Product Description

"There's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.

By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.

Product Details

• Amazon Sales Rank: #91421 in Books
• Published on: 1995-04-25
• Released on: 1995-04-25
• Original language: English
• Number of items: 1
• Binding: Paperback
• 256 pages

Features

• ISBN13: 9780679761792
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
With the exception of "The Man Child," a macabre, faintly Lawrentian study of repressed love between two white men in the rural South, all of Baldwin's tales here deal in one form or another with the Negro problem. Technically, a good portion of the work is crude and unconvincing. "Come Out the Wilderness" and "Previous Condition," for example, rest on slight themes: the first concerning a Negro girl's hapless involvement with an opportunistic white Village artist, and the second presenting the frustrations of a Negro actor when he is denied lodgings in a white neighborhood. "This Morning, This Evening, So Soon" is an ironic mood piece, a chronicle of a Negro expatriate in Paris: on the verge of fame and fearful of returning to the states, the singer discovers that his friend, a Tunisian outcast, is not above stealing from people of his own race. "Sonny's Blues" is an over-long, over-loud lament of a doomed jazz musician who becomes a junkie, ending on a muted moment of recognition between himself and his square brother. "The Rockpile" is a brief , bitter account of children blighted by Harlem family life. The title story is reminiscent of Baldwin's recent play Blues for Mr. Charlie; the white protaganist, a deputy sheriff, is momentarily impotent until aroused by a terrible memory: as a boy, he witnessed, along with his gloating parents and other adults, the brutal castration and burning of an uppity Negro. All of these tales have an undeniable urgency, power and anger, yet only "The Outing" achieves true artistry, probably because it is the most personal and not melodramatic at all. Symphonic in structure, mixing religious and sexual motifs, encompassing various shades of characters and situations against the background of a boat trip up the Hudson, "The Outing" is memorable in every sense; funny, sad, colorful, it is a triumphant performance. (Kirkus Reviews)

From the Inside Flap
"There's no way not to suffer. But you try all kinds of ways to keep from drowning in it." The men and women in these eight short fictions grasp this truth on an elemental level, and their stories, as told by James Baldwin, detail the ingenious and often desperate ways in which they try to keep their head above water. It may be the heroin that a down-and-out jazz pianist uses to face the terror of pouring his life into an inanimate instrument. It may be the brittle piety of a father who can never forgive his son for his illegitimacy. Or it may be the screen of bigotry that a redneck deputy has raised to blunt the awful childhood memory of the day his parents took him to watch a black man being murdered by a gleeful mob.

By turns haunting, heartbreaking, and horrifying--and informed throughout by Baldwin's uncanny knowledge of the wounds racism has left in both its victims and its perpetrators--Going to Meet the Man is a major work by one of our most important writers.

Customer Reviews

The Greatest American Short Story Collection
Baldwin's ability to weave through various times throughout a story is exemplified best in "Sonny's Blues," where he alludes to Isiah with the cup of trembling, and moves through different periods of Harlem, the childhoods and young lives of the narrator and his brother, the constants, in the church and the community and the music, which tells that same story, which must be retold, again and again. The way Baldwin writes about music is virtually unparallelled. In these short stories, he manages to stay clear of the sometimes excessive sentimentality that comes out in novels like Another Country. We sympathize with everyone, we see everyone's need for love, the intense loneliness of human experience, and the individual alienation and experience that results from societal divisions of race and sexuality. The first two stories contain the same characters from his famous first novel Go Tell it on The Mountain. The biblical imagery in these stories is not always pronounced as it may be in Go Tell..., but Baldwin's command of the bible show us the fear and the decadence that it exalts even when the allusions are abstract. The cup of trembling, the sight of the father's foot in the first story. Baldwin is a writer whom people have expected something out of and have been disappointed with because he does not fit into the desired mold of the black writer or the gay writer or even the american writer. He can be an objective political essayist or a sentimental dramatist, and here, he offers cold, somewhat detatched portraits of american lives which are among the best portraits of these people ever written. He puts the lives of marginal americans, from poor white rural southerners, to expatriates, and black urban displaced men and women, into the dramatic realm that hints of myth. His descriptions are riveting, his sexual honesty can be rude, exposing the reader to the America that exposed him.

A good collection of short stories!
Each of the stories contained in this book deal frankly and honestly with the fear and agony associated with love, hate, prejudice and the suffering humans endure at the hands of their fellow man. All the stories are intense, haunting and in the case of the title story, "Going to Meet the Man", just plain chilling. Other notable stories are "The Man Child", "Sonny's Blues" and "Previous Condition". This is a good place to start if you're just discovering James Baldwin. Also recommended are his novels, "Giovanni's Room", "Another Country" and "Tell Me How Long the Train's Been Gone".

Painful. Almost too painful.
I am slowly understanding why Mr. Baldwin elected to leave the United States for more than a decade in the 1940s and 1950s. He apparently is on record as saying that he needed to flee because his anger was going to destroy him if he did not seek a respite from American injustice.

Upon reading this collection, I think I am really beginning to understand what must have been going through his mind. Read "Previous Condition" where a young African American man keeps being thrown out of hotels and denied jobs simply because of the color of his skin. There is nowhere he can go without meeting the hostile glances and conspiratorial whispers of people on the street simply because of his skin color. And there is a moment where it all came into focus for me, standing in the kitchen of his Jewish friend's Jules' apartment. And I quote:

"Oh," I cried, "I know you think I'm making it dramatic, that I'm paranoiac and just inventing trouble! Maybe I think so sometimes, how can I tell? You get so used to being hit you find you're always waiting for it. Oh, I know, you're Jewish, you get kicked around, too, but you can walk into a bar and nobody knows you're Jewish and if you go looking for job you'll get a better job than mine!" (78)

It is deeply disturbing to think that a person has the suspicion and rage of the world cocked against their temple, but that was how it was (and still is). I have read much about the Civil Rights struggle and as a Jew myself, have listened to many stories from members of my family about prejudice but these stories, they uncover something. After seeing what happened in New Orleans with Katrina and listening to the empty discussions of "good schools", No Child Left Behind and test score mania, it opens your eyes to the fact that performance, optimism and opportunity are perceptions that, when absent, can ruin lives in ways that are hard to qualify.

I highly recommend these stories but be prepared to become deeply uncomfortable because Baldwin had a powerful case to make about American hypocrisy and he makes it.