Product Description

In 1954, in the cookhouse of a logging and sawmill settlement in northern New Hampshire, an anxious twelve-year-old boy mistakes the local constable’s girlfriend for a bear. Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.

In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.

What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”

Product Details

• Amazon Sales Rank: #80 in Books
• Published on: 2009-10-27
• Released on: 2009-10-27
• Format: Deckle Edge
• Number of items: 1
• Binding: Hardcover
• 576 pages

Features

• ISBN13: 9781400063840
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Amazon.com Review
Amazon Best of the Month, October 2009: A long, delicious trip to the land of Irving is hands-down the best way to begin the month of October. A trio of tragic events (though the prize for most hell-shocking goes to the third) exiles widower and camp cook Dominic Baciagalupo and his son Danny from a mid-century logging outpost called Twisted River. They leave behind the Bunyan-esque lumberjack Ketchum--a gruff, eccentric, dyed-in-the-wool Yankee--who remains their sole connection to the past. What's next neither father nor son knows: their rootless existence moves swiftly in and out of New England, tied ostensibly to jobs for Dominic and schools for Danny, but it seems one foot is always back in those New Hampshire woods. Theirs is a restless, richly observed journey, crowned by a reckoning no one could predict. Few writers can match John Irving's knack for denouement, and in Last Night in Twisted River, his extraordinary ending is made all the more powerful by a story that feasts on language, life, and love. --Anne Bartholomew

From Publishers Weekly
Irving (The World According to Garp) returns with a scattershot novel, the overriding themes, locations and sensibilities of which will probably neither surprise longtime fans nor win over the uninitiated. Dominic Cookie Baciagalupo and his son, Danny, work the kitchen of a New Hampshire logging camp overlooking the Twisted River, whose currents claimed both Danny's mother and, as the novel opens, mysterious newcomer Angel Pope. Following an Irvingesque appearance of bears, Cookie and Danny's world of accidents expands, precipitating a series of adventures both literary and culinary. The ensuing 50-year slog follows the Baciagalupos from a Boston Italian restaurant to an Iowa City Chinese joint and finally a Toronto French cafe, while dovetailing clumsily with Danny's career as the distinctly Irving-like writer Danny Angel. The story's vicariousness is exacerbated by frequent changes of scene, self-conscious injections of how writers must detach themselves and a cast of invariably flat characters. With conflict this meandering and characters this limp, reflexive gestures come off like nostalgia and are bound to leave readers wishing Irving had detached himself even more. (Oct.)
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About the Author
John Irving published his first novel, Setting Free the Bears, in 1968. He has been nominated for a National Book Award three times–winning once, in 1980, for the novel The World According to Garp. He also received an O. Henry Award, in 1981, for the short story “Interior Space.” In 1992, Mr. Irving was inducted into the National Wrestling Hall of Fame in Stillwater, Oklahoma. In 2000, he won the Oscar for Best Adapted Screenplay for The Cider House Rules–a film with seven Academy Award nominations. In 2001, he was elected to the American Academy of Arts and Letters. Last Night in Twisted River is John Irving’s twelfth novel.

Customer Reviews

Welcome Back, John Irving!
After a three novel fixation on sex both domestic and abroad, John Irving makes a triumphant return to the literary landscape of The World According to Garp (Modern Library) in his twelfth novel, "Last Night in Twisted River". Father Dominic Baciagalupo, a cook for a logging community, and his son Daniel are co-protagonists in a story about manhood, family, love, friendship, a whole lot of cooking, and of course sex (though the sexual exploits of the characters don't overwhelm the story). At first it's the world of logging that pulls you into the story, much as the waters of Twisted River pull young logger Angel Pope into an early death in the novel's first sentence.

The first section of the book, set in the 1950s in the far north of New Hampshire, is absolutely captivating. As with Irving's early novels, a bear plays an important and almost mythical role. The middle section follows Dominic and now writer Danny in an odyssey brought about by their last night in Twisted River, the events of which cause them to vacate the logging town. Unrepentant logger Ketchum, who remains in the woods, plays a significant role in both lives, despite trying to keep his distance. Like TS Garp, Danny becomes a novelist. In the last half of the book the writer struggles with the tragedies of his life - both accidental ("it's a world of accidents", warns his father) and arranged (despite the best efforts of the ever-vigilant Ketchum) - and with crafting novels, striking a balance between the autobiographical and the imagination. Again, the result sweeps you along in its current.

It's not quite a perfect novel - the middle section is a bit choppy as Irving moves back and forth in time in the lives of both Dominic and Danny, but the beginning and last third are so good that you'll forgive any minor structural flaws. As a benefit, you'll also pick up a few Italian cooking recipes along the way and perhaps embark on a search for the perfect pizza.

In my review of Abraham Verghese's Cutting for Stone: A novel, I stated that the protege had outwritten the master. With "Last Night in Twisted River", the master has come back strong.

If novels like "The Fourth Hand" and "Until I Find You" put you off of Irving, come back for "Twisted River". You'll be glad you did.

John Irving in Top Form
True fans of John Irving will applaud this victory lap as the one-time wunderkind of contemporary literature comfortably enfolds himself in the mantle of elder statesman, having fun with his fans and critics along the way. Longtime Irving followers will enjoy seeing how he echoes past themes and trajectory of his own career in telling the story of Daniel Baciagalupo, aka Danny Angel, a novelist who scoffs at the media obsession with sorting the autobiographical elements of his fiction from that parts "that were `merely' made up." But yes, here's a fictional character who had much the same academic career as Irving (wrestling, prep school, university, Iowa Writer's Workshop, teaching venue), achieved bestsellerdom and prosperity with his fourth novel, tackled explosive political issues like abortion in his subsequent novels, got involved in movies, lived part-time in Canada, and so on. Part of the fun for fans is seeing how he departs from these familiar elements of his career and his fiction. The ominous "undertoad" from The World According to Garp is recast here as a blue Mustang automobile. The bears that figured so prominently in early Irving novels are waiting in the wings here, but left waiting as offstage characters only. Onstage, however, the key character of Injun Jane is cast in a scene that brought to mind one with Susie the Bear from The Hotel New Hampshire, although here the consequences kick the novel into high gear. The novel unfolds more deliberately than fans of earlier works may remember or prefer, dangling meaty morsels of plot but then diverting and eventually circling back later to fill in the blanks. The slower pace adds to the richness of the experience, though, and Irving's trademark vivid characters, earthy dialog, and baroque plot twists do not disappoint. And the book has a gorgeous structure, with an end that leads right back to the beginning. With Last Night in Twisted River, John Irving's work has mellowed and ripened from a major vintage to a classic one, something to be savored.

Too Much of the Same
Some John Irving books I have loved and immediately devoured, and others I haven't been able to get past page 50 on...so as much as I look forward to a new Irving novel, I'm never sure which type it will be. With "Last Night in Twisted River" I took a deep breath and dove in...and I made it half-way before I started skimming; it's just too much of the same old thing.

The main characters are father and son, Dominic and Danny Baciagalupo, who begin in a logging camp (Dominic is the cook) and flee to Boston when "something bad happens". If you've read John Irving before, you know that the "something bads" that he details (and I mean DETAILS) are never run-of-the-mill accidents or incidents. His plot lines are full of freak-of-nature occurrences and amazing coincidences. Irving actually self-parodies in this novel regularly, as he described Danny's burgeoning writing career. As an example he (as the omniscient narrator) states: "...in any novel written with a reasonable amount of forethought, there were no coincidences." Again making fun of himself he writes: "...extreme details were mere indulgences the more mature writer would one day outgrow." Ha.

Present here, as with all Irving novels, you have several thoroughly researched and detailed accounts of setting and industry, such as the descriptions of the logging process in the 1950s, the workings of a logging camp, pizza making....

Also ever-present are some familiar Irving symbols such as the severed limbs, bears, older women sexually initiating boys too young, abortion, freak accidents, shallow women characters.

As in many of Irving's novels, there are clear autobiographical comparisons between Irving himself and the character of Danny, such as Exeter Academy, avoiding conscription to Vietnam due to marriage and child, and Danny having Kurt Vonnegut as a mentor as Irving himself did. Best not to read TOO much as autobiographical, though, since Danny's novels are also deceptive in that way.

Die hard Irving fans will not be disappointed, but I was looking for a little something different.