Track Listing

1. So What
2. Freddie Freeloader
3. Blue In Green
4. All Blues
5. Flamenco Sketches
6. Flamenco Sketches- alternate take

Product Details

• Amazon Sales Rank: #169555 in Music
• Brand: Sony
• Released on: 2005-02-08
• Number of discs: 1
• Format: Dual Disc
• Original language: English
• Dimensions: .26 pounds

Album Description
CD AUDIO SIDE: Entire Album

DVD SIDE: * Entire album in 5.1 Surround Sound and enhanced LPCM Stereo * 25-minute making-of documentary, Made In Heaven, featuring black-and-white film and stills, the voices of Miles Davis and Bill Evans, plus interviews and more. This disc is intended to play on standard DVD and CD players. May not play on a limited number of models.

Amazon.com
Who knew in 1959, when Miles Davis, John Coltrane, Cannonball Adderley, Bill Evans, Wynton Kelly, Paul Chambers, and Jimmy Cobb recorded a midtempo/ballad album built around scalar modes, that it would become the most popular jazz album of all time? Since its release, KOB's selections--the bluesy "So What," and "Freddie Freeloader," the waltz-like "All Blues," the dreamy "Blue in Green" and the Spanish tinged "Flamenco Sketches"--have become standards. The latest version of this classic LP is reissued in a new 2-sided DualDisc format, which includes an audio version, 5.1 multichannel surround sound, studio outtakes, and a photo gallery. It also includes "Made in Heaven: The Story of Kind of Blue," a documentary about the legendary recording, featuring a wide array of musicians and fans, from Ed Bradley of 60 Minutes and rapper Q-Tip, to Shirley Horn, and Cobb (sadly, KOB's last surviving musician). --Eugene Holley, Jr.

Customer Reviews

So what more can anyone want from an album?
KIND OF BLUE has been reissued so frequently that I fear something is amiss if a year goes by without a new and improved version popping up somewhere in the world. This 2005 edition provides an audiophile surround-sound option that is compatible with regular DVD players (unlike the SACD version which requires special hardware). On both 5.1 versions the sound is subtly widened while keeping the integrity of the original mix. As a bonus option there is a 25 minute video documentary about the album, featuring interviews with prominent musical artists from different generations and genres. All but the most knowledgeable Miles fans should find it to be an informative overview of arguably jazz's greatest album of all-time.

In the documentary drummer Jimmy Cobb -- the only surviving participant -- stated that he didn't understand why KIND OF BLUE stands out above any of Miles' many other outstanding albums. Perhaps it is because the user-friendly music satisfies the listener at whatever level they prefer. If you want to get emotively involved with the music, it leads you there. If you're a musician looking to pick apart the music, you'll discover a level of sophistication attained by very few. If you want to relax, the music is soothing on its surface. If you want to hear memorable improvisations, Miles and his sidemen lead the way by avoiding the use of cliched phrases. If you want to hear teamwork, the musicians know how to create together (when to play and when NOT to play). If you want something timeless, the music's freshness has no expiration date. Yet if you have a nostalgic twinge for the cool, acoustic jazz of the 1950s, this album will take you back in time.

Cover Hype Backlash
Only after plunking down $15, I discovered this package contains disappointingly duplicitous supplemental material.

I bought this issue for two reasons: photos and outtakes. The disc's tray and promo sticker copy clearly state the DVD side contains a "photo gallery" and a selection of "audio outtakes from the master sessions." Is that so? The DVD menu's single video link points only to a brief documentary tellingly titled, "Made In Heaven." The DVD audio selections point only to the music tracks. A quick examination of the disc in Windows Explorer yielded no folders containing any stills or audio files. Okay. So where are the promised audio outtakes and the photographs? Perhaps Columbia's idea of a "photo gallery" and a selection of "interviews" are those rare session snapshots and a few seconds culled from a 1979 Bill Evans radio interview which sparsely pepper the 25-minute "documentary." The film registers as a sadly over-produced pastiche of gassy, embarrassingly gushy interviews with famous talking heads who add little to what an attentive listener can gather from simply listening to the music. Each personality is on screen for only a few moments delivering some clever phrase one sound-bite at a time (Rapper Q-Tip: "They're the Justice League of jazz.") Columbia further aggravates this annoyingly post-MTV quick-cut pace by intercutting straight head shots with archly trick camera angles, I presume to keep the viewer's attention from drifting off or perhaps to distract the viewer from the sheer lack of valuable content. I don't care if Bill Cosby listened to "So What" every morning while he was in college. I don't' care that Shirley Horn has three copies of the album. I don't care to watch Herbie Hancock mug for the camera while sloppily fingering a passage from "All Blues." I don't care if Ed Bradley never scored to "Flamenco Sketches." What on earth does any of this pap have to do with the making of the record? Thinly interwoven throughout this wad of garbage are the "photo gallery" and the "audio outtakes": a few seconds of Miles mumbling in the studio under such heavy hiss you can't make out what he says, a snatch of Bill Evans saying he just "made up" the double trill on "All Blues," and Jimmy Cobb offering the only honest take on the whole package when he says he can't understand why the record gathered so much attention, and when he demonstrates the "floating" brush effect he developed on the spot. Add to this the handful of animated (yes, animated) session stills, and you have little more than a half-hour infomercial bent on selling you the disc. Please. I already paid for the programming. And like most of the Western world I was sold on this music long ago. This embarrassingly bad reissue only detracts from the recording's value and Columbia's credibility. Deliver what you promise or don't promise it. And don't package some of the greatest music ever improvised on record with one of the worst short films ever pressed into plastic.

Oh, by the way, a small text box containing very tiny print proclaims "The audio side of this disc does not conform to CD specifications and therefore not all DVD and CD players will play the audio side of the disc." Enjoy.

Excellent Music - Terrible Format - Don't Buy!
There is a reason this recording is the best selling jazz album of all time. The music is magical - I loved it when I was a teenager in the early 70's (despite being a "rock" fan), and it's still special 35 years later. I highly recommend getting the pure CD format.

This disc is not a pure CD - it is a special new format called DualDisc, with "CD Audio"* on one side, and DVD video content and 5.1 audio on the other side. Seems like a great idea, a great way to get people to buy CD's instead of downloading them. NOT! Notice that asterisk next to "CD Audio"? There is a warning on the outside of the disk that it does not comply with the strict CD-Audio format, and it may not play on some CD or DVD players. If that was the only problem with this disc I say fine - the risk is worth the possible reward.

But no. Despite the added content of the DualDisc format with various extras, the DualDisc format is treacherous, very treacherous. If you want to play this "CD" (DualDisc - CD side) on a computer, on a Windows machine it installs a small hidden piece of software on your machine altering the driver for your CD or DVD drive reducing the CD/DVD's functionality. I have not yet been able to reverse the damage this disc has done to my machine's software despite reading many posts about methods to do this. I never agreed to any software installation (I never would have), and yet my CD/DVD drives have lost the ability to do DMA. And to add insult to injury, the DualDisc - CD side will not play on my computer - I cannot even listen to it where I spend many hours a day. Outrageous. I've wasted so much time on this DualDisc that I haven't had the time to watch the DVD side content. Unbelievable that I paid for this abuse - this is the way the publisher Sony/BMG - Columbia treats a legitimate customer? I don't have enough words to describe my loathing for the purveyors of this current DualDisc product. This DualDisc seems to violate the first rule of customer relations - "treat your customers with respect."