Product Description

In Landscape with Human Figure, his fourth and most compelling collection of poetry, Rafael Campo confirms his status as one of America’s most important poets. Like his predecessor William Carlos Williams, who was also a physician, Campo plumbs the depths of our capacity for empathy. Campo writes stunning, candid poems from outside the academy, poems that arise with equal beauty from a bleak Boston tenement or a moonlit Spanish plaza, poems that remain unafraid to explore and to celebrate his identity as a doctor and Cuban American gay man. Yet no matter what their unexpected and inspired sources, Campo’s poems insistently remind us of the necessity of poetry itself in our increasingly fractured society; his writing brings us together—just as did the incantations of humankind’s earliest healers—into the warm circle of community and connectedness. In this heart-wrenching, haunting, and ultimately humane work, Rafael Campo has painted as if in blood and breath a gorgeously complex world, in which every one of us can be found.

Product Details

• Amazon Sales Rank: #153466 in Books
• Published on: 2002-01
• Number of items: 1
• Binding: Paperback
• 88 pages

From Publishers Weekly
A modern-day poet/M.D. teaching and practicing general internal medicine at Harvard Medical School and Beth Israel Deaconess Medical Center in Boston, Campo writes restless, worldly narrative poems, often rhyming, that take and unapologetically engage the world as it presents itself: "Your back,/ As you leaned over glucose forming bonds/ With oxygen, was broad and strong; your leg/ Was pressing into mine, while all around the college seemed too temporal to beg// the question any longer. Tenting out/ My jeans, my surging, rock-hard cock propelled/ me to your dorm," he writes of his underground self. Campo has garnered a Lambda Literary Award for Diva (1999), which was also an NBCC finalist. When his insouciant, call-them-as-I-seem-them descriptions work, in this fourth collection, they are luminous, addressing the ravages of AIDS, particularly, with care and respect. In "Phone Messages on Call," for instance, each of five sections begins with a shorthand-like phone message such as "Pls call soon. Diarrhea x 2d. PS I have SIDA (AIDS)"; the poems that follow are narrative rhyming couplets that describe the returned call. "Undetectable," a lyric about two lovers, both with AIDS, embeds haunting lyricism in lines such as "Neuropathy,/ lymphoma, rectal warts, plus viral loads/ consistently above 300K." The rhymes and near-rhymes in both poems seem essential. Less vital-seeming are the poems set in Cuba and elsewhere, where the speaker remarks on various devastations, but leaves unchanged. Yet Campo's virtuosity and willingness to put the world in the poems gives this uneven book a real groundedness and depth. (Feb.)Forecast: Campo has appeared on National Public Radio and published poems in the Nation and New York Times Magazine, among other prominent venues. Look for an author tour, a fair number of reviews and short magazine profiles, driven by the medical angle, to push sales.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Poems in physician-poet Campo's fourth collection (after Diva, a National Book Critics Circle nominee) show how hard it is to sustain a complex, healthy identity, a process ("this act of definition") threatened by inward and outward obstacles imperfections of bodies and mind, excesses of "our flawed humanity borders nature never made." Campo's candid, meditative poetry bears witness ("I want to be/ A witness once again") to "the enormity/ of yearning and of disbelief" in those who live with illness. A Cuban American gay man in "unending exile" (he practices medicine in Boston), Campo writes compelling poems about patients in the ER, probing relationships between doctor and patient, between a patient's case "history" and the cultural mainstream, between an immigrant family and aspirations to study medicine, between sexuality and the restraint of lovers. Not unlike Chekhov, another physician-author, the steady-eyed Campo comes to terms with the darkest of human problems ("the muffled screams/ along a hallway to the absolute") by fusing empathy and clinical accuracy. Strengthened by his hands-on knowledge of healing and suffering and kept gentle by bearing his burdens with grace, Campo asserts that, despite "the harrowed world we are together, we are here to stay." For most poetry collections. Frank Allen, Northampton Community Coll., Tannersville, PA
Copyright 2001 Reed Business Information, Inc.

From Booklist
In The Poetry of Healing (1997), Harvard physician Campo disclosed how writing formal poetry helps him heal the fissures of compound identity as a Cuban, Catholic, gay man as well as a doctor. His actual poems record that healing, better than ever before in this, his fourth collection. Writing in regular meters and rhyme frees the person in the doctor, so greatly that Campo can report on the one hand wanting to give his patients joy as well as prescriptions and on the other that a demented AIDS patient so annoyed him that he wished "he would hurry up and die"--and then the man fervently kissed his hand. He writes candidly and with pictorial clarity and color about love won, matured, alienated, and lost; powerfully about the burden of dark skin in a white society, especially in the sonnet sequence "Afraid of the Dark"; and with satiric bite and rueful sympathy about his people and motherland in "Cuban Canticle in Five Parts." The physician can heal his readers as well as himself. Ray Olson
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