Track Listing

1. I'm Going Down the River
2. 61 Highway
3. Wished I Was in Heaven Sitting Down [#]
4. When the Train Comes Along [#] - Rose Hemphill, Mississippi Fred McDowell
5. Shake 'Em on Down [#] - Rose Hemphill, Mississippi Fred McDowell
6. Worried Mind [#] - Rose Hemphill, Mississippi Fred McDowell
7. Woke Up This Morning (With My Mind on Jesus) [#]
8. You Done Told Everybody
9. Keep Your Lamp Trimmed and Burning [#] - Annie Mae McDowell, Mississippi Fred McDowell
10. What's the Matter Now? [#]
11. Good Morning Little Schoolgirl [#]
12. I Want Jesus to Walk With Me [#] - Mississippi Fred McDowell, James Shorty
13. Keep Your Lamp Trimmed and Burning [#][Instrumental]
14. You're Gonna Be Sorry

Product Details

• Amazon Sales Rank: #89454 in Music
• Released on: 1997-09-09
• Number of discs: 1

Customer Reviews

Solid
Now, if you made it this far, don't stop reading quite yet. You are lucky to have stumbled upon the absolute cream of delta blues artists (and perhaps the best blues slide guitarist of all time). I came upon an old record of McDowell in a used record store and have been hooked ever since. That said, this is a solid record, but not his best. For an introduction to McDowell's beautiful, soulful acoustic guitar pieces, try his "You Gotta Move". Not only are the performances better, you get almost 30 more minutes of music on "You Gotta Move". Good listening!

The first Fred McDowell recordings . . . and possibly the best
With the possible exception of Lightnin' Hopkins, no country blues performer of the postwar era was as consistently captivating as Mississippi Fred McDowell. But unlike Hopkins, McDowell's repertoire wasn't particularly large nor was his approach to blues particularly wide ranging.

The argument, then, for collecting a large pile of McDowell records has more to do with hearing him in different environments and with different accompanists.

Of all the many records that he cut during his 12-year recording career, perhaps none is as engrossing as his first recordings for Alan Lomax in 1959. Cut over the course of a few days in September, these performances find McDowell in riveting form. His individual style is recognizable from the first notes of the first track. What's remarkable is how utterly relaxed and in total command he was from the moment the tape began rolling.

Many of the 14 tracks here feature McDowell performing solo, but he's also joined by his wife Annie Mae singing harmony on a few numbers; Sidney Carter and Rose Hemphill who take lead vocals on one track; James Shorty who does so on another;, Miles Pratcher who plays spirited second guitar; and Fanny Davis who blows comb in a remarkably subtle and sympathetic style.

Storms raged during one night of recording and the thunder and rain can be clearly heard on a few numbers. Other tracks feature the spirited revelry of friends and relations hooting and hollering inside the McDowells' cramped shack. Fred's heavy boot can be heard bouncing off the plank floor throughout the proceedings. All of this ambient sound adds to the intimate feeling of these remarkable tracks - most of which remained unreleased for nearly 40 years!

There are no shortage of remarkable records in McDowell's catalog, but if you're looking for an introduction to his devastating slide work and monstrous vocals, you might as well start from the beginning. Here it is.

Best 60 minutes of Blues Guitar you'll ever hear
Mississippi Fred McDowell is unsurpaced as a blues guitarist. His transitions from note to note are fluid, smooth, and without error. Often we think of blues as free-form and improvisitional yet McDowell defies this truism because his rhythm are perfect. Were we to substitute one note differences it would ruin perfection. In this case there is only one right note, Fred's. Fred McDowell often finishes his lyrics with his guitar as opposed to his voice. This creates a call and response reminicent of revival preaching yet Fred is the preacher and his guitar, the parishoners.