Product Description

Leonard Marnham is assigned to a British-American surveillance team in Cold War Berlin. His intelligence work—tunneling under a Russian communications center to tap the phone lines to Moscow—offers him a welcome opportunity to begin shedding his own unwanted innocence, even if he is only a bit player in a grim international comedy of errors. Leonard's relationship with Maria Eckdorf, an enigmatic and beautiful West Berliner, likewise promises to loosen the bonds of his ordinary life. But the promise turns to horror in the course of one terrible evening—a night when Leonard Marnham learns just how much of his innocence he's willing to shed.

Product Details

• Amazon Sales Rank: #49667 in Books
• Published on: 1998-12-29
• Released on: 1998-12-29
• Original language: English
• Number of items: 1
• Binding: Paperback
• 288 pages

From Publishers Weekly
McEwan's name will be on everyone's lips with his startling new novel, an impeccably constructed psychological thriller set in Berlin during the Cold War. Basing his story on an actual (but little known) incident, he tells of the secret tunnel under the Soviet sector which the British and Americans built in 1954 to gain access to the Russians' communication system. The protagonist, Leonard Marnham, is a 25-year-old, naive, unsophisticated English post office technician who is astonished and alarmed to find himself involved in a top-secret operation. At the same time that he loses his political innocence, Leonard experiences his sexual initiation in a clandestine affair with a German divorcee five years his senior. As his two secret worlds come together, events develop into a gruesome nightmare, far more macabre than anything McEwan ( The Child in Time ) has previously written, building to a searing, unforgettable scene of surrealist intensity in which Leonard and his lover try to conceal evidence of a murder. Acting to save himself from a prison sentence, Leonard desperately performs an act of espionage whose ironic consequences resonate down the years to a twister of an ending. Though its plot rivals any thriller in narrative tension, this novel is also a character study--of a young man coming of age in bizarre circumstances, and of differences in national character: the gentlemanly Brits, all decorum and civility; the brash, impatient Americans; the cynical Germans. McEwan's neat, tensile prose raises this book to the highest level of the genre. Film rights to Paramount; BOMC and QPB featured alternates.
Copyright 1990 Reed Business Information, Inc.

Review
"Never less than wholly entertaining." —The Wall Street Journal

"Deft, taut fiction. . . . Many English writers have been compared to Evelyn Waugh, often wrongly, but this book can stand with the master's best." —Time

"So exhaustively suspenseful that it should be devoured at one sitting. . . . McEwan fuses a spy-novel plot with themes as venerable as the myth of Adam and Eve." —Newsweek

"Has the spooky, crooked-angled, danger-around-every-corner feeling of a Carol Reid film. It reminded me often of The Third Man and that is no mean feat." —Jonathan Carroll, The Washington Post Book World

"Powerful and disturbing . . . a tour de force." —The New York Times

From the Inside Flap
The setting is Berlin. Into this divided city, wrenched between East and West, between past and present; comes twenty-five-year-old Leonard Marnham, assigned to a British-American surveillance team.

Though only a pawn in an international plot that is never fully revealed to him, Leonard uses his secret work to escape the bonds of his ordinary life -- and to lose his unwanted innocence.

The promise of his new life begins to be fulfilled as Leonard becomes a crucial part of the surveillance team, while simultaneously being initiated into a new world of love and sex by Maria, a beautiful young German woman. It is a promise that turns to horror in the course of one terrible evening -- a night when Leonard Marnham learns just how much of his innocence he's willing to shed.

From the Paperback edition.

Customer Reviews

The thrill lies not where you expect
McEwan creates well the atmosphere of a post-war, pre-wall Berlin, amplifying our imaginings. The interaction between Brits and Americans is full of subtle humor, and as it later turns out, great regard and humane understanding. The narrative is smooth and concerns an everyman, virgin, British geek assigned to an American intelligence project consisting of building a tunnel crossing the border into the Russian zone to tap underground phone cables through which presumably important matters are discussed (remember, we are in 1948, almost a decade before Sputnik). Love interest and sexual education is provided by an experienced German girl to our Brit, the virgin geek. The writing is so smooth that one doesn't realize one is turning pages and reading on at a rate as if one were reading a chock-full-of-events thriller when in fact not much is really happening; the tunnel is just chugging along. But McEwan is a "smooth operator" and he is moving you along, hinting at tension, to the point you are expectant of actions or revelations in the intelligence component of the novel to pop-up any minute and throw everything topsy-turvy.

Rest assured McEwan is too smart to do that. Nothing happens as such that you are aware of for three quarters of the book until our everyman, the somewhat endearing British geek is plunged into a grand guignol not of his making and totally alien to the place where you would have expected the excitement you were owed to come from.(After all, you bought the book and it was sold to you as a thriller, and after all, it takes place in thriller-city and all major protagonists except two are freeks and geeks and goons and guards mostly in uniform and with varying levels of security clearance in the intelligence services of the powers which split this city. At times it looks as if each agent has his little black book which lists the interests they are called uypon to protect, investigate, eliminate, whatever, and thus move quickly about, talk with other similar blokes and keep moving about. The Tunnel provides a country-club of sorts for those connected with the project. There are body parts indeed, but they do not come from there.

So, much activity occurs in our atmospheric tunnel, yes. But nothing happens there really. The unwelcomed death occurs elsewhere, has nothing to do with Military Intelligence. The neatly wrapped body parts do not bring the Tunnel down, it's the disguise they wear. But the story does not end there.

Many years later a mature, no longer virginal Brit geek comes back to Berlin, post wall, to revisit sites, and carries with him a letter explaining what precipitated events at the tunnel and freed him of any trace of guilt, if any such he held.

The explication at the end of the book is clear, surprising, and truly closes the nattarive in an intelligent, satisfying way.

Endearing Love, after such an unforgettable opening and the obsessive development remains my favourite McEwan novel so far. Saturday is contrived, feels Thatcherite and stacked against the lower orders. Nonetheless I appreciated the medical tracts. (It's up for a Booker). In short, I liked "The Innocent" Better.

NOT your usual Ian McEwan book
This is a really unusual book, esp coming from a writer of Ian McEwan's stature. It's part psychological horror, part espionage, part mystery, part coming-of-age, part character study - and it's splendid.
Set in 1954 in Berlin, before The Wall was built, it's the `true' story of the construction of a secret spy tunnel so the Brits and the Americans could spy on the Russians, whom they no longer trusted. Much to his surprise, Leonard Marnham, an extraordinarily innocent and naïve British postal technician, is recruited to participate in this top-secret operation. A virgin at age 25, Leonard falls in love with a pretty German divorcee, and his initiation into the pleasures of a sexual relationship follows. The couples becomes engaged, but their world collapses into macabre horror on the night of their engagement party. The 80-plus pages that follow this horrific event are gruesome and spell-binding at the same time in a way that only a superb writer could possibly handle.
The ending, leap ahead 30 years to 1986, feels a bit contrived and distanced, esp after the intense and personal material that's just been revealed.
At its best, it rivals Pulp Fiction and Fargo for explicit shock value. At its worst...well, it doesn't have a `worst.' It's really, really good.
But: Ian McEwan???? Who knew?

A startling and fascinating tale
The term "breath-taking" is one that book reviewers toss about with more ease than readers believe. but McEwan's post-war/thriller/romance can leave you breathless as it slips cannily from the everyday to the astonishing. People who could not imagine being caught up in webs of intrigue and deception find their lives turned topsy-turvy in most imaginative and startling ways. The more I read of the McEwan list the more I am amazed by his artistry, and variety of plot and characters. Every bit as fine a read as "Amsterdam" and "Atonement."