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Psychology and Alchemy (Collected Works of C.G. Jung Vol.12)

Psychology and Alchemy (Collected Works of C.G. Jung Vol.12)
By C. G. Jung

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Product Description

A study of the analogies between alchemy, Christian dogma, and psychological symbolism. Revised translation, with new bibliography and index.


Product Details

  • Amazon Sales Rank: #79246 in Books
  • Published on: 1980-10-01
  • Number of items: 1
  • Binding: Paperback
  • 467 pages

Editorial Reviews

Review
Thought : Readers . . . who believe that medieval and early modern alchemy was only a misguided effort to transform base metals into gold, or at best a crude preparation for scientific chemistry, will experience a great and probably bewildering surprise.

Review
Readers . . . who believe that medieval and early modern alchemy was only a misguided effort to transform base metals into gold, or at best a crude preparation for scientific chemistry, will experience a great and probably bewildering surprise.


Customer Reviews

Only Four Stars For A Good Reason4
In the first half of this book, Jung uses the dream analysis of a mentally ill patient to draw conclusions based on what he calls universal archetypes. Jung flagrantly filters this person's dream symbolism through his own alchemical bias, where personally I could come up with all kinds of different interpretations that seemed to me just as valid. But I'm no Jung. So moving on. The flip side to the coin, for the first half, is you do get a nice exposure to the tenets of alchemy along with it's rich symbolism. It is up to the reader to decide if the trade off is worth it. Learning about alchemy, while doing so through what many may consider questionable means. There are two principles Jung brings out that I happen to agree with. The first is concerning the psyche. In the beginning of the book, Jung categorically states the psyche is ancient and pagan. The second principle I agree with deals with archetypes. Jung makes pains to say that just because he is focusing on the archetype, which he defines as an image, he is not denying an imprinter. So the door to objectivity is left at least slightyly ajar.

In the second half, Jung focuses on alchemy as a science that predated christianity, and that though it was pagan, it's motifs were certainly congruous with christian ideals. Parallels are drawn between the Virgin Mary and Prima Materia. Between a metal's blackening, whitening and sublimation to the philosopher's stone as the state of the christian soul through it's stages of redemption. In this section of the book, Jung characterizes the royal art as being objective and practical, but also subjective and spiritual. The author can't rid himself of the possibility that the earliest philosophers were projecting their unconsiousnesses into their art. He also brings out the gnostic feel of alchemy in that the art attempts to separate the pure spirit out of foul matter. Some readers may question his veracity as he states in one of his footnotes christianity actually was subsumed into gnosticism due to the presence of Simon Magus. This reader said 'what'? Also, alchemy is monadic in that the philosopher's stone comes out of one, becomes few, and is returned to one, now ennobled, higher state. Philosophically, monadism can lead to problems of it's own, and again, it is left to the reader's discrimination as to what to accept and reject.

The capstone, of course, is the epilogue. Jung finally tips his hand that he is a modern through and through and relegates the art to a purely subjective level. He hints that it is the the breadth of the modern psyche that as Auguste Comte said, poses such endless need and endless danger to ourselves. And in this, the pieces all fall neatly into place.

Difficult but impressive work4
Jung explored alchemy as if it were a mystery novel--relishing every clue, interpreting (nominally) each symbol as it arose. His conclusion that it paralleled his psychological observations & model satisfied his incredible yearning to know that he wasn't crazy or a voice crying in the wilderness--yeah, verily, the alchemists pursued the same goal though in a slightly different way--vindicating Jung's quest for individuation=personal salvation. Thus, Jung's love for alchemy. It's unfortunate that even so-called scientists have ego's so wounded that they disavow their roots: chemists tend to downplay alchemy as astronomers downplay astrology--denigrating their roots. This shows an appalling lack of courage--something Jung had no lack of. Just think of what courage it must have taken for Jung to write about alchemy as having psychological truth embedded in its very heart. Yet he wrote 2 books worth on it CW12 & CW13. I'm in awe of his courage, let alone of his genius. Try reading some alchemy works yourself--if you think Jung is hard to read, think twice. Alchemical works are far more difficult. It took Jung's supreme effort to decipher them. So, if this work seems obtuse to you (& it is), consider how obtuse it was to Jung. Some of the best (& most profound) quotes in this work (from the hardback version) are:

p. 3 Even the most unqualified layman thinks he knows all about psychology as the psyche were something that enjoyed the most universal understanding. But anyone who really knows the human psyche will agree with me when I say that it is one of the darkest & most mysterious regions of our experience.

p. 117 paragraph 152. Only a fool is interested in other people's guilt, since he cannot alter it. The wise man learns only from his own guilt. He will ask himself: Who am I that all this should happen to me? To find the answer to this fateful question he will look into his own heart.

p. 222 Sense and nonsense are merely man-made labels which serve to give us a reasonably valid sense of direction.

A poorly organized book about a fascinating topic2
Psychology and Alchemy has a lot of interesting information, but it is not presented in any sort of organized fashion. Alchemy is well known for its perplexing symbols, but in the book these symbols are only referred to in passing. This book is not for anyone who is trying to understand how the symbolism of Alchemy relates to psychology. The descriptions of basic elements such as the planets, the caduceus, or birds are only 1-2 sentences in length and are scattered throughout the book. Trying to use the index won't help either, as the pages listed in the index as containing information about a topic are often incorrect as they contain no mention of the topic being looked up.