Product Description

Quezada creates stunning pots in the traditional style of the Casas Grandes people, including using human hair to make brushes and cow dung to feed the fire. This real-life story is written in the form of "The House That Jack Built," and relays how Juan’s pioneering work has changed a poor village into a prosperous community of world-class artists. Illustrated by Caldecott Medal winner David Diaz.

Product Details

• Amazon Sales Rank: #153536 in Books
• Published on: 2002-05
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 32 pages

Features

• ISBN13: 9781584300380
• Condition: NEW
• Notes: Brand New from Publisher. No Remainder Mark.
• Click here to view our Condition Guide and Shipping Prices

From Publishers Weekly
Noted Mexican potter Juan Quezada is the subject of an inventive and engrossing biography from newcomer Andrews-Goebel (who coproduced a documentary on Quezada) and Caldecott winner Diaz. On the left side of each spread, a "House That Jack Built"-style rhyme accumulates the often humble factors that shaped an extraordinary artist ("These are the cows all white and brown/ That left manure all over the ground/ That fueled the flames so sizzling hot/ That flickered and flared and fired the pot/ The beautiful pot that Juan built"). This lilting rhyme describes the rudiments of Quezada's process, but for more ambitious readers, the opposite page (unfortunately, in very small type) provides a straightforward elaboration ("Juan's pottery is fired the traditional way, using dried cow manure for fuels.... [M]anure from cows that eat grass, rather than commercial feed, burns at the best temperature to turn his clay pots into perfectly fired works of art"). Diaz ingeniously ties the two narrative threads together with strongly horizontal compositions and radiant, stencil-like digital renderings (a highlight is the spread in which ants point the way to a vein of fine white clay). The artist shows Quezada both at work and seeking inspiration in the scrubby foothills. The glowing tones of the artwork capture the sweep and heat of the sun-bleached landscape, while the highly stylized elements echo the decorative motifs of Quezada's pottery and lend a suitably mythic patina to this visionary artist's story. Ages 6-up.
Copyright 2002 Reed Business Information, Inc.

From School Library Journal
Kindergarten-Grade 5-Juan Quezada is one of the best-known potters in Mexico. Using only natural materials to form and paint his pots, he is responsible for creating a vibrant folk-art economy in his small town of Mata Ortiz. This unusual book is set up to allow for differing levels of reading expertise, presenting information about Quezada in such a way that it can be read as a story or as an informational book, part biography, part fine-arts discussion. One page contains a catchy cumulative rhyme modeled on "This Is the House That Jack Built," which outlines the process of making a pot. The facing page offers a clearly written prose presentation, laying out the story of the potter's life and his method of constructing pots in the classic style of the Casas Grandes Indians. Diaz's arresting illustrations, rendered in Adobe Photoshop, use yellows, oranges, and reds in a layered effect that seems to glow with an inward light. The use of stylized forms-all of the people with a full-face front eye in the manner of ancient Egyptian art-adds a sense of gravitas and historical continuity to the artwork. An afterword gives a more in-depth treatment of Quezada's life and work, and is illustrated with small inset color photographs. This is a must purchase for all collections, and could be used with Diana Cohn's Dream Carver (Chronicle, 2002) for a look at how both art and economies of scale can work to enrich our lives and to build community.
Ann Welton, Grant Elementary School, Tacoma, WA
Copyright 2002 Cahners Business Information, Inc.

Review
"Ingeniously crafted . . . . A lovely and unusual offering." -- Kirkus Reviews

"[A]n inventive and engrossing biography from newcomer Andrews-Goebel and Caldecott winner Diaz. "Starred Review" -- Publishers Weekly

Customer Reviews

My kid is obsessed with this book
The absorbing subject matter of this book, presented through catchy rhymes and alliteration and strong, colorful illustrations, has completely captured the imagination of my four-year-old. For three days now, he's been "Juan" almost exclusively, following ants to a vein of "the very best clay, all squishy and white," pretending to make vessels for every conceivable purpose, and peppering me with questions about Mexico, pottery-making, and Juan himself. I've had to draw the line at cutting my hair for paintbrushes and gathering the "dried cow manure" left by the neighborhood dogs. "The Pot That Juan Built" appeals to pre-schoolers' burgeoning interest in rhyme and other aspects of language; making things out of simple materials; and the world around them generally. I give it my highest recommendation!

A Modern Classic
This is a beautiful book, in illustration and in content. It is the true story of Juan Quezada, a potter, and a celebratory tale of the village of Mata Ortiz, Mexico. Quezada's discovery of ancient pottery methods transformed Mata Ortiz from an impoverished village into a prosperous community of world-renowned artists. The story is cleverly told in the form of "The House That Jack Built". It is sing-song-y in it's rhythm and children will be enraptured by the story Ms. Andrews-Goebel has written and the beautifully vibrant illustrations of Caldecott Award winning illustrator, David Diaz. A more complete story of the famous pottery is told on the facing pages, providing intricate details of a fascinating process. A photo-illustrated afterward follows Quezada through the process of creating a pot, from the digging of the clay to the completed product. This book is a great addition to any child's multicultural library and informs us of one of the great contemporary and nationally recognized Mexican artists. DELIGHTFUL!!!

Could have been Better for Those in the Know
For those in the know, the book suffers for want of careful editing. It is flawed, for example, by illustrator David Diaz' arrogance in placing his own designs on Quezada's pottery. Had this book been about van Gogh, Picasso or any other well-known artist, it is unlikely he would have portrayed their art with no concern for what it looked like in reality. This puts down Juan Quezada. Diaz also carelessly depicts Quezada building a pot by the continuous-coil method of the Indians of the American Southwest rather than by the distinctive method that he innovated and for which he is known. Better editing would have caught these problems with the illustrations as well as a multitude of minor inaccuracies that occur in the text, nearly one to a page. For example, in speaking of using a bean to burnish pottery, the author comments, "Of course dried beans can be found in any kitchen in the village." The bean in question is an inedible wild bean, the chilicote-not the kind that would normally be found in anyone's kitchen. Such editorial problems do not, however, detract from this production as a children's book. They are the sort that only one in the know would see.