Product Description

Cambridge Literature is a series of literary texts edited for study by students aged 14-18 in English-speaking classrooms. It will include novels, poetry, short stories, essays, travel-writing and other non-fiction. The series will be extensive and open-ended and will provide school students with a range of edited texts taken from a wide geographical spread. It will feature writing in English from various genres and differing times.

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Product Details

• Amazon Sales Rank: #481006 in Books
• Published on: 1995-06-01
• Original language: English
• Number of items: 1
• Binding: Paperback
• 432 pages

Amazon.com
Dickens considered Great Expectations one of his "little pieces," and indeed, it is slim compared to such weighty novels as David Copperfield or Nicholas Nickleby. But what this cautionary tale of a young man raised high above his station by a mysterious benefactor lacks in length, it more than makes up for in its remarkable characters and compelling story. The novel begins with young orphaned Philip Pirrip--Pip--running afoul of an escaped convict in a cemetery. This terrifying personage bullies Pip into stealing food and a file for him, threatening that if he tells a soul "your heart and your liver shall be tore out, roasted and ate." The boy does as he's asked, but the convict is captured anyway, and transported to the penal colonies in Australia. Having started his novel in a cemetery, Dickens then ups the stakes and introduces his hero into the decaying household of Miss Havisham, a wealthy, half-mad woman who was jilted on her wedding day many years before and has never recovered. Pip is brought there to play with Miss Havisham's ward, Estella, a little girl who delights in tormenting Pip about his rough hands and future as a blacksmith's apprentice.

I had never thought of being ashamed of my hands before; but I began to consider them a very indifferent pair. Her contempt for me was so strong, that it became infectious, and I caught it.

It is an infection that Pip never quite recovers from; as he spends more time with Miss Havisham and the tantalizing Estella, he becomes more and more discontented with his guardian, the kindhearted blacksmith, Joe, and his childhood friend Biddy. When, after several years, Pip becomes the heir of an unknown benefactor, he leaps at the chance to leave his home and friends behind to go to London and become a gentleman. But having expectations, as Pip soon learns, is a two-edged sword, and nothing is as he thought it would be. Like that other "little piece," A Tale of Two Cities, Great Expectations is different from the usual Dickensian fare: the story is dark, almost surreal at times, and you'll find few of the author's patented comic characters and no comic set pieces. And yet this is arguably the most compelling of Dickens's novels for, unlike David Copperfield or Martin Chuzzlewit, the reader can never be sure that things will work out for Pip. Even Dickens apparently had his doubts--he wrote two endings for this novel. --Alix Wilber

From AudioFile
Great literature can pose problems for narrators. If the book is a classic, the pitfalls are that the listener has a preconceived notion of how the book should sound and, perhaps, how the characters themselves should sound. It is, thus, heartening to listen to Michael Page's narration of Dickens's tale. He sheds new light on the text and shows off his collection of personalities and voices. Page twists his English accent so that the characters have their own unique inflections, laughs and resonance. His voice is slightly nasal but full. He's exceptionally good at setting the tone of this rather wistful novel. And his marvelous diction and pacing make the story vibrant and interesting. R.I.G. (c)AudioFile, Portland, Maine

Russ and Beth Ouellette
We recently purchased three of your classics series hardcovers for our 15 year old daughter's birthday, and she was estatic. The books are beautifully done, and it was nice to see that they used the original versions' formatting. We anxiously look forward to any new volumes you may add. If we might make a suggestion for a future addition to this series, please consider Treasure Island, as this would be a most welcome addition to her new collection. Thanks for producing a wonderful product.

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Customer Reviews

A work of lasting skill, value, and impact, truly a classic
It is astonishing to read literature this good, such that within the first few pages you know that no matter what the author does to the characters or how he concludes the story, and whether it suits my tastes in any specific direction, you realize that here is a work of lasting skill, value, and impact, truly a classic.

Now I came to this book with perhaps reduced expectations, not great ones, having only remembered reading The Christmas Carol by Dickens, a story so well known that it seems more created ex nihilo than spun of raw materials from the human mind. It exceeded my expectations in every direction--humor, plot and pacing, dialogue, description, action, romance, poignancy.

And it is interesting that in the end, Pip, despite his tremendous character growth and recovery from terminal and self-defacing self-centeredness, is still not the moral equal of Joe and Biddy (I should have seen that one coming, but didn't). I'm not sure even Dickens is conscious of the fact that no matter how far Pip has come in his redemption, he is still far behind Joe and Biddy in their pure human worth.

Wow.

Dourly illustrated, it accurately represents the situation in London in the mid ninteenth century
"Great Expectations" is one of the few works by Charles Dickens that I had neither read nor had any contact with. Other than knowing title and author, I had no knowledge of the work before reading this book. After reading it, I can say that the effect was what one would hope the Classics Illustrated works would have on people. The contact generated a desire in me to read the original work.
The artwork is generally dour, reflecting the reality of London in Dickens' time. While there were pockets of great wealth, there were enormous sections of grinding poverty and struggle. The lot of orphans was especially hard, with no social safety net of any kind, they were at the mercy of whatever benefactors they happened to encounter.
In many ways, the best way to learn about the social conditions of England in the mid nineteenth century is to read the novels of Charles Dickens. He tells it like it is, a place of great social consciousness, where the upper classes could do no wrong and the lower classes were expected to know their place. There is no better indicator of that than when working class Joe Gargery nurses the now gentleman Pip back to health and then after his recovery, Joe leaves Pip and goes back to his social station.

Love is...beautiful and heartbreaking.
Philip Pirrip, otherwise known as Pip, has great expectations. Given the opportunity to become 'a gentleman', his life becomes a quest fueled by his misguided and false hopes and dreams. And most of all: of unrequited love. All of which unravels.

There is something there for everyone: mystery, thriller, drama, comedy, social commentary, romance (in a twisted sort of way). GE is about human nature and love, forgiveness and hope; a perfect blending of all these gritty elements that make up Life.

I'm not going to go into the plot, others have done it, and much better than I ever could. What I will say is that Great Expectations is a book that everyone should try to read. Don't rush, but peruse, read slowly, savor it, appreciate it. The characters are vivid and heart-breaking, the personal growth of Pip from young boy to man, emotional and dramatic. You will feel for all the characters that will stay with you long after you've finished it.

The introduction by Irving should be read. But AFTERWARDS. He gives an interesting biosketch on Dickens, the story arch and influences of GE. I was definitely enriched for having read it. The back also has the Original Ending of GE that Dicken's wrote, a list of works and a short but concise bibliography about Dicken's the man and his works.

This was my first read of Dicken's and I was expecting a book bogged down and heavy with prose or overtly poetic speeches, and a book that would make me want to go to sleep: I was pleasantly surprised. While the style can be difficult & you will have to re-read parts of it, it's manageable, though, it's a good idea to have a dictionary on hand. There are parts that do go on and chapters that seem static, but the language and rendering of 19th century England and the characters make it all the worth while. Only then, will you understand why this book a true Classic.