Product Description

Movie DVD

Product Details

• Amazon Sales Rank: #4676 in DVD
• Brand: SONY PICTURES HOME ENT
• Released on: 2001-11-20
• Rating: R (Restricted)
• Aspect ratio: 2.35:1
• Formats: Anamorphic, Closed-captioned, Color, Dolby, DTS Surround Sound, Dubbed, DVD, Full Screen, Subtitled, Widescreen, NTSC
• Original language: English
• Subtitled in: English, Spanish, French, Portuguese, Georgian, Chinese, Thai
• Dubbed in: French, Portuguese, Spanish
• Number of discs: 1
• Running time: 110 minutes

Amazon.com
A collective vanity piece for the so-called Brat Pack of the 1980s, this coming-of-age movie--written and directed by Joel Schumacher (A Time to Kill)--is a largely unbelievable ensemble piece about college grads having trouble getting a lift-off into adulthood. As in John Hughes's Breakfast Club--which has a lot of casting overlap with this film--each actor plays a rather narrow type with problems common to his or her classification. Some (as with Rob Lowe's seemingly doomstruck character) are more absurd than others. But absurdity isn't the issue in this movie; a general sense of indulgence is. Schumacher not only presumes an undeserved mystique about this cast, but he also exploits it and comes up empty. --Tom Keogh

Customer Reviews

One of the reasons the 80s was...the 80s.
A forerunner to Friends and a Brat Pack movie with the most...Brat Packers, St. Elmo's Fire was a romantic comedy that bowed out to theatres in 1985. Seven of the eight stars were in the enviable "Brat Pack" group, young and precocious actors and actresses that were considered the best of the best of their generation. While St. Elmo's Fire is often considered a mellow and almost overblown teen romcom by the starchiest of critics, it's a favorite of many 1980s film lovers.

Summary in 13 words:

Seven college graduates try and struggle with real life, some succeed, some don't.

DVD Details
2.35 Anamorphic Widescreen
5.1 Dolby Digital Surround (English),
2.0 Dolby Surround (Director's Commentary)
English, French, Spanish, Portuguese, Chinese, Thai, Korean Subtitles
Release Date: 1999
Single-Sided Single-Layered Disc
Suggested Retail Price: $14.99
Black Amaray Keepcase

Video and Audio

The video is remarkably clean. The film was issued in the early years of DVD, when most transfers looked more like cable TV quality, but the video here is exceptional. Presented in its original widescreen is always a good thing, and the print quality is great. The colors are vibrant and accurate, and there's little to no grain or dust. One minor complaint would be the main titles, in its unsettling red font, but other than that, the video is great.

Audio is offered in English, but the subtitles are in so many languages that if you wanted, you could learn Chinese by reading the film enough times. It's pretty balanced in terms of dialogue vs. background noise/music.

Bonus Features

A commentary by Joel Schumacher is one of the many audio tracks given on this disc. He does a pretty good job talking about making the movie, including various tidbits about the actors and the story (which he wrote). The guy's pretty good with a microphone. If only he could have done a commentary for his film The Phantom of the Opera in 2004.

A faded and dirt-filled 8-minute EPK about the making of the film is also presented, made at the time the film came out. It has quick interviews with the cast and director, with a narrator talking during much of the behind the scenes footage. Is it an exhaustive documentary? No. Is it a useless 8 minutes of your life taken away? No. It's pretty rewatchable, though a longer more substantial featurette would be welcoming.

"Man in Motion" is the music video that uses the St. Elmo's Fire theme with lyrics. It's got a real 80s look to it, and features most of the cast as well as video clips from the film.

There are four trailers: St. Elmo's Fire, About Last Night, Groundhog Day, and Jerry Maguire. The trailers for St. Elmo's Fire and About Last Night are not the best video-quality-wise, while Jerry Maguire is not the best movie-quality-wise. Groundhog Day is okay for what it is.

There are also cast/director biographies and filmographies up until 2000.

Closing Thoughts

Perhaps the second best brat pack movie of the 80s (The Breakfast Club, of course, is THE best), St. Elmo's Fire is a wonderful "coming-of-age...now what?" kind of film that is best enjoyed in the company of your closest friends.

my all-time favorite
Well, let the critics say what they may. I love this movie. I think it's fabulous.

Quite honestly, I've lost track of the number of times I've seen it; I've worn out two videotapes of it, and am making good headway on my third copy.

And why do I love it? I think the messages in it--about love and loyalty, friendship and betrayal, growing up and growing apart--can be applied to every stage of life. The first time I saw it, I was six years old; it was a "Tuesday Night at the Movies" movie...somehow, it related to my life. Fourteen years later, as a junior in college, it still makes sense. I firmly believe that it still will, years down the line. The actors are fabulous, too.

Good for 80's nostalgia---but not much else
St. Elmo's Fire is a coming-of-age movie that will have a certain nostalgic appeal to anyone who was a teenager or a 20-something in the mid-1980s. It will be of limited interest to anyone else, unless you are excessively interested in the pop culture of that era.

The main characters of St. Elmo's Fire are seven recent college graduates who are beginning their professional lives. As other reviewers have noted, these people aren't credible as an ensemble of friends---nor are they particularly believable on their own merits. Somewhere in this mess is a story about the transition from adolescence to adulthood; but the inconsistent characters and disjointed plotlines distract the viewer from the larger themes.

To cite just one example: Emilio Estevez's character, Kirby, develops a severe infatuation with an older woman. He acts out his obsession in ways that would disturb anyone, even threatening the woman's roommate at one point. But the woman who is the object of his desires seems to regard these antics as vaguely cute. People were not quite as sensitive about stalking and sexual harassment in the 1980s as they are today; but this behavior would have been over the top even then. No woman would have tolerated this, much less found it endearing.

Demi Moore's character, Jules, is a compulsive liar who becomes addicted to cocaine. No adequate explanation is ever given for her behavior. Throughout the movie, she moves from one unexplained crisis to the next. Nor does the partial resolution of her conflicts at the end of the movie make any sense.

I watched this DVD with high expectations. I was a teenager in 1985; and I remember that this movie was heavily hyped at the time. But after spending 108 minutes on St. Elmo's Fire, I could not help thinking that I might have gone another 22 years without this experience---- and been no worse off.