Product Description

In the mid-1840s, a 13-year-old British cabin boy is cast ashore in the far north of Australia and taken in by aborigines. Sixteen years later, he moves back into the world of Europeans. "Wonderfully wise and moving . . . a dazzling fable of human hope and imperfection."--The New York Times.

Product Details

• Amazon Sales Rank: #38368 in Books
• Published on: 1994-10-04
• Released on: 1994-10-04
• Original language: English
• Number of items: 1
• Binding: Paperback
• 224 pages

From Publishers Weekly
A shipwrecked British cabin boy is raised by Australian Aborigines in this novel shortlisted for the Booker Prize.
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews
A quietly masterful tale from Australia's colonial past, depicting the savage and painful nuances of racism evoked when a white youth raised by aborigines returns to his own people: from award-winning novelist and poet Malouf (The Great World, 1991, etc.). When Gemmy Fairley encounters the children of Jock McIvor as they play on the fringe of their mid-19th-century settlement in the Outback, a chain of events is set in motion that changes all their lives. Gemmy, cast ashore as a child after a brutal life in the streets of London and at sea, joined the natives who found him, spending 16 years with them before seeking out other whites to find answers to questions about his origin still tormenting him. Adopted by McIvor's family, proud Scottish immigrants, he is accepted by them but not by the community, which views him with distrust as his otherness remains intact--and when native visitors are seen with him, fears of an attack turn the whites violently against him. Saved by Jock--who finds his own growing estrangement from his neighbors a disturbing development that he's powerless to change- -Gemmy is removed to more secure lodgings, but he wishes only to escape and vanishes soon after. Meanwhile, his presence among the McIvor children has proved a turning point for them, as they witness both Gemmy's innocence and the barbarity of others, and in the process the whole family becomes increasingly open to the subtle natural wonders of their new homeland. Delicate but relentless in its focus on the manifestations of racial intolerance, this is enhanced by a naturalist's keen eye for detail, bringing landscape and states of mind together in a probing, resonant vision of discovery and despair. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

Review
"A dazzling novel...The story has moments of such high intensity that they remain scorched in memory.  As the story moves forward to its conclusion, we go unwillingly with it, not wanting this book, with the wisdom it contains, to stop speaking to us." --The Toronto Star

"Remembering Babylon is another rare chance to read a work by one of the few contemporary novelists who examines our constantly battered humanity and again and again brings out its lingering beauty." --The Globe and Mail

"There are passages of aching beauty in Remembering Babylon, and passages of shocking degradation.  Mr. Malouf has written a wonderfully wise and moving novel, a novel that turns the history and mythic past of Australia into a dazzling fable of human hope and imperfection." --The New York Times





-- Review

Customer Reviews

Fear And Ignorance
Mr. David Malouf has the ability to take familiar topics, amend them, and create a new viewpoint, a valid book, and worthwhile reading experience. Fear generated by the unknown as perceived by ignorant or well-educated simpletons is not new. That these feelings are often expressed in terms of racial tension; hatred and violence are routine, not an exception, and anything but a novelty. In, "Remembering Babylon" the Author tells the tale in a manner new for me, and even though the behaviors of many involved were predictable, the new perspective and quality the Author brings to it made for very good reading.

As he has in previous works he sets the tale in Australia, and once again brings settlers from Europe, in this case Scotland. Mr. Malouf then takes a familiar human interaction, which is by definition tragic, and it is here he makes it his own. In terms of Race, Gemmy is as white as any of the settlers. He spent thirteen years in London, and then was washed upon the coast of Australia where he then lives amongst the Native Aborigines for sixteen years. As Gemmy has lived the better part of his life is the harsh sun he is no longer as light in complexion as the self-described white newcomers. Gemmy one day happens across the path of some children, and in fear of his safety announces he "is a British Object". The irony of this statement could be dwelt on for pages by itself.

There are many relationships a reader can explore in this story. I felt a key one was that between Gemmy and the Family headed by Jock that takes him in. Jock does so to please his wife, as Gemmy is not a person he would bring into his home with his Wife and Children. The reaction of the balance of the settlement ranges from degrees of fear, to desire to destroy the race that Gemmy has morphed into from the viewpoint of the duller of the participants. Gemmy at once becomes a trusted member of Jock's Family, and the focus for every evil fantasized, imagined, or counterfeited by others.

The storyline must be left for the book, however one experience shared by Jock and Gemmy is of note. Gemmy treated like the savage he is not, routinely stays several steps ahead of those who attempt to exploit him to gain knowledge of his tribe, and then extinguish them. Far from being intellectually inept, he combines the street smarts of the former London Urchin, with the practical knowledge of sixteen years of learning to live in harmony with the same land the settlers come to conquer. He becomes a harmless, productive and trustworthy part of Jock's Family if not the community.

Gemmy knows his own heart, and that of those he has come to live amongst. He is under no illusions as to how he is viewed, or how he sees the world. Jock goes through a major reassessment of what he thought he was, as events build around Gemmy. The Author explores in a thoughtful manner what our thoughts are made of, how they change, and whether it is we that change, or our views of others that change us.

The book is filled with smaller observations that are material for contemplation. The loneliness of settling a new land is a reality, but when the Author takes one player and has her ponder the thought of being the first dead to be buried here as well, and the loneliness of knowing no Family that has gone before, no one to join in the new resting place, is beyond poignant.

Another great piece of work from this Author.

You'll love this if you don't read it with a purpose..
I didn't read this for a class or an essay but I can see how it might have ruined it for me if I had to pick through it trying to find something tangible to say. That said, I found the trading of power (or at least the characters' perception of it) in this book most compelling. From one second to the next, as the characters in a scene come and go, or the shock of first appearances fade or linger, a feeling of control quickly becomes one of fear and distrust. It's a true Malouf masterpiece because he makes us think about the people in our own world today by letting us into a story in an otherwise distant time and place. It's a beautiful book, and reads to me- like most of Malouf's writing- like a pure stream in a dirty world.

Notes on Malouf's "Remembering Babylon"
I found the issues addressed in this novel compelling. Firstly, the title, 'Remembering Babylon' refers to Psalm 137 where Hebrew slaves in Babylon lament the loss of Zion, their homeland. The novel addresses exile in various forms: immagrants in exile, members of a small community in exile. How can these immigrants from Europe belong in a place which is not their own? The answer is provided in Gemmy Fairly. He is ostracised by the European settlers, but at the same time is not an aboriginal - he represents a meeting place between the two cultures as he hovers upon the fence in the opening confrontation with the three McIvor children. The answer he provides, is one of spirituality. Throughout the novel there are certain parallels: White understandings of power (eg authority through guns, and land ownership) versus aboriginal understandings (kinship and oneness with the land), White spirituality in Rev. Frazer versus the tribal land spirituality. This is not merely indigenous stereotyping as Germaine Greer suggests, but a suggestion as to how newcomers can learn to make the new land home. This is done not by 'recreating Zion in Babylon' and trying to recreate a little piece of Europe in this harsh environment, not through topsoil forever ruined by the trampling of hooved beasts, but by connecting spiritually with the land, and becoming one with it. This point is most strongly reinforced by Janet, the McIvor's eldest daughter, in two occasions. Firstly, when the initial connection is made, bees (native - European hybrid bees, through no accident) swarm majestically around her, attracted to her menstrual blood like honey, but leave her unharmed, leading to her involvement with the convent to study bees. Secondly, in the last pages of the novel, as she watches the night fall and the tide rise, the concluding spiritual connection with the land is made. This is the point where exile becomes home. note: This short ditty was written in preperation for an exam, and thus have failed to include relavant references from Suvendrini Perera, Susan Wyndham, Germaine Greer and Joan Maxwell. sorry.