Product Description

"An extended love letter to a magical San Francisco."
--New York Times Book Review

The internationally beloved classic comes to life in a Showtime miniseries.

Few works of fiction have blazed a trail through popular culture like Armistead Maupin's Tales of the City series. Since its publication as a daily newspaper serial in 1976, Maupin's incisive comedy of manners has expanded into six bestselling novels, the first of which became a highly acclaimed television miniseries starring Oscar-winner Olympia Dukakis as the irrepressible Anna Madgrigal, doyenne of 28 Barbary Lane.

Now More Tales of the City is becoming a Showtime miniseries, once again starring Olympia Dukakis, Laura Linney, and Thomas Gibson, as well as exciting new cast members, including Swoosie Kurtz and Ed Asner. It will be broadcast in June 1998.

The tenants of 28 Barbary Lane have fled their cozy nest for adventures for afield. Mary Ann Singleton finds love at sea with a forgetful stranger, Mona Ramsey discovers her doppleganger in a desert whore-house, and Michael Tolliver bumps into a certain gynecologist in a seedy Mexican Bar. Meanwhile, their venerable landlady takes the biggest journey of all'without ever leaving home.

Product Details

• Amazon Sales Rank: #178692 in Books
• Published on: 1998-06-01
• Released on: 1998-05-05
• Original language: English
• Number of items: 1
• Binding: Paperback
• 352 pages

Features

• ISBN13: 9780060929381
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

Review
"An extended love letter to a magical San Francisco." -- --New York Times Book Review

"Sparkling entertainments...lit by a glowing humanity that brings each character to vivid, poignant life." -- --Publishers Weekly

About the Author
Armistead Maupin is the author of Tales of the City, More Tales of the City, Further Tales of the City, Babycakes, Significant Others, Sure of You, and Maybe the Moon. In 1994 Tales of the City became a controversial but highly acclaimed miniseries on public television. More Tales of the City became a Showtime original miniseries in 1998. Maupin lives in San Francisco.

Customer Reviews

More tales, more tears, more love, more fun
Why is it that we admirers of the Tales of the City series enjoy it so much? Part of it is the fact that it is a combination of gossip and a good television series, all in a neat little package. Part of it is Maupin's great writing, which manages to capture the action and the spirit in a friendly, admiring style. Part of it is the motley crew of characters. But I think that the largest factor is jealousy - you read these stories and wish that you could live at Barbary Lane, and spend afternoons talking to Mrs. Madrigal, or tossing about campy bon mots with Michael.

This book is number two in a six part series about a house on Barbary Lane in San Francisco in the late 1970s and its inhabitants. Gay and straight, messed up and on the right track, Maupin's book is based on a regular (fictional) newspaper column that he wrote. And the book feels like you are getting regular episodes in the life of a group of people that you don't know personally, but you are interested in their lives anyway. You care about Mary Ann and her quest to the answer to her amnesiac lover's past. You want things to work out between Michael and the gynecologist Jon. You identify with Mona's surprise when she discovers her past during a chance visit to a desert whorehouse. You hope everything works out for DeDe and her twins-to-be. And as fantastic as these themes sound, they all become reasonable in Maupin's book. (Okay, so the parts concerning the amnesiac were a little bit far fetched, but nothing a reader can't cope with). I can almost guarantee that if you have not previously read the Tales of the City series before you read this book, you will be searching the shelves for the rest when you are finished.

Its Gets Better with the Second Book...
With Book Two - More Tales of the City - the gloves start to come off! "Tales of the City" told us a story and introduced us to our characters. Now things really start to happen to them in "More Tales." They're put under pressure. They betray one another. They're there for one another. They find love. They lose love. They live. They die.

"More Tales" is slices of life at its near best. While, in some cases, this starts to give the book more of a "soap-opera" character (something that, to be fair, the series IS), because of the introduction and story in "Tales" you largely care about what will happen next.

Again, "More Tales" is written as social and historical commentary (whether Maupin meant it that way or not) and now the books have an even more interesting nostalgic twinge to them as you can compare your thoughts and your actions to events the characters are going through that you remember from your own life even if you've never been to San Francisco.

Maupin has a way with dialog and characters somehow. While there are times when his PLOT is contrived and fantastical, how his characters get through it always seems to be rather on the mark.

Finally, no review of this work is complete without mentioning the chapter "Letter to Mama." This one chapter - two pages - is worth the price of the entire book and I personally know two families whom that chapter has helped "pave the way." It is required reading for any child (of any age) who has yet to come out to their parents and is still trying to figure out how to do it, and if its worth it.

It is. Let Mouse show you why.

Nancy Drew with a big, angry heart
Maupin's second novel retains all the virtues of the first _Tales of the City_, while strengthening the one weak link in the first book: plot. _More Tales of the City_ resolves the dramatic deficiencies of the first _Tales_ by featuring an interlocking set of mostly tongue-in-cheek mysteries. The sleuthing is mostly of the Nancy Drew variety, but the mysteries are well developed, and various clues and revelations are deftly spaced throughout the novel. Of course, there is a larger point: Many of these tales address the rise of religious fundamentalism (and the subsequent decline of public tolerance) during the late 1970s. Michael Tolliver--the only character not directly involved in dime-novel shenanigans--gets the novel's one truly affecting scene: his letter to Mom and Dad forms the thematic and emotional core of the book.