Product Description

In Fellini's quirky, imaginative fable, a motley crew of European aristocrats (and a lovesick rhinoceros!) board a luxurious ocean liner on the eve of World War I to scatter the ashes of a beloved diva. Fabricated entirely in Rome's famed Cinecittà studios, And the Ship Sails On (E la nave va) reaches spectacular new visual heights with its stylized re-creation of a decadent bygone era. Criterion is proud to present this rarely-seen gem in an exclusive widescreen transfer with new English subtitles.

Product Details

• Amazon Sales Rank: #9529 in DVD
• Brand: Image Entertainment
• Released on: 1999-09-14
• Rating: PG (Parental Guidance Suggested)
• Aspect ratio: 1.85:1
• Formats: Color, DVD, Letterboxed, Subtitled, Widescreen, NTSC
• Original language: Italian
• Subtitled in: English
• Number of discs: 1
• Running time: 127 minutes

Amazon.com
Federico Fellini's 1984 And the Ship Sails On is one of the late master's most fanciful projects, while simultaneously striking one of the most somber notes in the director's filmography. The year is 1914, the eve of World War I and the coming destruction of Europe's old, cultured aristocracy, an elite class mourned in many a film from Renoir's The Grand Illusion to Truffaut's The Green Room. A luxury liner sets sail from Italy, full of artists, a royal entourage, and one rhinoceros. The point of the voyage is to scatter the ashes of a world-famous diva, but the exotic passengers--blithely unaware of the imminent conflict--have many, more private intrigues going on behind closed doors. Still, it is the self-containment and formality of these travelers, at once absurd and moving, that sticks with the viewer: the way the many singers, musicians, and conductors (and one plump archduke) seem aware, in public, of embodying a privileged history. Fellini films all the action aboard an impressively lush and blatantly artificial set, with a painted sky, paper moon, and cellophane sea, all underscoring the dreamy, precious nature of this adventure. The camera itself becomes a kind of character via a determined journalist (Freddie Jones) who speaks to us directly, drawing the film into vaguely obscene disruptions of an otherwise serene formalism. --Tom Keogh

Customer Reviews

Europe as a fantasmagoric ship of fools. Fellini's best.
To my mind, "And the ship sails on" is maybe Fellini's best movie.

The story is delightful, fantasmagoric allegory about the last days of Grand Old Europe, when the "old order" with its nobility and social hierarchy blows up in smoke, in 1914, with the events that lead to WWI.

Fellini, though, is not interested in real events and precise history. He is a fable teller, portraying old Europe, to a grand ocean liner, set on a ceremonial voyage, to scatter the ashes of a famous opera diva, who had recently died. Upon the ship are all the rich and famous of Europe's nobility, as well as all the top musicians and opera singer-stars who joined in for the ride. Stacked in the lower compartments are the poor and the hungry, fleeing refugees brought on board as an act of compassion, that form the powder keg that will ignite the inevitable final explosion .

It is impossible to describe the kaleidoscopic scenes that occur between the passangers as the ship sails on. Imbued with fantastic portrayals of musical rivalry, political intrigue, lascivious affairs, and a pervasive sense of magic tinged with irony- the entire voyage, with its lavish scenery, turns into a tragi-comic, dream-like happening, where the spectator is tickled as much as emotionally moved. Only Fellini the master could conjure such a dazzling, symbolic and unbelievably lovely spectacle of a human folly of an era.

A lot of fun and a classic must.

Underrated Fellini film is a dazzler by all means
The problem with people who've watched past Fellini films expect the same cinematic effect from his later ones. There's a certain magic that exists in the first few Fellini films you've watched. He makes you create movies in your own mind through a flowing series of fantastic images. Fellini's films don't really say too much in contrast to Bergman or Bunuel or even his pupil Wertmuller save for his constant jabs with the aristocracy and organized religion. Most of his films are made to serve the purpose of essential cinema. One just has to watch and enjoy the scenery like does a painter's obra maestra. And that is where his genius in artistry lies. He's not like other colleagues of his who are burdened with social responsibility to weave images out of their moral consciousness. Such is the case of And The Ship Sails On. This is one movie that dazzles both the eye and ear. Sit back and relax and let yourself be glided through this experience in Felliniesque phantasmagoria. True enough, the Criterion version does not offer extras which may make one think twice about the price of the disk. But then, a Fellini DVD is worth more than a lot of others of the same price range. Enjoy!

Saying Farewell to Edmea Tetua.
Director Federico Fellini was undoubtedly a film maker genius!
Since his earlier works "La Strada" (1954) and "La Dolce Vita" (1960) thru "Fellini Satyricon" (1969) and "Amarcord" (1973) till his lasts "Ginger and Fred" (1986) and "The Voice of the Moon" (1990) he has left a legacy treasure for film lovers and film makers.
Most of his films combine fantasy and reality in a rich mixture with no fixed boundaries. The viewer will be attracted and repelled alternatively and at the end of each of his movies will go out of the theater (or the bedroom or living-room) knowing that he/she has assisted to a unique piece of art show.

"E la Nave Va" (And the Ship Sails On 1983) is not an ordinary film to see.
Fellini delivers once more a strange mix of beautiful images and weird cinematographic proposal.

The anecdote in itself follows a heterogeneous bunch of opera-related people that goes aboard a huge transatlantic ship to fulfill the last will of a diva: to have her cinders scattered in front of her native Mediterranean island.
Fellini confronts the viewer with a series of scenes sketching the intimacies of the passengers. They reflect all the human arc of attitudes and emotions: competitiveness, jealousies, spleen, love or altruism enacted by a quasi caricatures and stereotypes.
There are many clues and veiled hints displayed so the audience may interpret them as best as it suits each person.

The cinematography in charge of Giuseppe Rotunno is again a major contribution. This is not a coincidence; Rotunno has been awarded with the Silver Ribbon 7 times by the Italian National Syndicate of Film Journalists between 1960 and 1988. For this film he earned one of his three David de Donatllo Award to best cinematography. Amongst his best efforts, aside from the present one, we may mention "On the Beach" (1959), "Il Gattopardo" (The Leopard 1963), "Satyricon" (1969) and "All That Jazz" (1979).

This is a film to see more than once (as I did) and you will be able to discover more and more significances.
Reviewed by Max Yofre.