Sprezzatura is defined by the authors of this book as “the art of effortless mastery,” and as something that no one has demonstrated quite like the Italians. Fifty fact-filled and entertaining essays comprise this collection celebrating Italian contributions to the world. Subjects include well-known Italians such as Leonardo da Vinci, Michelangelo, Dante, Machiavelli, Columbus, and Palladio, and also some lesser known Italian feats including the establishment of the world’s first university in Bologna, the first medical school in Salerno, and the inventions of both the piano and violin. Catherine de'Medici, the godmother of French cuisine, and Cesare Beccaria, the founder of modern penology, are also featured. Sprezzatura is wonderfully informative, a pleasure to read, and the perfect gift for any Italian.

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Product Description

A witty, erudite celebration of fifty great Italian cultural achievements that have significantly influenced Western civilization from the authors of What Are the Seven Wonders of the World?

“Sprezzatura,” or the art of effortless mastery, was coined in 1528 by Baldassare Castiglione in The Book of the Courtier. No one has demonstrated effortless mastery throughout history quite like the Italians. From the Roman calendar and the creator of the modern orchestra (Claudio Monteverdi) to the beginnings of ballet and the creator of modern political science (Niccolò Machiavelli), Sprezzatura highlights fifty great Italian cultural achievements in a series of fifty information-packed essays in chronological order.

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Product Details

• Amazon Sales Rank: #147453 in Books
• Published on: 2001-10-02
• Released on: 2001-10-02
• Original language: English
• Number of items: 1
• Binding: Paperback
• 416 pages

Amazon.com Review
"Everyone knows the difficulty of things that are exquisite and well done," the Renaissance philosopher Baldassare Castiglione once remarked. "So to have facility in such things gives rise to the greatest wonder." Italians call that artful facility sprezzatura, a term, Peter d'Epiro and Mary Desmond Pinkowish maintain, that well describes the nation's genius.

They have reason to celebrate: Italy, after all, has exerted an influence in world affairs and culture all out of proportion to its size and population, and has done so for hundreds of years. Among the authors' subjects are the navigators Christopher Columbus, Amerigo Vespucci, and Giovanni Verrazano, whose transoceanic voyages changed the course of world history; Andrea Palladio, the architect whose theories have guided designers and builders to the present day; Claudio Monteverdi, whom the authors call "the father of modern music," who gave the world not only fine operas but also the modern orchestra; Enzo Ferrari, the great automaker; Roberto Rossellini, the often overlooked pioneer of New Wave cinema; and the anonymous Roman engineers who built aqueducts, sewers, and roads that still stand today.

Though short on interpretation (d'Epiro and Pinkowish offer little insight into why Italy should have produced such an abundance of inventive, often daring men--and women, though only a few figure in their pages), this anecdotal collection of biographical sketches is a pleasing entertainment for admirers of all things Italian. --Gregory McNamee

From Publishers Weekly
In the early 16th century, Count Baldassare Castiglione penned his famous Book of the Courtier, synthesizing the ideals of the medieval courtly gentleman with the new "Renaissance man." Above all, the courtier should exhibit the qualities of grace and sprezzatura, which D'Epiro and Pinkowish accurately describe as "an assumed air of doing difficult things with an effortless mastery and an air of nonchalance." In 50 bite-sized chapters that are as delicious as they are short, D'Epiro and Pinkowish (What Are the Seven Wonders of the World?) take readers through a whirlwind tour of 25 centuries of culture and history on the Italian peninsula. From the calendar and Roman law to the Montessori method and Enrico Fermi, readers can delight in the defeats and accomplishments of a most varied group of men and women. Most books extolling the Italians conveniently delete the dark side of Italian history; this one honestly leaves in many of the more brutal details. The writing is engaging, and the authors' lively and descriptive style almost compensates for a lack of illustrations. One of the book's great merits is that it will surely stimulate readers to return to their Ovid, Livy, Dante and Boccaccio; in addition, one can gain greater appreciation for such masterpieces as Rossellini's Rome, Open City and Giuseppe Di Lampedusa's The Leopard. Although the authors only hint at it, sprezzatura is anything but effortless: mastery of any skill requires more perspiration than inspiration. Or, as D'Epiro and Pinkowish point out, the "social mask," or the "disjunction between appearance and reality," is "the very patina of civilization."

Copyright 2001 Cahners Business Information, Inc.

From Booklist
D'Epiro and Pinkowish demonstrate how Italians have influenced the ways the modern world thinks, acts, dresses, and communicates. In Sprezzatura (an Italian word meaning the appearance of effortless ability), assisted by a few other contributors, they offer some 50 essays on persons and concepts in fields of endeavor that include law, architecture, music, art, fashion, electricity, radio technology, and literature. Many expected actors appear on this stage: Julius Caesar, Dante, Michelangelo, Leonardo da Vinci, Marconi, Fermi, Ferrari, and Armani. Other fascinating pieces limn people and events less known to nonspecialist audiences--Garibaldi and the risorgimento; the poet D'Annunzio, who took over a small city in 1919 and ruled as its prince for 16 months; Aretino, the critically acclaimed early pornographer; and Catherine de' Medici, one of the first gourmets, who introduced fine cuisine to sixteenth-century France. A learned and entertaining survey of world culture, Italian style. Michael Spinella
Copyright © American Library Association. All rights reserved

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Customer Reviews

A remarkable achievement
Sprezzatura is a remarkable achievement. D'Epiro's and Pinkowish's tour of two thousand years of Italian history demonstrates the same "effortless mastery" they chronicle in the fascinating men and women who people their book.

The 50 essays are well chosen and cover the whole gamut of Italian genius - in art, in music, in science, in politics, in fashion...you name it. It's an excellent overview of Italy's contributions to world civilization that touches all the main bases. At the same time, it's a collection of self-contained essays, each a pleasure to read and each chock full of unexpected facts and anecdotes - the texture of history, or what I believe Ezra Pound called the "luminous detail."

Bottom line: Sprezzatura is learned and well-written - never dull or pedantic. Sure, the essays aren't all of the same quality. Some are merely very good, while most are superb. For anyone who knows Italy - its people and its history - Sprezzatura is a must. I've lived there, I've studied there, and I love this book. For anyone who doesn't know Italy but wants to, Sprezzatura is a must too. I can think of no better introduction.

Excellent brief summary of 50 interesting individuals
Exactly the type of book I was looking for: 50 short articles on interesting italians down through history. Each article is 6-7 pages, just enough depth to be interesting without so much detail as to become boring. Lots of different topics like art, architecture, politics, science, and religion. Plus a very fast, light, easy to read writing style. Just the right length to read one article on my lunch break. If I could make one change, I would have paid extra for the addition of some photos and illustrations. Lots of the people covered in the book were painters, sculptors, builders, etc. and as they say 'a picture is worth a thousand words'. Bottom-line: definitely worth the money and the time spent reading.

50 Ways To Learn Your History!
Right away with this book, in chapter one, you know that you are in for a treat. Regarding the Roman calendar, the authors write: "In those days, (circa 700 B.C.) January and February didn't yet exist- at least in the calendar- since Roman farmers didn't have much fieldwork to do in that dead part of the year after the last crops had been harvested and stored. After a two month hiatus, the new year began in March with preparation of the ground for the next season's crop."Did you already know that? Then try this one from the chapter on Julius Caesar: "When he saw Brutus draw his dagger, Caesar covered his head with his purple toga and fell to the floor. 'Kai su teknon,' he said in Greek ('You, too, my child- and not Shakespeare's Latin 'Et tu, Brute?') before being stabbed in the groin by the man whose mother, Servilia, had been his favorite mistress. The dictator died at the base of Pompey's statue, bleeding from twenty-three wounds. Cicero wrote that he had 'feasted his eyes on the just death of a tyrant.'""Kai su teknon".....now that is something I never knew!!I think the above excerpts give you a pretty accurate feel for how the book is written. It is broken up into 50 chapters, each approximately 7 pages or so. You may not be interested in every single chapter, but I only found my mind wandering in 1 or 2. If you're a fairly well-read person you may already be familiar with some of the material, but I guarantee you'll still learn a lot from this book. The authors have done a great job of bringing together a lot of material on very different subjects and turning it into something coherent. And in just 7 pages per topic they have managed to present the essence of something without "dumbing it down". Not an easy thing to do!Let me finish this review by giving you, fittingly, the final paragraph from the wonderful chapter on Michelangelo: "In one of his poems he describes himself as broken in body from his labors and cooped up in his tiny dark house with its thousand spiders and cobwebs and human excrement just outside the entrance. He wonders just what good it has done him to have created so many 'puppets' with his art, which has now left him 'so poor and old, a slave to others' whims,/ that if I die not soon I am undone.'"