Devil in a Blue Dress (Easy Rawlins Mysteries)
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Average customer review:Product Description
Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs....
Product Details
- Amazon Sales Rank: #19480 in Books
- Published on: 2002-09-17
- Original language: English
- Number of items: 1
- Binding: Paperback
- 272 pages
Features
- ISBN13: 9780743451796
- Condition: NEW
- Notes: Brand New from Publisher. No Remainder Mark.
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Editorial Reviews
Amazon.com Review
Walter Mosley's Easy Rawlins has few illusions about the world--at least not about the world of a young black veteran in the late 1940s in Southern California. His stint in the Army didn't do anything to dissuade him from his belief that justice doesn't come cheap, especially for men like him. "I thought there might be some justice for a black man if he had money to grease it," Easy says. Fired from his job on the line at an aircraft plant, he's in danger of losing his home, symbol of his tenuous hold on middle class status. That's a good enough reason to accept a white man's offer to pay him for finding a beautiful, mysterious Frenchwoman named Daphne Monet, last seen in the company of a well-known gangster. Easy's search takes the reader to an L.A. few writers have shown us before--the mean streets of South Central, the after-hours joints in dirty basement clubs, the cheap hotels and furnished rooms, the places people go when they don't want to be found. Evocative of a past time, and told in a style that's reminiscent of Hammet and Chandler, yet uniquely his own, Mosley's depiction of an inherently decent man in a violent world of intrigue and corruption rang up big sales when it was published in 1990 (although the movie version, with Denzel Washington as Easy, never found the audience it deserved). The minor characters are deftly and brilliantly developed, especially Mouse, who saves Easy's life even as he draws him deeper into the mystery of Daphne Monet. Like many of Mosley's characters, Mouse makes a return appearance in the succeeding Easy Rawlins mysteries, such as A Red Death, Black Betty, and White Butterfly, every one of which is as good as Devil in a Blue Dress, his first. --Jane Adams
From Publishers Weekly
This jaunty crime novel, set in L.A. in 1948, introduces Ezekiel "Easy" Rawlins, a recently laid-off mechanic who is young, black and--but for the need to meet the mortgage on his new house--a most reluctant sleuth. Easy hails originally from the tough Fifth Ward in Houston; he served his country, landing on the Normandy Beach. He knows racism firsthand and seeing too many white men in one day unnerves him. But a white businessman, Dewitt Albright, engages Easy to locate a beautiful French woman named Daphne Monet who has a "predilection for the company of negroes." She also has $30,000 of someone else's money. Easy becomes entangled in a chain of events that takes him to bar after bar to meet a range of characters, most of whom are seeking their own advantages in the pursuit of Daphne. With bodies piling up, there is no turning back for Easy, as he is dogged by brutish white cops and a few "brothers" none too friendly. The language is hard-boiled ("Somewhere between the foo young and the check I decided to cut my losses") and the portrait of black city life gritty and real. But the first-person narrative, which hurtles along with improbable transitions and sketchy psychological portraits, leaves the reader winded rather than exhilarated at the book's predictable conclusion. 25,000 first printing; $25,000 ad/promo; movie rights to Reuben Cannon ; Mysterious Book Club and QPB selections.
Copyright 1990 Reed Business Information, Inc.
From Library Journal
Ezekiel "Easy" Rawlins, a young, tough black veteran living in 1948 Los Angeles, only wants respect and enough money to pay his mortgage. When fired from his factory job, however, he undertakes some paid errands for a shady white mobster who wishes to locate a light-haired, blue-eyed beauty. As Easy plumbs his usual hangouts for clues, he relays information to the mobster, runs afoul of the police, meets the mysterious woman, discovers a murder, then investigates in self-defense. An unusually refreshing protagonist, slated for further adventure, talented prose, and evocative, realistic descriptions of speech, manners, and social life make this an exceptional and welcome addition.
Copyright 1990 Reed Business Information, Inc.
Customer Reviews
Mosley Makes a Solid Debut
There aren't many good African American mystery writers and there are even fewer black private eyes that you'd want to read about. Walter Mosley and Easy Rawlins, however, satisfy both of those criteria in solid fashion.
More than that, though, this is simply a good, fun read .
The setting is Los Angeles in the 1940s, probably the most fruitful noir time and place there is. During those boom years of post-war expansion, a man could make a good living and even buy a place of his own.
That's all that Easy Rawlins wants. When he's laid-off, though, he can't make his mortgage. He's going to lose his house and he'd rather do almost anything than that. He finds, though, that he has to do more than he bargained for.
When a mysterious white man offers him $100 to find a missing white woman, it seems simple enough. Nothing, of course, is ever as it seems. Rawlins quickly finds himself in trouble and there is no easy way out. It takes a hardness that he tries to hide for him to come out alive.
For a first novel, this book is very solid with a lot of personality. Mosley captures a people and culture that we don't get to read much about. Easy is a good, fresh character; one of the best new entries to the mystery scene in a while.
This book is recommended to everyone who enjoys a good hard-boiled mystery, especially fans of Raymond Chandler, Dashiel Hammett, and Ross Macdonald
Try Blue Dress On For Size
Easy Rawlins is not the typical private detective, but he is the freshest one to come around in a long time. Easy is an African American WWII veteran from Texas, now living in 1948 L.A. where he proudly owns a modest home. The home is all he has to be proud of since he got fired from his job at a defense plant. Life for Easy is not easy at all. Then one day, a white man dressed in a white suit offers Easy good money to locate a beautiful blonde known to hang out at black clubs. For a man with a mortgage and no money coming in, the offer is too good to be true. But then offers like this usually are.
The plot sounds typical, but Mosley's writing is anything but. Mosley paints a clear and atmospheric picture of racial segregation in post-war L.A., but that picture is not overexposed. Easy not only has to endure the dangers of finding this girl, he must do it in a hostile background where white policemen and higher-ups look for any type of crime that they might pin on him. The story of the transplanted man from the south living on the west coast is not unfamiliar, but making him a black man facing prejudice on every side makes the story more alive and the plot more tension-filled. Again, this is not done in a heavy-handed way, but with a subtle touch that makes you want to turn the pages.
Mosley is very much at home with the hard-boiled style of crime noir and it shows on every page. This is not a Hammett or Chandler re-hash. This is a fresh, lively, exciting mystery from a very fine writer. If you haven't experienced Mosley and Easy Rawlins, pick up the Blue Dress and try it on for size.
215 pages
A fine read told from the other side of the tracks
Walter Mosley's Devil In a Blue Dress is a fantastic mystery/crime drama set in Post World War II Los Angeles. The protagonist Easy Rawlins finds himself an unlikely but strong willed black detective sorting out a mystery-in-progress. The case begins as a simple `lost female' case but soon spins and develops into a multiple tiered story of blackmail and cover-up. The case begins to involve everyone from black bootleggers and gunmen to white mayoral candidates and prejudiced policemen. The beauty of the novel is its ability to put Easy in both situations of Black culture and White aristocracy. Both situations Easy runs headlong into, always managing to keep his pride intact. Like Chandler's Marlowe the story seems to evolve as characters fly in and out of Easy's life. But unlike Chandler, Mosley has accomplished the effect of creating truly perilous drama and action. There is a sense of immediacy and danger when Easy tells his story. Much of this feeling could be explained by the fact that Easy must battle not only for the truth, but also his right to grasp the truth as a black man. The novel works on a cultural critique level, making judgments and offering lessons on the hardships of American blacks and the importance of race in American culture.




