend with the interiors, and shots of the exteriors.

The book is well-researched and insightful, a collection of beautiful images and a serious study of a master.

Complete
Finally, a documentation of all of Wright's windows in one place. A priceless addition to the libraries of Wright fans and scholars, this is it-- the end-all, be-all. The package is beautiful. The illustrations are not only COMPLETE, they are extensive and varied. And finally, the text is an extensive analysis by none other than Julie Sloan. The table of contents reveals the scope of her expertise, and each chapter proves its strength.